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Orff instruments Orff instruments - Level 2 - Digital Download SKU: A0.1038908 By David Bowie. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by André Costa and André Pires Costa. Contemporary,Pop,Rock. 61 pages. André Pires Costa #643880. Published by André Pires Costa (A0.1038908). I made this made this medley (Under Pressure, Don't Stop Me Now and We Will Rock You) made of to explore different possibilities through an orff ensemble hope you like it. The instrumentation is Soprano Glockenspield, Soprano Xylophone, Soprano Metalhophone, Alto/Tenor Xylophone, Alto /Tenor Metalhophone, Bass Xylophone, Bass Metalhophone, Guitar, Harp (optional), Piano All the arrangement has individual parts and gave me alot of fun to do. The harp part is optional.
Under Pressure
David Bowie
$13.99 11.89 € PDF SheetMusicPlus

Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-19093 Composed by Graham Kendrick. Arranged by Mark Hayes. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Evangelism; Sacred. Part(s). 47 pages. Jubilate Music Group - Digital #00-19093. Published by Jubilate Music Group - Digital (JX.00-19093). English.Say it loud, say it strong, tell the world what God has done. Graham Kendrick's masterful new musical affirmation of faith is now available for choirs, arranged by Mark Hayes. Mark's gifted pen has crafted an anthem filled with pentecostal fervor, with the masterful harmonies, solid choral writing and dynamic orchestration (optional, parts available separately) that have become his hallmarks. Highly recommended for services throughout the year, especially for ecumenism, evangelism and stewardship. InstruPax includes: director's score, 2 trumpets, 2 trombones, 2 alto sax, 2 tenor sax, rhythm.
Say It Loud

$50.00 42.5 € PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1226165 Composed by Traditional. Arranged by Alessandro Macrì. Broadway,Celtic,Classical,Film/TV,Irish,Musical/Show,Traditional. 11 pages. Music Macri Editions #822193. Published by Music Macri Editions (A0.1226165). Drunken Sailor (letteralmente: Marinaio ubriaco) è un canto marinaresco, conosciuto anche come What Shall We Do with a/the Drunken Sailor? (letteralmente: Cosa faremo con un/il marinaio ubriaco?).Questo canto di lavoro nacque per accompagnare certi lavori a bordo di velieri, specialmente quelli che richiedevano un passo svelto e vivace. Si pensa che il canto risalga ai primi del XIX secolo o anche prima, in un periodo nel quale le ciurme delle barche, specialmente quelle dei vascelli militari, erano sufficientemente numerose da poter tirare una corda semplicemente marciando lungo il ponte. Con l'avvento delle navi postali e i clipper e le loro ciurme ridotte, che richiedevano differenti metodi di lavoro, l'uso di questo canto è progressivamente scemato o è passato all'accompagnamento di lavori meno faticosi.Drunken Sailor è poi divenuta una canzone popolare fra i non-marinai nel XX secolo, fino a essere considerata uno dei canti marinareschi più conosciuti dal pubblico. Numerosi artisti ne hanno proposto la loro versione in registrazioni e/o esibizioni e i media hanno contribuito alla sua popolarità. Anche se non esiste una versione univoca del testo, esso contiene costantemente la domanda What shall we do with a drunken sailor, early in the morning? (letteralmente: Cosa faremo con un marinaio ubriaco, la mattina presto?). In alcune versioni, i versi successivi suggeriscono metodi per alleviare la sbornia o punire il marinaio ubriaco. Altre versioni, invece, prevedono il susseguirsi di ulteriori domande e risposte relative ad altri personaggi.
Drunken Sailor
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$8.00 6.8 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.976865 Composed by Monica Bergo. Children,Contemporary. Score. 13 pages. Monica Bergo #3239653. Published by Monica Bergo (A0.976865). 2017 Holiday Contest Entry                        Come Scrooge (Ghost's Christmas) Din-don din-don suonan le campane ad ogni rintocco ti ricordan che è Natale sono ombra,buio è il tempo che mi porta sono il tuo fantasma proprio come fu per Scrooge   Mi seguirai nel già vissuto ti immergerai dentro al passato come un pittore che ha sbagliato i suoi colori come un'attrice che il suo ruolo più non ha camminerai dentro la nebbia dei tuoi errori finchè quell'irrisolto sparirà   Che senso ha questo tuo folle viaggio non cambierà niente col tuo passaggio non amerò quei tuoi natali infreddoliti quella tua neve che li imbianca io odierò e quegli auguri non sinceri e comandati abbracci ipocriti rifiuterò   come vampiri nella notte ci muoviamo in  libertà e trasformati in pura luce noi voliamo via da qua   sfioro la luna, immensa e bianca solo lei non cambia mai la sua  immortalità spaventa è luce eterna su di noi   la mia casa è là un punto lontano e mi manca già la mia realtà   e ora siamo qua e l'angoscia mi attanaglia quanto grigio e che male fa ogni giorno una battaglia in silenzio urlo dentro di me la mia anima è già stanca e vorrei fuggir via   lì nascosta c'è una bimba vuol venire via con me e mi guarda impaurita mi ha riconosciuta sono io a una vita da qua   un istante che pare sia eterno ci guardiamo negli occhi io e lei la domanda inespressa è sempre la stessa mi chiede se ciò cambierà   vorrei solo abbracciarla e cullarla sai l'istinto materno com'è? ma il fantasma mi dice non si interferisce il passato rimanga com'è   E fa Din - Don Din-Don  la triste campana apro  gli occhi e ascolto la sua melodia lontana è già l'una in punto aspetto il mio fantasma sono un fiore e come al vento io gli ubbidirò   Vieni con me no, aspetta non parlare conosco già ciò che mi vuoi mostrare ma non c'è nulla che non so del mio presente portami allora nel futuro come Scrooge tu incappucciato sei un fantasma un po' inquietante ma io non temo ciò che mi accadrà   così attraverso quel confine che incatena tutti noi battito d'ali di farfalle così volan gli anni miei e come un film ormai datato che nessuno vede mai io spettatrice solitaria che fermarmi ora vorrei   come un libro che svela il suo finale il futuro è qua è scritto già   e ora siamo qua una  dimensione nuova non conosco questa realtà questi luoghi e le persone sono tristi e stan piangendo sembra che stian sussurando il nome mio   ed inciampo tra maschere bianche sembra che Carnevale sia qua ed è un tragico samba mi unisco alla danza che il mio funerale sarà   Sto bussando alla porta del cielo chiedo se ci sia un posto pe rme
Come Scrooge (Il fantasma del Natale)
Piano seul

