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Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano  The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)

$50.00 42.86 € PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
Monteverdi Madrigals Book 6 - 08. SESTINA
Ensemble de cuivres

$15.99 13.71 € Ensemble de cuivres PDF SheetMusicPlus

Solo voices, piano - Medium - Digital Download SKU: MQ.7.0701-E Composed by Stephen Chatman. Instrument part. 18 pages. Duration 5 minutes, 20 seconds. Galaxy Music Corporation - Digital #7.0701-E. Published by Galaxy Music Corporation - Digital (MQ.7.0701-E). English.Libretto:Written by Tara Wohlberg. Synopsis:As choir director Willie faces his dilemma of choosing between Heather and Julia for a solo, Kenny the Clown interrupts, and joins the choir practice in progress, prompting various outbursts from the men. As Willie begins to take roll call, the rehearsal quickly digresses into a verbal battle of insults and innuendo between Julia and Heather, each attempting to make the other appear unworthy of the solo. Adonia, the Belly Dancer, enters briefly and exits, followed by Willie, leaving the choir members alone. They proceed to discuss rumors about Willie's manhood and prowess with the ladies.Duration: 5:20The purchase of this scene includes permission to reproduce a maximum number of 13 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
Hey! I'm Kenny the Clown from Choir Practice (Downloadable)

$50.00 42.86 € PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.627230 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Exultet Music #5982507. Published by Exultet Music (A0.627230). Already a Christmas classic, the powerful and dramatic song by Amy Grant about what Mary, the Mother of Jesus could possibly have been thinking before she gave birth to the Savior of the World, has now been freshly arranged for a Unison choir with Piano accompaniment.  Accessible and appropriate to be performed in any church or concert setting.  Powerful and dramatic accompaniment supports and enhances the voices instead of just doubling it.  .
Breath Of Heaven (Mary's Song)
Chorale Unison
Amy Grant
$1.99 1.71 € Chorale Unison PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1491407 Composed by Franz Joseph Haydn. Arranged by Paul Wood. Classical. 32 pages. MyMusicScores.com #1068145. Published by MyMusicScores.com (A0.1491407). The PDF file contains the score and all parts.Experience the thrilling intensity of Haydn's Symphony No. 49, Second Movement, now meticulously arranged for string orchestra! This special arrangement captures the full emotional range and dramatic power of the original movement, adapted for performance by a string ensemble.Originally composed in 1768, this movement is a prime example of the Sturm und Drang aesthetic, characterized by its relentless energy, dramatic contrasts, and wide-ranging emotional expression. The driving rhythms, sudden dynamic shifts, and soaring melodies will challenge and inspire your string players, creating a truly unforgettable performance.This unique arrangement is perfect for experienced string ensembles looking for a challenging and rewarding piece to add to their repertoire. Bring the power and passion of Haydn's masterpiece to life with this extraordinary adaptation!
Haydn Symphony No 49 2nd Movement arranged for String Orchestra
Orchestre à Cordes

$11.99 10.28 € Orchestre à Cordes PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.725135 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 78 pages. Paul Barker Music #3480975. Published by Paul Barker Music (A0.725135). Adoramus Te is our new spectacular Finale fused with an intriguing mixture of Latin and English text. This bold new concert piece is scored for Full Orchestra, Piano and Percussion and will have your audience on their feet by the end of your performance! Memorable and dramatic melodic lines, driving rhythms and roof-raising orchestration make this piece ideal for large public performances. Also available for SAB Choir and Piano, as an instrumental for String Orchestra and as a dramatic full-blown SAB Choir with Full Orchestra version! ​Duration: 2:40 Level: Intermediate/Advanced (UK Grade 6+ & USA 3+) Occasion: Concert - Festivals - Competitions - Concert Finale - Celebration Orchestration: Full Orchestra - Piano - Percussion
Adoramus Te (Full Orchestra)
Orchestre
Paul Barker Music
$29.95 25.67 € Orchestre PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.1272754 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Darek. Classical. Score. 6 pages. Darek #864949. Published by Darek (A0.1272754). Queen of the Night Aria (EASY PIANO) from The Magic Flute (K. 620) [Wolfgang Amadeus Mozart]Simplified arrangement for pianists of Queen of the Night Aria from The Magic Flute (K. 620) by Wolfgang Amadeus Mozart. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period. Included: Fingering, Dynamics, Articulations and video YouTube tutorial.  Step into the mesmerizing world of classical music with my carefully selected collection of easy piano sheet music, tailored for beginner pianists. Unleash your inner diva with the powerful Queen of the Night Aria from The Magic Flute (K. 620) by Wolfgang Amadeus Mozart, a captivating masterpiece from the classical era. Unlock your musical potential with my sheet music, complete with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the dramatic and soaring melodies of the Queen of the Night Aria as you effortlessly bring this iconic piece to life. To enhance your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Mozart's genius. Whether you're a novice seeking a fulfilling challenge or an enthusiast eager to add a timeless piece to your repertoire, this easy-level arrangement is perfect for all piano lovers. Embrace the magic of Mozart's Aria and transport yourself to the captivating era of classical music. Keywords: easy piano sheet music, beginner pianists, Queen of the Night Aria, The Magic Flute, K. 620, Wolfgang Amadeus Mozart, classical era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, dramatic, classical music, genius, harmonious, repertoire, melodies.
Queen of the Night Aria (EASY PIANO) from The Magic Flute (K. 620) [Wolfgang Amadeus Mozart]
Piano Facile
Wolfgang Amadeus Mozart
$5.00 4.29 € Piano Facile PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University.  While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad).  The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital.  I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting.  I thought at the time that he had given me and my music a fine compliment.  I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor.  It alternates between assertive and more thoughtful moods.   There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end.  Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes.  Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic.  The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes.  The main theme is heard in the piano part before the soloist enters.  The mood is more lyric than in the first movement, but with dramatic episodes also.  In this movement are some definite derivations from themes in the first movement.  The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes.  Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward.  The introduction is a brief and simple preparation for the solo entry.  Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo.  Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano

