EUROPE
1301 articles
USA
2605 articles
DIGITAL
7752 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
7752 partitions trouvées


Solo voices, piano - Medium - Digital Download SKU: MQ.8497-E Composed by Edwin Penhorwood. Instrument part. 15 pages. E. C. Schirmer Music Company - Digital #8497-E. Published by E. C. Schirmer Music Company - Digital (MQ.8497-E). English.Libretto:Written by Miki LynnScene Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. St. Peter explains that because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, and proceed to express their dismay and outrage. Duration: 7:00Synopsis:Four Divas arrive in heaven to learn there is not enough room for all of them in the Heavenly Chorus. Because too many tenors and basses are in Hell, only one of the sopranos will be allowed into the chorus. The sopranos are appalled that they must audition, but submit. After their impressive auditions, St. Peter cannot make a decision. Gabriel therefore mentions the Redemption Clause: If the sopranos go to Hell and do a selfless deed, they can bring back to Heaven as many tenors and basses as needed. To protect them in Hell, St. Peter grants them a special disguise.The Divas, St. Peter, and Gabriel arrive in Hell and listen to the stories of some of the tortured souls there. Just Jeanette meets Nelson Deadly and they fall in love. The Sandman arrives with the stage director, Orson and presents a task to the couple: If they don't fall asleep listening to Orson, they can take back to Heaven as many tenors and basses as they want. They fail the test, but because of a selfless act on their part, they are granted the release of the men. There is general rejoicing and all promise St. Peter they will never sing opera again. Duration: ~ 1 Hour, 20 MinutesRoles:ST. PETERBass-BaritoneDAME DOLEFULMezzo-SopranoMADAME POMPOUSSopranoMISS TITMOUSEColoratura SopranoJUST JEANETTELyric Soprano  The purchase of this scene includes permission to reproduce a maximum number of 7 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
You Are Not Dying, Madame from Too Many Sopranos (Downloadable)

$50.00 42.64 € PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
Monteverdi Madrigals Book 6 - 08. SESTINA
Ensemble de cuivres

$15.99 13.64 € Ensemble de cuivres PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.887556 By Pearl Jam. By Stone Gossard. Arranged by Nicholas Goulding. Rock. Score. 8 pages. Nicholas Goulding #5026551. Published by Nicholas Goulding (A0.887556). Pearl Jam's Black, arranged for piano and voice. Includes an extended introduction - if you would like to skip this, start playing from Bar 19 on the second page. This interpretation of the song is a slow and dramatic ballad. The tempo of 76 BPM is the same as Pearl Jam's original recording, however you might like to experiment with the use of rubato to enhance the dramatic nature of the piece. The melody is mainly the same as per the original song. The harmony is a little bit different from Pearl Jam's original chord progression, however the new harmony is still supportive of the melody. Most of the lyrics are shown in the sheet music, but you'll notice a lack of lyrics on the final page - this is where you (or your singer) might like to experiment with some vocal ad lib (improvisation).
Black
Piano, Voix et Guitare
Pearl Jam
$9.99 8.52 € Piano, Voix et Guitare PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1351442 By Mary S. Walsh and Beth S. Simmons. By Mary S. Walsh. Christian,Christmas,Classical,Contemporary,Praise & Worship. 15 pages. Mary Walsh #935693. Published by Mary Walsh (A0.1351442). Waiting Music by Mary S. Walsh Text by Beth S. SimmonsWaiting, the second piece within the cantata, Prophecy: A Musical and Dramatic Telling of The Birth of Christ, is a biblical representation of the fears and worries of the ancient world, mirroring many of the frustrations and grievances people experience today with the rise of tyrannical leaders and political turmoil. This anthem for SATB choirs begins with a layering of ostinatos by the treble voices while the bass voices proclaim, Those who wait on the Lord shall renew their strength! The anthem ends in a dramatic canon of not by might, not by pow'r, but by my spirit saith the lord. This anthem can be performed alone as it is suitable for advent services and concert use.
Waiting
Chorale SATB
Mary S Walsh and Beth S
$2.50 2.13 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
Missa Solemnis, op. 27 (vocal score)
Chorale SATB

