Choral Choir (SATB) - Digital Download SKU: A0.996050 Composed by John E Dosher. Christian,Gospel,Praise & Worship,Spiritual. Octavo. 2 pages. John E Dosher #4767483. Published by John E Dosher (A0.996050). An offertory anthem

Brass Quintet Bass Trombone,Cornet,Euphonium,Flugelhorn,Tuba - Level 3 - Digital Download SKU: A0.1003225 Composed by Martyn C Adams. Contemporary,Holiday,Jazz,Patriotic,Standards. 41 pages. Martyn C Adams #6065119. Published by Martyn C Adams (A0.1003225). This is a fun jazzy piece of music that tells a story of a clown. The story: -The clown is getting ready feeling nervous and excited, this feeling should come across in the solo Trombone part at the beginning, with the part in the upper range of the Trombone; making good use of vibrato and glissandos.The clown makes his entrance into the ring and begins to perform various tricks.The clown walks off the stage and his true feelings and emotions are revealed, waiting expectantly for their applause, he wonders what he could have done better.Hearing the cheering and applause, the clown jumps back into the ring for their final act!Style: -Trombones encouraged to add additional glissandos that work.Stage Performance: -I encourage any additional acting to support and tell the story. Whether that be dressing up, acting like a clown or general stage movement.

Instrumental Duet Instrumental Duet - Digital Download SKU: A0.499379 Composed by Elizabeth Lauer. Contemporary. Score and parts. 5 pages. Published by Lauerworks (A0.499379). Tango rhythm ... glissandos ... fourths—the Shanghai Tango is full of them. A piano duet, the dance is the second in the collection It Takes Two ... The piece is full of shimmer and atmosphere. The steady, insistent tango rhythm supports the many—mostly black-keys pentatonic—glissandos, and sudden shifts in harmony.

Piano Solo - Digital Download SKU: A0.894751 Composed by Brian McGravey. Blues,Instructional,Jazz. Score. 2 pages. Brian McGravey #3662517. Published by Brian McGravey (A0.894751). A fun jazzy piece featuring lots of glissandos. Perfect as an introductory piece to glissandos for intermediate/advanced students. .

Lever Harp - Level 4 - Digital Download SKU: A0.1500755 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Film/TV,Romantic Period. Score. 5 pages. Learning the Harp #1076835. Published by Learning the Harp (A0.1500755). This rendition of A Time for Us is a beautiful performance piece that displays the full range of the harp! It sounds very impressive to play and creates such a hauntingly beautiful atmosphere. In this piece you’ll get practice with lots of 4-finger arpeggios between the two hands, jumping between registers, series of octaves and 10th intervals, many lever changes and some glissandos. If you learn along with the Video Course, Carrie will show you how to go beyond just playing the notes on the page by sharing tips on how to bring out the melody line so it sounds musical and doesn’t get lost among the many notes. She’ll also show you exactly how to practice those lever changes so that they feel controlled and predictable rather than rushed and frantic! This piece is challenging but so rewarding to play.Difficulty Level and Skills Required: Late-Intermediate. The right hand often plays the melody line and sometimes serves as a continuation of the left-hand accompaniment. The right hand also handles the quick placement of rolled chords under the melody and series of octaves. The left hand consists of 10th intervals, jumps between registers, and executes more challenging cross-under passages. Together, the two hands perform continuous placements, arpeggios, glissandos, and numerous lever changes.Type of Harp: For big harps, 34 strings or larger.Range: The lowest note is D almost two octaves below middle C, and the highest note is A two and a half octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). Many F lever changes throughout.

