Flute Solo - Level 3 - Digital Download

SKU: A0.546452

By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Leo Silva. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Traditional,World. Individual part. 2 pages. MP Sheet Music #156472. Published by MP Sheet Music (A0.546452).

Theme from New York, New York (or New York, New York) is the theme song for the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It remains one of the best-known songs about New York City. In 2004, it finished 31st in the AFI's 100 Years...100 Songs poll of top American film songs. In 1979, Theme from New York, New York was recorded by Frank Sinatra for his album Trilogy: Past Present Future (1980), and has become closely associated with it as one of his signature songs. Don Costa received a Grammy nomination for energetic orchestration. Sinatra occasionally performed the song live with Minnelli as a duet. Sinatra recorded for the second time for his 1993 album Duets, with Tony Bennett. Sinatra's recording peaked at #32 in June 1980, becoming his final Top 40 hit. It was also an Adult Contemporary hit, reaching #10 in the US[2] and #2 in Canada. [3] The song made a small showing in the UK (#59); however, it reappeared several years later and reached No. 4 in 1986. The song was nominated for a Grammy Award for Best Pop Vocal Performance, Male and Sinatra made two more studio recordings of the song in 1981 (for their NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.583260

By Barbra Streisand. By Don Costa. Arranged by Jeff Tincher. Contemporary. Score. 18 pages. Jeff Tincher #3629065. Published by Jeff Tincher (A0.583260).

You want to make some Christmas Memories, this is the song for you ! In the original key from Barbara Streisands' Christmas Memories CD, this ballad is great for any Christmas celebration!. Duration=4:15. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing

(Accompaniment Only) - Digital Download

SKU: HX.387928

Composed by Alan Bergman, Don Costa, and Marilyn Bergman. Arranged by Mac Huff. Christmas,Pop. Choral. Duration 254. Published by Hal Leonard - Digital (HX.387928).

String Orchestra - Level 3 - Digital Download

SKU: A0.1509156

By Keith Terrett. By Afonso Redentor Araújo, 1975. Arranged by Keith Terrett. Historic,Instructional,Multicultural,Standards,Traditional,World. 11 pages. Keith Terrett #1084408. Published by Keith Terrett (A0.1509156).

Pátria (English: Fatherland) is the national anthem of East Timor. It was originally adopted when East Timor unilaterally declared its independence from Portugal in 1975. However, this usage would be short-lived, when the country was invaded by Indonesia. It was officially re-adopted when the independence of East Timor was finally restored in 2002 following a United Nations intervention.

The music was composed by Afonso Redentor Araújo, and the words were written by the poet Francisco Borja da Costa, who was killed by Indonesian forces at the time of the invasion. It was originally sung exclusively in Portuguese, however there is now a Tetum version.

The infraconstitutional officialization and the forms of ceremony of uses of the state anthem are regulated by the Law of the National Symbols of Timor-Leste.

Clarinet Solo - Level 4 - Digital Download

SKU: A0.918686

Composed by Jenni Brandon. Contemporary. Individual part. 14 pages. Jenni Brandon Music #5709187. Published by Jenni Brandon Music (A0.918686).

Starry Night for solo B-flat clarinet is a three-movement work that tells of the night skies and our fascination with what lies in them. Using poetry and texts from Gerard Manley Hopkins, John Keats, and Van Gogh (whose painting is also the inspiration for the title of this work), these movements tell of the stars as fire-folk and how the sight of stars can make us dream. This work was written for Virginia Costa Figueiredo, and was recorded by her on her CD Seule. Duration approximately 9:00

I. The Starlight Night;
II. Bright Star!;
III. The Sight of Stars

Programming: Concert and Contest

Jenni Brandon Music
www.jennibrandon.com
ASCAP

French Horn,Piano - Level 2 - Digital Download

SKU: A0.1047232

Composed by Traditional. Arranged by James Siddons. Easter,Praise & Worship,Sacred,Spiritual,Wedding. Score and part. 2 pages. James Siddons Music and Writings #651778. Published by James Siddons Music and Writings (A0.1047232).

This familiar music is appropriate for Pentecost in liturgical worship and Pentecostal worship generally. The original melody and homophonic harmony have been recast into a collaborative setting for Horn in F and Piano. The score for sale here is the solo French Horn part only. The mp3 audio track here has the horn part only and is for practice. The full score, which the pianist needs, is sold separately. The mp3 audio track there has the music of the full score.

