Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.1021410 Composed by Jim Goodman. Contemporary. 6 pages. Jim Goodman Music #6079615. Published by Jim Goodman Music (A0.1021410). A short graceful Waltz written for a Woodwind Quintet for use in sectional practice for the Britannia Concert Band, Londonderry.

Brass Ensemble - Level 3 - Digital Download SKU: A0.1021411 Composed by Jim Goodman. Contemporary. Score and parts. 9 pages. Jim Goodman Music #6093369. Published by Jim Goodman Music (A0.1021411). A Brass Quintet: Trumpet 1&2, Horn in F, Trombone, Tuba. performance 3mins 15secs. intermediate grade. Inspired by St.Columb's Park, Londonderry and written for the Britannia Concert Band.

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!

Voice Duet Voice - Digital Download SKU: A0.751403 By Michael McDonald. By Barrett Strong and Norman Whitfield. Arranged by Joel Goodman. R & B,Soul. 8 pages. Joel Goodman #3533005. Published by Joel Goodman (A0.751403).

Concert Band - Level 5 - Digital Download SKU: A0.1477149 By Benny Goodman. By Gordon Jenkins. Arranged by Bryan Kidd. Jazz,Standards. 36 pages. BryanKiddMusic.com #1053751. Published by BryanKiddMusic.com (A0.1477149). “Goodbye”, Part 3 of the “Benny Goodman: Memories of You” medley “Benny Goodman: Memories of You” is Bryan Kidd’s tribute to the big band era’s masterful “King of Swing,” Benny Goodman. This enduring medley, introduced by clarinetist Chief Musician Matt Rutkowski, was commissioned by The United States Navy Band under the direction of Captain William J. Phillips. The premiere performance was on October 22, 1992, at the John F. Kennedy Center for the Performing Arts on the occasion of the United States Navy’s 217th Birthday Concert. For over 30 years it’s been a favorite with Navy Band clarinetists and world-wide audiences alike. This is a professional / advanced arrangement – an experienced jazz rhythm section is required.IMPORTANT: 1. because of licensing requirements, each movement must be purchased as a separate title (as though they are stand-alone titles). Links for each movement:      “Memories of You” click here     “Let’s Dance” click here     “Moonglow” click here     “Sing, Sing, Sing” click here2. “After You’ve Gone” is in the public domain and available at NO CHARGE directly from Bryan Kidd (info@bryankiddmusic.com) with proof of purchase of the rest of the medley.SCORES:A letter-size (8.5x11) score and instrumental parts are included with each set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED).      “Memories of You” Tabloid-size (11x17) score, click here     “Let’s Dance” Tabloid-size (11x17) score, click here     Goodbye Tabloid-size score, click here     “Moonglow” Tabloid-size (11x17) score, click here     “Sing, Sing, Sing” Tabloid-size (11x17) score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia. 

Ukulele - Level 2 - Digital Download SKU: A0.1388849 By American Authors. By Aaron Accetta, David Rublin, James Adam Shelley, Matthew Sanchez, Shep Goodman, and Zachary Barnett. Arranged by Gordon McLaren. 21st Century,Children,Instructional,Pop,Singer/Songwriter. Score (Chords/Lyrics). 2 pages. Gordon McLaren #972359. Published by Gordon McLaren (A0.1388849). Simple arrangement for a group of Ukulele and Bucket Drummers with piano accompaniment.

Concert Band - Level 5 - Digital Download SKU: A0.1477154 By Benny Goodman. By Gordon Jenkins. Arranged by Bryan Kidd. Jazz,Standards. 8 pages. BryanKiddMusic.com #1053881. Published by BryanKiddMusic.com (A0.1477154). Tabloid-size (11x17) score for Goodbye, Part 3 of Benny Goodman: Memories of You, arranged by Bryan Kidd For letter-size full score and comlpete set of parts, click here Please visit BryanKiddMusic.com

Voice Duet Voice - Digital Download SKU: A0.751401 By Don McLean. By Don McLean. Arranged by Joel Goodman. Folk,Rock. 13 pages. Joel Goodman #3529697. Published by Joel Goodman (A0.751401). This is an arrangement of the shorter radio version. Still a 4 minute song though :).

Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy Lombardo and Stanley Rochinski. Nostalgia. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000010. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000010). ISBN 9780739068540. UPC: 038081386140.This songbook contains more than 50 of the biggest hits of the 1940s. Each song is sure to spark a memory or create a new one for pianists and vocalists of all ages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history! Titles: The Anniversary Waltz (Vera Lynn) * As Time Goes By (Dooley Wilson) * At Last (Glenn Miller) * Ballerina (Vaughn Monroe) * Blues in the Night (Woody Herman) * Chattanooga Choo Choo (Glenn Miller) * Don't Fence Me In (Bing Crosby and The Andrews Sisters) * Don't Sit Under the Apple Tree (The Andrews Sisters) * Elmer's Tune (Glenn Miller) * Enjoy Yourself (Guy Lombardo) * Fools Rush In (Glenn Miller) * A Gal in Calico (Johnny Mercer) * How About You? (Tommy Dorsey) * How Are Things in Glocca Morra? (Buddy Clark) * How High the Moon (Benny Goodman) * I Fall in Love Too Easily (Frank Sinatra) * I'll Walk Alone (Dinah Shore) * I'm in Love (Doris Day) * Imagination (Glenn Miller) * It's Magic (Doris Day) * I've Heard That Song Before (Harry James) * La Vie en Rose (Edith Piaf) * Laura (Woody Herman) * Mam'selle (Art Lund) * The More I See You (Dick Haymes) * Near You (Francis Craig) * New York, New York (Gene Kelly, Frank Sinatra, & Jules Munshin) * Oh! What It Seemed to Be (Frank Sinatra) * The Old Lamp-Lighter (Sammy Kaye) * Only Forever (Bing Crosby) * Paper Doll (The Mills Brothers) * Powder Your Face with Sunshine (Guy Lombardo) * Red Roses for a Blue Lady (Vaughn Monroe) * Serenade in Blue (Glenn Miller) * Speak Low (Guy Lombardo) * Straighten Up and Fly Right (Nat King Cole) * Swinging on a Star (Bing Crosby) * Take the A Train (Duke Ellington) * Taking a Chance on Love (Benny Goodman) * That Lucky Old Sun (Frankie Laine) * Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby) (Bing Crosby) * The Trolley Song (Judy Garland) * You'd Be So Nice to Come Home To (Dinah Shore) * You'll Never Know (Dick Haymes) * Zip-a-Dee-Doo-Dah (James Baskett).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381155 Composed by Harold Arlen and Ted Koehler. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #965861. Published by DAVID LEE GINGRAS (A0.1381155). I Gotta Right to Sing the Blues is a popular song with music by Harold Arlen and lyrics by Ted Koehler, published in 1932 for the Broadway show Earl Carroll's Vanities (1932). The song has become a jazz and blues standard. Popular recordings in 1933 and 1934 were those by Cab Calloway, Louis Armstrong and Benny Goodman. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327474 Composed by Duke Ellington, Henry Nemo, Irving Mills, and John Redmond. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #915519. Published by DAVID LEE GINGRAS (A0.1327474). I Let a Song Go Out of My Heart is a 1938 composition by Duke Ellington, with lyrics added by Irving Mills, Henry Nemo and John Redmond. The song became a number one hit for Ellington in 1938. Other hit versions the same year were by Benny Goodman (with Martha Tilton singing), Connee Boswell, Hot Lips Page, and Mildred Bailey. It was performed as part of The Cotton Club Parade of 1938. This version features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1491492 By Peggy Lee. By Arthur Johnston and Sam Coslow. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #1068214. Published by DAVID LEE GINGRAS (A0.1491492). My Old Flame is a 1934 song composed by Arthur Johnston with lyrics by Sam Coslow for the film Belle of the Nineties - it has since become a jazz standard. My Old Flame first appeared in the 1934 film Belle of the Nineties when it was sung by Mae West, backed by the Duke Ellington Orchestra. Ellington then recorded the tune with singer Ivie Anderson. It became a No. 7 hit for Guy Lombardo. Later, the tune re-emerged, entering the repertoire of the orchestras of Benny Goodman and Count Basie. This version was developed from a lead sheet and was created so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a few left-hand fills for rhythm - we hope you like what we've done with this grand old tune!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1263280 By Peggy Lee. By Bob Ellsworth, Dick Howard, and Russ Morgan. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #856241. Published by DAVID LEE GINGRAS (A0.1263280). Somebody Else Is Taking My Place is a song with words by Dick Howard and music by Russ Morgan and Bob Ellsworth. It was written in 1937 and first recorded by Benny Goodman and his orchestra with vocals by Peggy Lee. This version was developed from the original 1937 sheet music and features a root-based chord blocking that John and I have used in many of  our arrangements. We hope you like what we've done with this grand old tune!

Piano Solo - Level 5 - Digital Download SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #820575. Published by Timothy Stapay (A0.1224471). This arrangement of St. Louis Blues is written as performed by piano artist, Liberace.  He performed this on his t.v. show and record albums.  The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Liberace, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it. Lyrics:I hate to see that evening sun go down, I hate to see that evening sun go down, 'Cause my lovin' baby done left this town. If I feel tomorrow, like I feel today, If I feel tomorrow, like I feel today, I'm gonna pack my trunk and make my getaway. Oh, that St. Louis woman, with her diamond rings, She pulls my man around by her apron strings. And if it wasn't for powder and her store-bought hair, Oh, that man of mine wouldn't go nowhere. I got those St. Louis blues, just as blue as I can be, Oh, my man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I love my man like a schoolboy loves his pie, Like a Kentucky colonel loves his rocker and rye I'll love my man until the day I die, Lord, Lord. I got the St. Louis blues, just as blue as I can be, Lord, Lord! That man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me. I got those St. Louis blues, I got the blues, I got the blues, I got the blues, My man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me, Lord, Lord!Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!