Lever Harp - Level 3 - Digital Download SKU: A0.1500752 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Film/TV,Romantic Period. Score. 5 pages. Learning the Harp #1076831. Published by Learning the Harp (A0.1500752). A Time for Us is an iconic piece to add to your repertoire that sounds so fitting on the harp! This arrangement is very elegant and satisfying to play. In this piece, you’ll get practice with arpeggios, jumping between registers in the left hand, some quick lever changes, and glissandos. If you learn along with the Video Course, Carrie will give plenty of reminders to reinforce your hand position and help you master those lever changes so they feel very smooth and controlled rather than frantic. She’ll also show you how to bring this arrangement to life through dynamics and playing with expression!Difficulty Level and Skills Required: Mid-Intermediate.  The right hand plays the melody line with quick placing and some interesting rhythms. The left hand has the accompaniment with many 10th intervals, ascending 4-2-1 shapes, and jumping between registers. There are multiple lever changes and glissandos throughout.Type of Harp: 33 strings and larger.Range: The lowest note is D almost two octaves below middle C, and the highest note is G two and a half octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). Many F lever changes throughout.

Large Ensemble Bass Guitar,Cello,Flute,Maracas,Piano,Triangle,Trombone,Voice,Woodblock - Level 3 - Digital Download SKU: A0.1518277 By Rebekah M. Sweet. By Rebekah M. Sweet. Arranged by Rebekah M. Sweet. 20th Century,Classical,Folk,New Age,Traditional. 14 pages. Rebekah M. Sweet #1092376. Published by Rebekah M. Sweet (A0.1518277). “The Crow”Score and Instrumentation Explanations “The Crow,” is an Avant Garde piece that plays on musical timbres of instruments to represent sounds, feelings, and animals. Flute-represents a bird’s call.Trombone-carries the sound and theme of the crow throughout the piece.Triangle-is the soft sound of noises in the woods, that are so low that they are often not heard.Maracas-represents the rattlesnake’s rattle when he is disturbed and angry.Wood Blocks-represent the sound of the woodpecker.Bass Guitar-is the background of the piece and sometimes the edgy feeling one gets when walking in (what they thought) was an empty forest.Piano-is the crow’s call.Tenor Voice-is meant to represent a cry in the forest but is only included twice in the piece.Cello-Is also the background music but gives one the feeling of coldness creeping upon them. The piece is meant to be slow, and eerie; maybe to some it sounds spacey.The glissandos for the Bass Guitar are to be played when the guitarist hits the first note and uses a glass cup against the string and slowly move it up and down the string to make a weird vibrato like sound.The glissandos for the Trombone are mainly the echoes of the forest that surround the person. It’s the crow’s call being echoed.The Piano can play with the crow’s call starting out loud then fading or diminishing as it also echoes in the distance. Not to be played too fast.The Flute can get louder as it repeats its lines.The Triangle is soft but not too soft. It must be able to be heard against the other instruments.The Cello may use as much vibrato or screech sounds as it wants with the use of the bow.The Tenor may use as much legato as they want.

Piano Solo - Level 3 - Digital Download SKU: A0.958777 Composed by Anónimo/Desconocido. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6633137. Published by Juan Carlos Cortés Aguirre (A0.958777). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la antológica versión fonográfica del célebre Dueto de Antaño (Camilo Arturo García Bustamante y Ramón Emilio Carrasquilla Peña).Cibergrafía:https://es.wikipedia.org/wiki/Dueto_de_anta%C3%B1oTexto:Los náufragos.Danza por Compositor AnónimoINTRODUCCIÓN:Ausente y lejos de ti,todo es un rudo penar,Todo es bogar como bogan,Los náufragos tristes en medio del mar. INTERLUDIO:Ausente y lejos de ti,todo es un rudo penar,Todo es bogar como bogan,Los náufragos tristes en medio del mar.NTERLUDIO:Aquel que ausente se haya sin poderte ver jamás,Los crueles desengaños siempre han sido para mí.No pienses que yo te olvido y en la ausencia te he de amar…Porque los que se alejan, recuerdos dejan cuando se van.INTERLUDIO:Sin salvación sin amparo,con la esperanza perdida,Pierden los que aman la vida,la vida, la dicha y hasta el corazón.INTERLUDIO:Más yo que he comprendido,que olvidarte no podré,Los crueles desengaños siempre han sido para mí,Por eso vida mía te he de amar y te he de amar…Porque los que se ausentan, recuerdos dejan cuando se van.

Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Low Drum,Quad Toms,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1274188 Composed by Frits Renting. Film/TV. 51 pages. Frits_Renting #866319. Published by Frits_Renting (A0.1274188). Side note: This version is for medium/big percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.

Percussion Ensemble Bass Marimba,Chimes,Cymbals,Drum Set,Drums,Shaker,Suspended Cymbal,Tam Tam,Tambourine,Timpani,Tom Tom,Tubular Bells,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1288799 Composed by Frits Renting. Arranged by Frits Renting. Film/TV. 35 pages. Frits_Renting #879651. Published by Frits_Renting (A0.1288799). Side note: This version is for small/medium percussion ensemblesEN:This composition was written for one of the parts of the D exam by Frits Renting. The starting point of the composition was: film music. Inspired by well-known works by Hans Zimmer, Brian Tyler, John Williams and works by De Efteling. The composition starts in a fairly small composition in which, with the help of crescendos and several instruments, it works towards a strong, but above all open and cheerful part. This is followed by a short untuned percussion solo. After this, theme A is closed in a calm, non-violent manner. Immediately theme B comes in which is built up through crescendos and multiple instruments over time. Theme B also comes to a quiet end afterwards. After this theme A and B return at the same time, which builds up and closes in a grandiose way.NL:Deze compositie is geschreven voor één van de onderdelen van het D examen van Frits Renting. Het uitgangsdoel van de compositie was: filmmuziek. Geïnspireerd door bekende werken van Hans Zimmer, Brian Tyler, John Williams en werken van De Efteling. De compositie begint in een vrij kleine samenstelling waarbij, met behulp van crescendo's en meerdere instrumenten, het zich toewerkt naar een sterk, maar vooral open en vrolijk gedeelte. Dit wordt opgevolgd door een korte ongestemde slagwerk solo. Hierna wordt thema A op een rustige, geweldloze manier afgesloten. Direct komt thema B binnenvallen wat word opgebouwd door middel van crescendo's en meerdere instrumenten in loop van de tijd. Ook komt thema B daarna tot rustig einde. Hierna komen thema A en B tegelijkertijd terug wat zich opbouwt en op een grandioze manier, zich afsluit.

Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1371858 By Bernd Foerster. By Bernd Foerster. Arranged by Bernd Förster. Classical,Contemporary,Spiritual. Individual part. 2 pages. Bernd Foerster #956045. Published by Bernd Foerster (A0.1371858). I'm starting into my year of organ compositions with a midtempo piece in A major. It features two distinctive crescendos, the second one should lead to a full organ sound. I had the idea of that motif two years ago and just took notes of the first five or six measures. Some weeks ago I ran into these notes once again after I had forgotton them completely. Then in one creative evening I was able to write the whole piece. Never had been more in such a creative flow state of mind before. I hope this piece will find its audience. I love it very, very much.I created a video on YouTube if you want to see which stops I used to create the crescendos. But feel free to find your own perspective on registrations. 

Piano Solo - Level 4 - Digital Download SKU: A0.938371 Composed by Colin Bayliss. 20th Century. Score. 19 pages. Colin Bayliss #4185. Published by Colin Bayliss (A0.938371). Three Impressionist Sketches (B11a) 1. September Sunlight 2. Thamesnight 3. Kaleidoscope – Matinée Musicale These three piano pieces date from the autumn of 1981. The titles refer to actual events of that time; number 1, a sunset on the North Downs in Kent, number 2 a rain-interrupted firework display on the South Bank, where the Thames theme, similar to Smetana’s Vltava theme, is transformed into a half-stated opening of Brahms’s 4th symphony in the quiet G major coda. Number 3 was written after a matinee performance of Richard Rodney Bennett’s Isadora. The kaleidoscope is a satirical treatment of Bennett’s dance pastiches, especially the tango. The sound sample is Sketch No 3 performed by David Martin The complete CD of Impressionist Sketches, Bagatelles and Tentative Tango, performed by David Martin, can be obtained from iTunes at: https://itunes.apple.com/us/album/bagatelles-expressionist-sketches/id619860635.