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.938330

Composed by Dr Anthony Costandius. 20th Century,Romantic Period. Octavo. 6 pages. Anthony Costandius Music #2034373. Published by Anthony Costandius Music (A0.938330).

An SSAATTBB 8 part love song based on a beautiful text by John Donne: Stay, O stay and do not rise. The light that shines comes from your eyes; The day breaks not, it is my heart, it is that you and I must part. True, it's day, Yeah it is, so will you there-fore rise? Why should we rise be-cause 'tis light? Love which in spite of dark-ness brought us here, should in spite of light keep us to-ge-ther.

Choral Choir (SATB) - Digital Download

SKU: A0.828730

Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730).

SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età, come allievo falegname. Egli però, già cantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre città d'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.

Guitar - Advanced - Digital Download

SKU: ZZ.DZ-4304

Composed by Ken Murray. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4304. Published by Les Productions d'OZ - Digital (ZZ.DZ-4304).

A tribute to the inspirational Brazilian guitarist Yamandu Costa, Shanghai is Australian slang for a slingshot. This is a term I remember from my childhood in north Queensland where a shanghai made from sticks and rubber was a prized possession for a young boy up to mischief. When pulled back the rubber stretches, and as it snaps back into shape, a stone or other form of ammunition is projected into the distance. This action reminds me of the dynamic and joyful qualities of Yamandu Costa’s performances. Shanghai aims to capture some of the energy, playfulness and musical expression Yamandu brings to everything he plays.

Hommage au guitariste brésilien Yamandu Costa, « Shanghai » est un argot australien désignant une fronde. C'est un terme dont je me souviens de mon enfance dans le nord du Queensland, où un « Shanghai » fabriqué à partir de bâtons et de caoutchouc était un bien précieux pour un jeune garçon prêt à faire des bêtises. Lorsqu'il est retiré, le caoutchouc s'étire et, lorsqu'il reprend sa forme, une pierre ou une autre forme de munition est projetée au loin. Cette action me rappelle les qualités dynamiques et joyeuses des performances de Yamandu Costa. Shanghai vise à capturer une partie de l'énergie, du caractère ludique et de l'expression musicale que Yamandu apporte à tout ce qu'il joue.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.1514943

Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 26 pages. Editorial Copistas Acuario #1089438. Published by Editorial Copistas Acuario (A0.1514943).

El proyecto editorial «Escordaturas: Nueva mu?sica latinoamericana para cuerdas» nace con la inquietud de la Editorial Copistas Acuario, por ampliar su rango de accio?n luego de la publicacio?n exitosa de diversos volu?menes de mu?sica dominicana tanto histo?rica como actual.

Siempre apegados a una identidad primero dominicana y luego latinoamericana, y siguiendo nuestro objetivo institucional de «fomentar el desarrollo sostenible de la industria creativa de la produccio?n, edicio?n, publicacio?n y distribucio?n del patrimonio musical nacional y regional...» nos propusimos desarrollar esta nueva serie abriendo una convocatoria general a todos los compositores jo?venes de la regio?n que desearan publicar y difundir a trave?s de esta Editorial obras de su autori?a para ensambles e instrumentos de cuerda. Se ha preparado esta compilacio?n numerada de 10 obras que busca representar la diversidad y el alto nivel propositivo de la nueva creacio?n sonora en Ame?rica Latina. De aqui?, precisamente, el si?mbolo de la «escordatura» para visualizar esta riqueza de un continente que a pesar de las diferencias idioma?ticas de cada pai?s, logra conformar una entidad cultural identificable, valiosa y llamativa.

Con inmenso entusiasmo presentamos esta primera entrega que incluye mu?sica de Argentina, Chile, Colombia, Costa Rica, Repu?blica Dominicana, Nicaragua, Me?xico, Ecuador y Venezuela; donde confluye la variedad estili?stica de cada compositor con lenguajes que rondan desde la mu?sica tonal e impresionista hasta propuestas experimentales y posmodernas.

