Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294754 Composed by Tinus Badenhorst. Contemporary,Pop,Singer/Songwriter. Score. 7 pages. Envangeli #885113. Published by envangeli (A0.1294754). This is a song that testifies of melodramatic attachment to a relationship that was never meant to be. It was composed around April 2015 after the experience.I was hesitant at first to publish this sheet music, but now I can look back and tell my past self that it was OK to feel that the whole world was ending.This song was originally composed in A-flat major, and later transposed to C major.Available in F, G, Ab, A, Bb, C, D and Eb.

Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1459960 Composed by Hector Berlioz. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). 19th Century,Chamber,Multicultural,Opera,World. 34 pages. Mark A. Craig #1038915. Published by Mark A. Craig (A0.1459960). This dynamic woodwind quintet arrangement of Hector Berlioz's Hungarian March Opus 24, the Rakoczy, from his legend dramatique The Damnation of Faust, is a standard orchestral and concert band work known to many music students and a great part of the repertoire. This adaption for woodwind quintet was written for advanced high school and college ensembles and professional groups. It's perfect for recitals, graduations, weddings, ceremonies, and background dinner music gigs. I have included an alternate bass clarinet part in lieu of a missing bassoon. If you like this arrangement, you might also like my woodwind quintet arrangement of the third movement Scherzo from Franz Schubert's String Quartet No. 14 Death and the Maiden. It's available on:Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/911713/Product.aspxSheet Music Plus: https://www.sheetmusicplus.com/en/product/scherzo-from-string-quartet-no-14-death-the-maiden-21848148.html For more info about Mark A. Craig / Craig Music Publishers, here are my social media links. Please like, follow/subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube

Saxophone in Eb and piano - intermediate - Digital Download SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15272. Published by Schott Music - Digital (S9.Q15272). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Antonín Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan Kubelík played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 4 - Digital Download SKU: A0.1413511 Composed by Carl Mcgrier, Jean-Yves G. Ducornet, Kofi A Owusu-ofori, and Todrick Dramaul Hall. Arranged by David Maddux. Pop. 58 pages. David Maddux #995336. Published by David Maddux (A0.1413511). Todrick Hall's triumphant dance-pop anthem, Rainbow Reign, blazes here in an infectiously joyous TTBB setting. Note: this download is the Score & Instrumental parts only.  Piano-Vocal part sold separately.

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 3 - Digital Download SKU: A0.976134 Composed by Leopold Aimon (1779-1866). Arranged by Steve Murray. Romantic Period,Standards,World. 11 pages. Steven H Murray #1911411. Published by Steven H Murray (A0.976134). AIMON, PAMPHILE LEOPOLD FRANÇOIS, violoncellist and composer, born at L'Isle, near Avignon, 1779; conducted the orchestra of the theatre in Marseilles when only seventeen, that of the Gymnase Dramatique in Paris 1821, and of the Théâtre Français, on the retirement of Baudron, 1822. Of his seven operas only two were performed, the 'Jeux Floraux' (1818), and 'Michel et Christine' (1821), the last with great success. He also composed numerous string quartetts, trios, and duos (Paris and Lyons), and was the author of 'Connaissances preliminaires de L'Harmonie,' and other treatises. Period: Romantic.

Female choir (SMezA) with piano or string orchestra or Zupforchestra - easy - Digital Download SKU: S9.Q38391 Composed by Waldram Hollfelder. This edition: score. Downloadable, Score. Duration 12 minutes, 30 seconds. Schott Music - Digital #Q38391. Published by Schott Music - Digital (S9.Q38391). German.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.596882 Composed by Carl Mcgrier, Jean-Yves G. Ducornet, Kofi A Owusu-ofori, and Todrick Dramaul Hall. Arranged by Steve Milloy. Contemporary. Octavo. 35 pages. Steve Milloy #6614357. Published by Steve Milloy (A0.596882). Todrick has done it again! It's naughty, bawdy, and a lot of fun! Parts for bass guitar and drum set included.

Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.931571 Composed by published by Frank Raschke. 20th Century,Jazz,World. 77 pages. Frank Raschke #3561091. Published by Frank Raschke (A0.931571). This is a collection of some french musette-inspired pieces for Saxophone Quartet (ss, as, ts, bars)  in four movements:  I. Musette dramatique; II. Musette mystérieuse; III. Musette á la Bach; IV. Musette de Cirque. These are also available separately.

Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.    The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.

Piano Solo - Level 5 - Digital Download SKU: A0.818246 By Stephen R Dalrymple. By Stephen R. Dalrymple [Dalrymple Designs]. Classical,Contemporary. Score. 14 pages. Stephen R Dalrymple #3549111. Published by Stephen R Dalrymple (A0.818246). Ruth Movement 1 Through the Valley of the Shadow of Death ♫ Tone Poem for Piano Solo by Stephen R Dalrymple♫ performed by the composer♫ music © 2017 Stephen R Dalrymple♫ recording ℗ 2023 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ The movements of this tone poem are written using contemporary classical music composition techniques, especially modality and polytonality. Movement one begins with the 2 hands of the pianist playing in different key signatures.♫ The first movement of Ruth summarizes Ruth’s story of coming to faith and her loyalty and kindness to Naomi. The second movement dramatizes Ruth’s devotion to Naomi and the love story of Ruth and Boaz that results from it.♫ Ruth and Boaz’ great grandson, David, used the phrase ‘valley of the shadow of death’ in Psalm 23. This phrase was the key emotive idea behind the movement. By the end of the story it is evident that Psalm 23 is true to the experiences of Naomi and Ruth.♫ This .pdf file includes 2 score choices • Letter size score for piano • 10 inch tablet size score for piano (Tell your computer which pages you want to print. Programs are available online that will allow you to split pdf files so that you can choose which pages to print.)

Small Ensemble - Level 3 - Digital Download SKU: A0.940820 Composed by Carl Seante Mcgrier, Jean-Yves G. Ducornet, Kofi A. Owusi-Ofori, and Todrick Dramaul Hall. Arranged by Ted Gehring. A Cappella. Score and parts. 9 pages. Ted Gehring #6463367. Published by Ted Gehring (A0.940820). A Cappella arrangement for mixed ensemble of Toddrick Hall's Lying to Myself for SMATBB. The arrangement highlights the bases with the melody.  Link to Toddrick Hall's original workhttps://www.youtube.com/watch?v=Y6whgq0quV8IMPORTANT: One purchase allows for up to 25 copies.

Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931279 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Standards. Score and parts. 10 pages. Music Macri Editions #6139975. Published by Music Macri Editions (A0.931279). King Arthur, or The British Worthy (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691.The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent.King Arthur is a dramatick opera or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular Your hay it is mow'd, drunk. Secondary characters sing to them, usually as diegetic entertainment, but in Act 4 and parts of Act 2, as supernatural beckonings. The singing in Act 1 is religious observance by the Saxons, ending with their heroic afterlife in Valhalla. The protagonists are actors, as a great deal of King Arthur consists of spoken text. This was normal practice in 17th century English opera. King Arthur contains some of Purcell's most lyrical music, using adventurous harmonies for the day.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527847 Composed by Giuseppe Verdi. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Diego Marani #3517711. Published by Diego Marani (A0.527847). Ernani is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play Hernani by Victor Hugo. Ernani was first performed on 9 March 1844 and it was immensely popular, and was revived countless times during its early years. It became Verdi's most popular opera until it was superseded by Il trovatore after 1853. In 1904 it became the first opera to be recorded completely.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn or Trombone, Tuba.

Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Things�, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.� And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.� Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!� As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.