Medium voice and piano - Medium - Digital Download SKU: MQ.8667-02E Composed by Steven Mark Kohn. 4 pages. E. C. Schirmer Music Company - Digital #8667-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8667-02E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen):

Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !

High voice and piano - Medium - Digital Download SKU: MQ.8668-10E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-10E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):

Mixed choir (SATB) - Digital Download SKU: S9.Q19248 A cycle of nine songs and melodramas. Composed by Alexander Goehr. This edition: choral score. Commissioned by the Countess of Munster Musical Trust for the opening of the Trust Centre and New Music School at King Edward's School, Whitley, Surrey. Downloadable, Choral score. Duration 30 minutes. Schott Music - Digital #Q19248. Published by Schott Music - Digital (S9.Q19248). English.

Marching Band - Level 2 - Digital Download SKU: A0.1515118 By Alicia Domínguez Arcos Sonay. By José Calixto Serrano Simeón , Juan Bautista Vert Car y Reveriano Soutullo Otero. Arranged by Alicia Domínguez Arcos. 19th Century,Classical,Contemporary,Multicultural,Traditional,World. 9 pages. Alicia Dominguez #1089620. Published by Alicia Dominguez (A0.1515118). Two zarzuelas in a single score. Alma de Dios is a lyrical comedy in one act and four scenes in prose, premiered on December 17, 1907 at the Teatro Cómico in Madrid. And La leyenda del beso is a zarzuela considered the work that brought fame to the masters Soutullo and Vert. The libretto is an example of the zarzuela taken to the field of operetta, with certain melodramatic touches, as well as certain exotic elements to give color. It is found in the album PRIMUM CONCENTUS 1982 by the Banda Juvenil Scout Maestro Jaén, directed by Antonio Domínguez Morilla.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884865 Composed by Wolfgang Amadeus Mozart. Arranged by Jonathan Prentice. Classical,Opera. 8 pages. Jonathan Prentice #5970867. Published by Jonathan Prentice (A0.884865). A contrite Zerlina tries to win back the affection of her simple minded husband in this beautiful aria from Mozart's wonderfully dark and melodramatic opera, Don Giovanni. (Here in the original F Major).

Piano Trio,String Ensemble - Digital Download SKU: A0.1023023 Composed by Jonathan Wilson. Concert,Contemporary,New Age,Wedding,World. Score and parts. 23 pages. Fresh Air #5038071. Published by Fresh Air (A0.1023023). Just for Joe is based on a simple four bar repetition originally devised on my thumb piano and played as a lullaby to get my infant son, Joe, to sleep. I later developed a slow melody, on top of the thumb piano continuo, sung with some (not very good) words. When out local amateur dramatics group put on an adaption of A Midsummer Night's Dream it was used as a song with Clarsach accompaniment during the scene where the fairy queen, Titania, is lulled to sleep by the other fairies. Finally, when we put on the concert at our local village hall to raise funds for a new piano, I arranged it for Thumb Piano, Violin, Cello and Piano with a third line for the Violin in addition to the continuo on Thumb Piano and melody on Cello. The Violin and Cello were played by two very talented young players with the technique and skill to allow the un-amplified thumb piano to be heard against the Violin. Despite putting this together on the day before the concert, this was a real high spot of the performance and the atmosphere in the Hall was electric.

Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1413509 Composed by Carl Mcgrier, Jean-Yves G. Ducornet, Kofi A Owusu-ofori, and Todrick Dramaul Hall. Arranged by David Maddux. Pop. 14 pages. David Maddux #995334. Published by David Maddux (A0.1413509). Todrick Hall's triumphant dance-pop anthem, Rainbow Reign, blazes here in an infectiously joyous TTBB setting. Note: this download is the Piano-Vocal part only. Score & Instrumental parts sold separately.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1274523 By Millicent E Taffe. By Millicent E Taffe. Arranged by Millicent E Taffe. Film/TV,Hip-Hop,Pop,R & B,Singer/Songwriter,Soul. Score. 7 pages. Millicent E Taffe #866665. Published by Millicent E Taffe (A0.1274523). My music is a merging of lovers rock and neo soul. I write predominantly about music of the heart, or romantic music for those who are blissfully in love. I have not had an easy road, so I write from brokenness, disappointment and sorrow, because I am trying to heal.At a young age, I always felt sad and knew that I was interested in the deep topics of why we are here, so I started to write poems, which I found therapeutic because they allowed me to get out emotions that I could not express, or understand.I want to bring understanding to those who like me have been through heavy stuff, that keeps repeating and the one is always the one, not!. Yet, we keep hoping because all around us are happy, pda couples who just sail into relationships that we can only dream of.I am now resigned to help the World by putting into song, all the wrongs they did because I now believe that this is my destiny. For me hope has gone, but for you I will clear your road of all the dross and debris, so you can cruise into romantic happiness.This song burst forth demanding to be heard after months of emotional turmoil and heartbreak, and with every listen, I heal a little bit more.Please take a listen to my healing song Hello My Love, and if you want a visual dramatization that is as powerful as the song, then watch the video.