$35.00 30 € Trombone et Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.627232 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Score. 6 pages. Exultet Music #5982513. Published by Exultet Music (A0.627232). Already a Christmas classic, the powerful and dramatic song by Amy Grant about what Mary, the Mother of Jesus could possibly have been thinking before she gave birth to the Savior of the World, has now been freshly arranged for a Vocal solo with Piano accompaniment. Accessible and appropriate to be performed in any church or concert setting. Powerful and dramatic accompaniment supports and enhances the voice instead of just doubling it.  .
Breath Of Heaven (Mary's Song)
Piano, Voix
Amy Grant
$4.99 4.28 € Piano, Voix PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491746 Composed by Pietro Mascagni. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV,Opera. Score. 2 pages. Japan Duo Notes #1068421. Published by Japan Duo Notes (A0.1491746). Title: Intermezzo from Cavalleria Rusticana by Pietro Mascagni – Flute Duet ArrangementDescription:Bring the emotional depth of Pietro Mascagni’s Intermezzo from Cavalleria Rusticana to your flute duet repertoire with this beautifully arranged version for two flutes. One of the most beloved and recognized pieces in the operatic repertoire, the Intermezzo is renowned for its lyrical beauty, emotional intensity, and soaring melodies. Originally composed for orchestra, this arrangement faithfully captures the piece’s evocative character, making it a perfect choice for performances that call for expressive and heartfelt music.Key Features:Composer: Pietro MascagniArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet arrangement preserves the flowing lines and lush harmonies of Mascagni’s orchestral masterpiece, allowing both flutists to engage in an expressive and dramatic musical dialogue. Ideal for recitals, weddings, and other special events, the Intermezzo offers a moment of profound emotion and musical reflection.Why Choose This Arrangement?Iconic Operatic Work: Enjoy a masterful arrangement of one of Mascagni’s most famous and timeless compositions.Expressive Performance: Perfect for recitals, concerts, or special events, offering a moving and dramatic performance experience.Suitable for Intermediate to Advanced Players: This arrangement provides both technical challenges and opportunities for expressive phrasing, making it a rewarding choice for skilled flutists.Add the timeless beauty of Mascagni’s Intermezzo to your flute duet collection. This arrangement brings the operatic elegance and emotional depth of Cavalleria Rusticana into the intimate setting of chamber music.Keywords: Pietro Mascagni, Intermezzo, Cavalleria Rusticana, flute duet, flute sheet music, classical music, operatic music, intermediate flute music, expressive flute duet, recital music, wedding music, chamber music.
Intermezzo from "Cavalleria Rusticana" / Pietro Mascagni
2 Flûtes traversières (duo)

$4.99 4.28 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.627231 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Exultet Music #5982515. Published by Exultet Music (A0.627231). Already a Christmas classic, the powerful and dramatic song by Amy Grant about what Mary, the Mother of Jesus could possibly have been thinking before she gave birth to the Savior of the World, has now been freshly arranged for a Unison choir with Piano accompaniment.  Accessible and appropriate to be performed in any church or concert setting.  Powerful and dramatic accompaniment supports and enhances the voices instead of just doubling it.  .
Breath Of Heaven (Mary's Song)
Chorale Unison
Amy Grant
$1.99 1.71 € Chorale Unison PDF SheetMusicPlus






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