Con la apertura de esta nueva serie, la Editorial Copistas Acuario profundiza su posicio?n en Ame?rica Latina y expande su cata?logo, esperando lograr a futuro su consolidacio?n como casa editorial de la mu?sica latinoamericana ante el mundo.

-------------------------------------------------


The editorial project Escordaturas: New Latin American music for strings was born from the concern of the Editorial Copistas Acuario, to expand its range of action after the successful publication of several volumes of Dominican historical and contemporary music.

Always attached to a first Dominican and then Latin American identity and following our institutional objective of promoting the sustainable development of the creative industry of the production, edition, publication and distribution of the national and regional musical heritage... we proposed to develop this new series by opening a general call to all young composers of the region who wish to publish and promote through this Editorial works of their authorship for string instruments and ensambles. This numbered compilation of 10 works has been prepared to represent the diversity and high level of the new sound creation in Latin America. Hence, precisely, the symbol of the escordatura to visualize this richness of a continent that despite the idiomatic differences of each country, manages to form an identifiable, valuable and striking cultural entity.

It is with immense enthusiasm that we present this first installment, which includes music from Argentina, Chile, Colombia, Costa Rica, Dominican Republic, Nicaragua, Mexico, Ecuador and Venezuela; where the stylistic variety of each composer converges with languages that range from tonal and impressionist music to experimental and postmodern proposals.

With the opening of this new series, the Editorial Copistas Acuario deepens its position in Latin America and expands its catalog, hoping to achieve in the future its consolidation as the publishing house of Latin American music to the world.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.1514903

Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 36 pages. Editorial Copistas Acuario #1089397. Published by Editorial Copistas Acuario (A0.1514903).

El proyecto editorial «Escordaturas: Nueva mu?sica latinoamericana para cuerdas» nace con la inquietud de la Editorial Copistas Acuario, por ampliar su rango de accio?n luego de la publicacio?n exitosa de diversos volu?menes de mu?sica dominicana tanto histo?rica como actual.

Siempre apegados a una identidad primero dominicana y luego latinoamericana, y siguiendo nuestro objetivo institucional de «fomentar el desarrollo sostenible de la industria creativa de la produccio?n, edicio?n, publicacio?n y distribucio?n del patrimonio musical nacional y regional...» nos propusimos desarrollar esta nueva serie abriendo una convocatoria general a todos los compositores jo?venes de la regio?n que desearan publicar y difundir a trave?s de esta Editorial obras de su autori?a para ensambles e instrumentos de cuerda. Se ha preparado esta compilacio?n numerada de 10 obras que busca representar la diversidad y el alto nivel propositivo de la nueva creacio?n sonora en Ame?rica Latina. De aqui?, precisamente, el si?mbolo de la «escordatura» para visualizar esta riqueza de un continente que a pesar de las diferencias idioma?ticas de cada pai?s, logra conformar una entidad cultural identificable, valiosa y llamativa.

Con inmenso entusiasmo presentamos esta primera entrega que incluye mu?sica de Argentina, Chile, Colombia, Costa Rica, Repu?blica Dominicana, Nicaragua, Me?xico, Ecuador y Venezuela; donde confluye la variedad estili?stica de cada compositor con lenguajes que rondan desde la mu?sica tonal e impresionista hasta propuestas experimentales y posmodernas.

Con la apertura de esta nueva serie, la Editorial Copistas Acuario profundiza su posicio?n en Ame?rica Latina y expande su cata?logo, esperando lograr a futuro su consolidacio?n como casa editorial de la mu?sica latinoamericana ante el mundo.

-------------------------------------------------


The editorial project “Escordaturas: New Latin American music for strings” was born from the concern of the Editorial Copistas Acuario, to expand its range of action after the successful publication of several volumes of Dominican historical and contemporary music.

Always attached to a first Dominican and then Latin American identity and following our institutional objective of “promoting the sustainable development of the creative industry of the production, edition, publication and distribution of the national and regional musical heritage...” we proposed to develop this new series by opening a general call to all young composers of the region who wish to publish and promote through this Editorial works of their authorship for string instruments and ensambles. This numbered compilation of 10 works has been prepared to represent the diversity and high level of the new sound creation in Latin America. Hence, precisely, the symbol of the “escordatura” to visualize this richness of a continent that despite the idiomatic differences of each country, manages to form an identifiable, valuable and striking cultural entity.