$87.99 75.04 € Chorale SATB PDF SheetMusicPlus

Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1465943 Composed by Samantha Jellett. 21st Century,Children,Christian,Easter,Lent. 53 pages. Samantha Jellett #1044539. Published by Samantha Jellett (A0.1465943). A Time to Rejoice! is a dramatic and poignant cantata for children and organ (piano version also available) in which performers and audience embark on an exciting journey through time to witness the events of the first Easter.  The time machine is somewhat unreliable, adding humour to the story, and stops are made in the Garden of Eden and Bethlehem before arriving in Jerusalem for Palm Sunday and the events of the crucifixion.  It is suitable for performance by schools and children's choirs, suggested age range 8-13 years.  The optional second parts greatly enhance the cantata and can be sung by a group of children or even an adult choir.Whilst not a staged production, there is plenty of scope for acting in the roles of the Captains, and props such as tea lights for the opening procession, pilots' hats for the Captains and palm branches for the song The King is Coming.A Time to Rejoice! was premiered by St. Joseph's in the Park School, Hertingfordbury, on 17 March 2023.  here are some comments from staff/parents:'A Time to Rejoice! was amazing! At least 5 parents thought it was the best production St Joes has ever put on' Deputy Head'An absolutely amazing evening!  Such beautiful music so beautifully performed.  What an absolute joy from start to finish' Parent'It was a pleasure to involved in what was a resounding success and moving account of the Easter story' Organist'We enjoyed it so much and it was a real triumph.  The children were so good and buzzing!' Parent'It was worthy of a West End production.  Absolutely amazing!' Parent'What a wonderful cantata!  I was so impressed, what a lovely evening' Staff member'I thoroughly enjoyed the Easter cantata: your compositions were beautiful and dramatic in equal measure' Bursar.
A Time to Rejoice!
Chorale 2 parties

$1.99 1.7 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.627231 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Exultet Music #5982515. Published by Exultet Music (A0.627231). Already a Christmas classic, the powerful and dramatic song by Amy Grant about what Mary, the Mother of Jesus could possibly have been thinking before she gave birth to the Savior of the World, has now been freshly arranged for a Unison choir with Piano accompaniment.  Accessible and appropriate to be performed in any church or concert setting.  Powerful and dramatic accompaniment supports and enhances the voices instead of just doubling it.  .
Breath Of Heaven (Mary's Song)
Chorale Unison
Amy Grant
$1.99 1.7 € Chorale Unison PDF SheetMusicPlus

Ukulele - Level 1 - Digital Download SKU: A0.1395468 Composed by Alexander Borodin. Arranged by Andre D Tuffo. 19th Century,Classical,Film/TV,Instructional,Opera. Score. 1 pages. Andre D. Tuffo #978937. Published by Andre D. Tuffo (A0.1395468). Theme from Prince Igor UKULELE SOLO fingerstylehttps://linktr.ee/andredtuffoIndulge in the grandeur of classical music with our ukulele solo arrangement of the Theme from Prince Igor by Alexander Borodin, a majestic piece originating from his opera Prince Igor. This composition showcases the beauty of Borodin's work, known for its rich harmonies and melodic depth.Prince Igor is an epic opera that Borodin began but left unfinished at the time of his death, later completed by his fellow composers Rimsky-Korsakov and Glazunov. The opera tells the tale of Prince Igor, a medieval Russian ruler, and his capture by the Polovtsian nomads. The Theme from Prince Igor captures the essence of the opera's dramatic and emotional elements, making it a timeless piece in classical music.The melody has found its way into various cultural contexts, including ballets. Choreographers have embraced the emotive qualities of Borodin's work, incorporating it into ballet productions. The versatility of the Theme from Prince Igor has allowed it to transcend its operatic origins, becoming a standalone musical gem appreciated across different art forms.Our Fingerstyle ukulele arrangement brings this classical masterpiece to a new audience, allowing ukulele enthusiasts to explore the depth and grandeur of Borodin's composition. The intricate fingerpicking patterns and harmonious chord progressions capture the essence of the original piece, offering a unique perspective on this classical gem.Delve into the world of classical music, opera, and ballet with our digital sheet music. Whether you're a seasoned ukulele player or a classical music enthusiast, this Fingerstyle arrangement provides an opportunity to appreciate the beauty and complexity of the Theme from Prince Igor on your ukulele.Keywords: ukulele sheet music, Fingerstyle arrangement, Theme from Prince Igor, Alexander Borodin, Prince Igor opera, classical music, Russian composer, Polovtsian nomads, ballet music, dramatic opera, emotive melodies, ukulele enthusiasts, digital sheet music, classical crossover, musical depth.
Theme from Prince Igor UKULELE SOLO fingerstyle
Ukulele

$10.00 8.53 € Ukulele PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.619954 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Score and parts. 16 pages. Exultet Music #3079171. Published by Exultet Music (A0.619954). Already a Christmas classic, the powerful and dramatic song by Amy Grant about what Mary, the Mother of Jesus could possibly have been thinking before she gave birth to the Savior of the World, has now been freshly arranged as a duet for Soprano and Tenor Saxophone with Piano accompaniment.  Accessible and appropriate to be performed in any church or concert setting.  Powerful and dramatic accompaniment supports the beautiful and melodious harmonies that is played within the instruments.  .
Breath Of Heaven (Mary's Song)
Saxophone Tenor et Piano
Amy Grant
$4.99 4.26 € Saxophone Tenor et Piano PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale