Choir Sacred Instrumental Ensemble - Digital Download

SKU: JX.00-19093

Composed by Graham Kendrick. Arranged by Mark Hayes. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Evangelism; Sacred. Part(s). 47 pages. Jubilate Music Group - Digital #00-19093. Published by Jubilate Music Group - Digital (JX.00-19093).

English.

Say it loud, say it strong, tell the world what God has done. Graham Kendrick's masterful new musical affirmation of faith is now available for choirs, arranged by Mark Hayes. Mark's gifted pen has crafted an anthem filled with pentecostal fervor, with the masterful harmonies, solid choral writing and dynamic orchestration (optional, parts available separately) that have become his hallmarks. Highly recommended for services throughout the year, especially for ecumenism, evangelism and stewardship. InstruPax includes: director's score, 2 trumpets, 2 trombones, 2 alto sax, 2 tenor sax, rhythm.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download

SKU: A0.1226165

Composed by Traditional. Arranged by Alessandro Macrì. Broadway,Celtic,Classical,Film/TV,Irish,Musical/Show,Traditional. 11 pages. Music Macri Editions #822193. Published by Music Macri Editions (A0.1226165).

Drunken Sailor (letteralmente: Marinaio ubriaco) è un canto marinaresco, conosciuto anche come What Shall We Do with a/the Drunken Sailor? (letteralmente: Cosa faremo con un/il marinaio ubriaco?).

Questo canto di lavoro nacque per accompagnare certi lavori a bordo di velieri, specialmente quelli che richiedevano un passo svelto e vivace. Si pensa che il canto risalga ai primi del XIX secolo o anche prima, in un periodo nel quale le ciurme delle barche, specialmente quelle dei vascelli militari, erano sufficientemente numerose da poter tirare una corda semplicemente marciando lungo il ponte. Con l'avvento delle navi postali e i clipper e le loro ciurme ridotte, che richiedevano differenti metodi di lavoro, l'uso di questo canto è progressivamente scemato o è passato all'accompagnamento di lavori meno faticosi.

Drunken Sailor è poi divenuta una canzone popolare fra i non-marinai nel XX secolo, fino a essere considerata uno dei canti marinareschi più conosciuti dal pubblico. Numerosi artisti ne hanno proposto la loro versione in registrazioni e/o esibizioni e i media hanno contribuito alla sua popolarità. Anche se non esiste una versione univoca del testo, esso contiene costantemente la domanda What shall we do with a drunken sailor, early in the morning? (letteralmente: Cosa faremo con un marinaio ubriaco, la mattina presto?). In alcune versioni, i versi successivi suggeriscono metodi per alleviare la sbornia o punire il marinaio ubriaco. Altre versioni, invece, prevedono il susseguirsi di ulteriori domande e risposte relative ad altri personaggi.

Piano Solo - Level 3 - Digital Download

SKU: A0.976865

Composed by Monica Bergo. Children,Contemporary. Score. 13 pages. Monica Bergo #3239653. Published by Monica Bergo (A0.976865).

2017 Holiday Contest Entry

 

 

                    Come Scrooge (Ghost's Christmas)

Din-don

din-don

suonan le campane

ad ogni rintocco ti ricordan che è Natale

sono ombra,buio

è il tempo che mi porta

sono il tuo fantasma

proprio come fu per Scrooge

 

Mi seguirai

nel già vissuto

ti immergerai dentro al passato

come un pittore che ha sbagliato i suoi colori

come un'attrice che il suo ruolo più non ha

camminerai dentro la nebbia dei tuoi errori

finchè quell'irrisolto sparirà

 

Che senso ha

questo tuo folle viaggio

non cambierà niente col tuo passaggio

non amerò quei tuoi natali infreddoliti

quella tua neve che li imbianca io odierò

e quegli auguri non sinceri e comandati

abbracci ipocriti rifiuterò

 

come vampiri nella notte

ci muoviamo in  libertà

e trasformati in pura luce

noi voliamo via da qua

 

sfioro la luna, immensa e bianca

solo lei non cambia mai

la sua  immortalità spaventa

è luce eterna su di noi

 

la mia casa è là

un punto lontano

e mi manca già

la mia realtà

 

e ora siamo qua

e l'angoscia mi attanaglia

quanto grigio e che male fa

ogni giorno una battaglia

in silenzio urlo dentro di me

la mia anima è già stanca e vorrei fuggir via

 

lì nascosta c'è una bimba

vuol venire via con me

e mi guarda impaurita

mi ha riconosciuta

sono io a una vita da qua

 

un istante che pare sia eterno

ci guardiamo negli occhi io e lei

la domanda inespressa

è sempre la stessa

mi chiede se ciò cambierà

 

vorrei solo abbracciarla e cullarla

sai l'istinto materno com'è?

ma il fantasma mi dice

non si interferisce

il passato rimanga com'è

 