It is with immense enthusiasm that we present this first installment, which includes music from Argentina, Chile, Colombia, Costa Rica, Dominican Republic, Nicaragua, Mexico, Ecuador and Venezuela; where the stylistic variety of each composer converges with languages that range from tonal and impressionist music to experimental and postmodern proposals.

With the opening of this new series, the Editorial Copistas Acuario deepens its position in Latin America and expands its catalog, hoping to achieve in the future its consolidation as the publishing house of Latin American music to the world.

Acoustic Guitar,Bass Drum,Cymbals,Piano,Snare Drum,Triangle - Level 2 - Digital Download

SKU: A0.1203295

By Leonardo Mendoza S. By Leonardo Mendoza S. Arranged by Leonardo Mendoza S. Chamber,Children,Instructional. 12 pages. Leonardo Mendoza S. #801970. Published by Leonardo Mendoza S. (A0.1203295).

El Mocmo es una obra basada en un mito donde un personaje fantasma se llevaba las cabezas por la noche de las personas que no consumían agua durante el día y antes de acostarse. Esta mitología es de Perú.
La obra tiene finalidad instruccional y está conformada por: 2 guitarras, 2 pianos, triángulo, tarola, platillos y bombo.

String Quartet String Quartet - Digital Download

SKU: A0.508952

Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952).

The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!� Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.

Piano Solo - Digital Download

SKU: A0.976833

Composed by Monica Bergo. Spiritual. Score. 5 pages. Monica Bergo #3235425. Published by Monica Bergo (A0.976833).

2017 Holiday Contest Entry

                                L'AMORE E LE SUE FORME

 

Lo incontrai

era un giorno senza fiato

perso tra la folla

mi guardava disperato

stai con me

sembri triste e solo

mentre piega il capo

lo accarezzo e lo consolo

non so chi sei

ma ti starò vicino

non sei uomo o donna

non sei adulto nè bambino

guardami

oltre le apparenze,

mi hai rincorso tanto ed ero qua

 

ero con te in quelle vie

ma tu non mi hai notato

negli occhi spenti di chi

ormai tutto ha perduto

ero in quel barbone steso là

avvolto nel giornale

ero in quella squallida corsia

tra la miseria e il male

Ma Ora fermati

smetti di correre

quante forme vuoi

prima di accorgerti

che sono intorno a te

in ogni brivido

che proverai

 

e come angeli

dalle ali fragili

spiccate il volo verso cieli sterili

sfiorate il sole ma

poi come Icaro

cadete giù

ma ora tu

puoi dirmi cosa vuoi?

 

vorrei, vorrei,

vorrei scordare le lacrime

e poi

 vorrei

con te  toccare le nuvole

vorrei gettare la maschera

e poi sentirmi più libera

vorrei poter riconoscere

tra tanta gente che c'è

chi somiglia un po' a me

Vorrei tornare all'origine

e  poi riscrivere pagine

vorrei spezzare i silenzi e poi

io vorrei e non dovrei

ricordarmi di lui

 

ti lascio esplodere

nascosta nemesi

divento sterile

femmina inutile

moderna Elettra nel mio lutto fragile

di nero mi vestirò

 

e smetto i panni di Pierrot improbabile

ed indurisco la mia scorza debole

povero cuore mio

soltanto un muscolo

l'amore rinnegherò

 

non mi commuovo più

smetto di ridere

calpesto questa parte mia sensibile

io burattino strano e un po' patetico

i fili miei taglierò

La gentilezza che diventa acredine

e sputo in faccia a chi fraintende e immagina

che donna dolce = disponibile

uomini solo a metà

 

femmina alfa di tribù di vergini

vi incateniamo maschilisti ipocriti

 la tua virilità non può dipendere

solo dal sesso che fai

 

Mi adeguo a questa società di plastica

e mi innamoro solo del tuo bancomat

la mia natura astratta e vulnerabile

cenere al vento sarà

 

ma questa donna chi è

non sono io

e ritorno al mondo mio

e a te che

 

so chi sei

ti ho riconosciuto

sei l'amore  in ogni forma

offeso e maltrattato

stai con me

non sarò triste e sola

stringo la tua mano

che guarisce e che consola..

 

                                                                                         Monica Bergo