$3.99 3.39 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holland #3075871. Published by James Nathaniel Holland (A0.730393). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This extremely versatile publication of a score and set of parts is a great addition to any orchestral or choral music library:  either school, church, or community orchestra. Excellent for young musicians or intermediate-level volunteers, for the beginning conductor, but full of meaning for the professional orchestra as well.YouTube video presentation:https://youtu.be/WonTmPLYP1gThese three beautiful Adagios are adapted from JN Holland's ballet, The Wind in the Willows   Perform together for concert or as stand alone pieces. They are perfect for weddings, funerals, graduations, or any solemn occasions. Texts are non-religious, but express universal sentiments of one's helping others, healing, and impermanence. Complete, intended orchestration for: fl, ob, cl Bb, bsn, hrn, hrp, SATB choir, strings Use as optional accompaniment for solos, or SATB choir. (Vocal parts included.) Adagio No. 1 My Salvation (or if If I've done one bit of good, that is my salvation) text by JN HollandAdagio No. 2 The Healing Power (aka Forget) Text by Kenneth GrahameAdagio No. 3 All Are PassersbyMix, omit and match combinations of available instruments of your group. Such as:Strings, woodwind quintet, harp (or piano), soloists and/or chorus. (omissions and combinations thereof, except the essential string section) String orchestra onlyTripled Strings players with woodwind quintetStrings, woodwind quintetIncluded are substitution parts in key of C for the parts of Clarinet in Bb and Horn in F (if those instruments are not available).Add one trumpet, or trombone, etc. etc.(Complete duration: 20 minutes)Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
Chorale SATB

$20.95 17.81 € Chorale SATB PDF SheetMusicPlus

Flute Solo - Level 3 - Digital Download SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
Flûte traversière
Idalmo Santos
$1.99 1.69 € Flûte traversière PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
Orchestre d'harmonie

$13.33 11.33 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.1309261 Composed by Manoel Gomes and Tierre De Araujo Paixao Costa. Arranged by Ander. 21st Century,Chamber,Comedy. 22 pages. Woods Only, Arrangements #898443. Published by Woods Only, Arrangements (A0.1309261). We present to you the sheet music of the arrangement of the song “Look, if you don’t love me†(Olha, se você não me ama) by Manoel Gomes (composer of the iconic and globally known “Caneta azulâ€) in collaboration with Tierry, specially adapted for Woodwind Quintet. This unique arrangement preserves the originality of the work, incorporating elements of chamber music and maintaining the comedic air that the singer and his music convey. Ideal to be presented at concerts, public events or recitals, this sheet music is an excellent tool for music teachers who wish to expand their students’ repertoire of Brazilian popular music. Concert musicians will also find in this arrangement a fun and challenging way to explore Brazilian popular music. In addition, parents who wish to encourage their children in music will find in this arrangement a fun and educational way to do so. With the purchase of this product, you will be supporting Brazilian artists and contributing to the continuation of the production of high-quality musical arrangements. Don’t miss this unique opportunity to own the sheet music of the arrangement of the song “Olha, se você não me amaâ€. Get yours now!
Se Voce Nao Me Ama
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$12.99 11.04 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus


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