E fa Din - Don

Din-Don

 la triste campana

apro  gli occhi e ascolto

la sua melodia lontana

è già l'una in punto

aspetto il mio fantasma

sono un fiore e come al vento

io gli ubbidirò

 

Vieni con me

no, aspetta non parlare

conosco già

ciò che mi vuoi mostrare

ma non c'è nulla che non so del mio presente

portami allora nel futuro come Scrooge

tu incappucciato sei un fantasma un po' inquietante

ma io non temo ciò che mi accadrà

 

così attraverso quel confine che incatena tutti noi

battito d'ali di farfalle

così volan gli anni miei

e come un film ormai datato che nessuno vede mai

io spettatrice solitaria

che fermarmi ora vorrei

 

come un libro che

svela il suo finale

il futuro è qua

è scritto già

 

e ora siamo qua

una  dimensione nuova

non conosco questa realtà

questi luoghi e le persone

sono tristi e stan piangendo

sembra che stian sussurando il nome mio

 

ed inciampo tra maschere bianche

sembra che Carnevale sia qua

ed è un tragico samba

mi unisco alla danza

che il mio funerale sarà

 

Sto bussando alla porta del cielo

chiedo se ci sia un posto pe rme

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.730393

Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holland #3075871. Published by James Nathaniel Holland (A0.730393).

New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This extremely versatile publication of a score and set of parts is a great addition to any orchestral or choral music library:  either school, church, or community orchestra. Excellent for young musicians or intermediate-level volunteers, for the beginning conductor, but full of meaning for the professional orchestra as well.

YouTube video presentation:
https://youtu.be/WonTmPLYP1g

These three beautiful Adagios are adapted from JN Holland's ballet, The Wind in the Willows   Perform together for concert or as stand alone pieces. They are perfect for weddings, funerals, graduations, or any solemn occasions. Texts are non-religious, but express universal sentiments of one's helping others, healing, and impermanence.

Complete, intended orchestration for: fl, ob, cl Bb, bsn, hrn, hrp, SATB choir, strings

Use as optional accompaniment for solos, or SATB choir. (Vocal parts included.)

Adagio No. 1 My Salvation (or if If I've done one bit of good, that is my salvation) text by JN Holland
Adagio No. 2 The Healing Power (aka Forget) Text by Kenneth Grahame
Adagio No. 3 All Are Passersby

Mix, omit and match combinations of available instruments of your group. Such as:
Strings, woodwind quintet, harp (or piano), soloists and/or chorus. (omissions and combinations thereof, except the essential string section)
String orchestra only
Tripled Strings players with woodwind quintet
Strings, woodwind quintet
Included are substitution parts in key of C for the parts of Clarinet in Bb and Horn in F (if those instruments are not available).
Add one trumpet, or trombone, etc. etc.

(Complete duration: 20 minutes)

Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html

Concert Band - Level 2 - Digital Download

SKU: A0.978107

Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107).

The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.

Flute Solo - Level 3 - Digital Download

SKU: A0.1083310

By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310).

The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.

Piano Solo - Digital Download

SKU: A0.955766

Composed by Jonathan Mead. Children,Christian,Praise & Worship,Sacred. Score. 2 pages. Jonathan Mead #5890433. Published by Jonathan Mead (A0.955766).

A Fun Song For Children's Voices. If you like Football Teams. going to McDonalds or Costa Coffee, then this is the song for you. The children and audience will love it!

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download

SKU: A0.1309261

Composed by Manoel Gomes and Tierre De Araujo Paixao Costa. Arranged by Ander. 21st Century,Chamber,Comedy. 22 pages. Woods Only, Arrangements #898443. Published by Woods Only, Arrangements (A0.1309261).

We present to you the sheet music of the arrangement of the song “Look, if you don’t love me� (Olha, se você não me ama) by Manoel Gomes (composer of the iconic and globally known “Caneta azul�) in collaboration with Tierry, specially adapted for Woodwind Quintet. This unique arrangement preserves the originality of the work, incorporating elements of chamber music and maintaining the comedic air that the singer and his music convey. Ideal to be presented at concerts, public events or recitals, this sheet music is an excellent tool for music teachers who wish to expand their students’ repertoire of Brazilian popular music. Concert musicians will also find in this arrangement a fun and challenging way to explore Brazilian popular music. In addition, parents who wish to encourage their children in music will find in this arrangement a fun and educational way to do so. With the purchase of this product, you will be supporting Brazilian artists and contributing to the continuation of the production of high-quality musical arrangements. Don’t miss this unique opportunity to own the sheet music of the arrangement of the song “Olha, se você não me ama�. Get yours now!

Composed by Don Fearheiley, Patricia Costa, and Buryl Red. Score. 61 pages. Jubilate Music Group - Digital #JMG1209. Published by Jubilate Music Group - Digital

By Melina Mercouri, Don Costa, and The Chordettes. By Manos Hadjidakis (1925-1996). For Piano/Vocal/Chords. Pop/Rock, Broadway, and Movies. 5 pages. Published by Alfred Music. Digital Sheet Music