Piano Solo - Level 3 - Digital Download SKU: A0.1375052 Composed by Enrique Granados. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages. Thomas Swee Chin #959625. Published by Thomas Swee Chin (A0.1375052). Valses Poéticos is a collection of Spanish waltzes composed by Enrique Granados in 1886. These charming piano pieces showcase Granados' melodic flair and sensitivity, capturing the spirit of Spanish dance forms. Each waltz within the set exhibits distinct character and expressive nuances, making Valses Poéticos a delightful and evocative musical journey.In Poetic Waltz No. 1 by Granados, you encounter a piece characterized by its lyrical and flowing nature. The waltz opens with a gentle melody, inviting listeners into a dreamlike atmosphere. The use of triple meter enhances the waltz's dance-like quality, while Granados infuses it with Spanish flair through subtle rhythmic nuances and ornamentation.The piece transitions between sections seamlessly, showcasing Granados' skillful composition. Moments of delicacy contrast with more robust, passionate episodes, providing a dynamic range of emotions. Granados' use of rubato, expressive tempo variations, contributes to the piece's poetic and evocative nature.Harmonically, you may notice a combination of traditional waltz progressions and Spanish-inflected chords, adding a distinct Iberian flavor. Overall, Poetic Waltz No. 1 is a beautifully crafted composition that captures both the elegance of the waltz form and the emotive richness associated with Granados' Spanish musical heritage.

Piano Solo - Level 3 - Digital Download SKU: A0.1375107 Composed by Enrique Granados. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages. Thomas Swee Chin #959678. Published by Thomas Swee Chin (A0.1375107). Listed as grade 6 piano piece by the ABRSM:Valse Poético No. 6 by Enrique Granados is a captivating piece that exhibits his mastery of melodic storytelling and rhythmic intricacies. Here's an analysis of its key elements:Melodic Flourishes: The piece begins with a graceful melody that sets a serene atmosphere. Granados employs lush harmonic progressions and delicate ornamentation to enhance the melodic line, evoking a sense of elegance and charm.Rhythmic Variations: Throughout the waltz, Granados introduces rhythmic variations that add depth and complexity to the piece. Syncopated rhythms and subtle accents create a sense of forward momentum, while rubato passages allow for expressive freedom and phrasing flexibility.Dynamic Contrast: Valse Poético No. 6 features a wide range of dynamic contrasts, from tender pianissimo passages to bold fortissimo sections. These shifts in dynamics contribute to the piece's dramatic intensity and emotional impact, keeping the listener engaged from start to finish.Spanish Influence: As with much of Granados' work, Valse Poético No. 6 is imbued with Spanish flair. You may notice hints of flamenco rhythms, Moorish-inspired melodies, and Andalusian harmonies, all of which reflect Granados' deep connection to his Spanish heritage.Formal Structure: The piece follows a traditional waltz structure, with a recurring A-B-A form. However, Granados infuses the form with his own unique twists and turns, incorporating unexpected modulations and thematic developments that keep the listener engaged throughout.Overall, Valse Poético No. 6 is a stunning example of Granados' compositional prowess, combining lyrical beauty, rhythmic vitality, and Spanish charm to create a timeless musical masterpiece.

Low Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141424 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 8 pages. Con Spirito Music #741750. Published by Con Spirito Music (A0.1141424). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,� “meek,� and “mild.� The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!�This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Alto range G3-D5; Bass-Baritone range G2-D4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com