Chamber orchestra SKU: M2.MOS-10015 Orgelstuck fur eine Uhr. Composed by Wolfgang Amadeus Mozart. Score. Möseler Verlag #MOS 10015. Published by Möseler Verlag (M2.MOS-10015). ISBN 9790203735687.Ein Stuck fur ein Orgelwerk in einer Uhr lautet eine undatierte handschriftliche Eintragung Mozarts (zwischen Dezember 1790 und 5. Januar 1791) in sein Verzeichnuss aller meiner Werke, etwas spater finden wir unter dem 3. Marz 1791 Ein OrgelStucke fur eine Uhr. Gemeint sind die beiden ublicherweise als Fantasie bezeichneten Werke in f-Moll, KV 594 und KV 608, die Mozart mit grosser Wahrscheinlichkeit fur eine mit einem Uhrwerk verbundene mechanische Orgel - also einen Orgel-Automaten - im Mausoleum Laudons der Mullerschen Kunstgalerie geschrieben hat. Wer unter diesen so harmlos wirkenden Titeln eine ebenso harmlose, hubsche und unterhaltende Musik erwartet, wird schon durch die Tonart der beiden in Mozarts letztem Lebensjahr entstandenen Musiken uberrascht sein - vielmehr noch durch ihre konzentrierte Form und Ausdruckstiefe. Stucke fur ein mechanisches Orgelwerk zu schreiben war durchaus eine Aufgabe, der sich viele der grossen Meister des 18. Jahrhunderts unterzogen. Wir haben kostliche Miniaturen fur eine Flotenuhr von Handel, Haydn, Beethoven u.a., die heute in der Regel auf einer Orgel wiedergegeben werden. Umso verwunderlicher ist es, dass Mozart mit diesen beiden Kompositionen eine ganz andere Musik geschaffen hat: gross dimensioniert schon in der Ausdehnung, die der Lange eines Sinfoniesatzes entspricht, erst recht aber in ihrer inhaltlichen Ausarbeitung! Vom dusteren Adagio am Beginn der Fantasie KV 594 uber das triumphierend auffahrende Allegro bis zum ersterbenden Ende wird der Horer gleichermassen wie in der entgegengesetzt aufgebauten Fantasie KV 608 von dem mit dramatisch-heroischem Impetus anpackenden Themenkopf uber das durch 2 Fugen von allerhochster Meisterschaft umrahmten innig beruhrenden Andante bis zum letzten Ton in Atem gehalten. War es die vermutete Bestimmung der Kompositionen als Trauermusik oder Mozarts Beschaftigung mit Handel und Bach, die so ungewohnlich ergreifende Musik entstehen liess? Unuberhorbar ist jedenfalls ihre Nahe zu seinen letzten grossen Kirchenmusiken, der Messe c-Moll und dem Requiem! Wolfgang Helbich in seinem Vorwort zu den beiden Fantasien fur eine Uhr.

Mixed choir (SATB) and piano - Digital Download SKU: S9.Q558609 Drei Gedichte von Bertolt Brecht. Composed by Heinrich Poos. Downloadable, Score. Schott Music - Digital #Q558609. Published by Schott Music - Digital (S9.Q558609). German.In seinem Zyklus „Abgesang“ hat sich der Komponist Heinrich Poos (*1928) wieder einmal dem Bereich gewidmet, der im Zentrum seines Œeuvres steht: dem Vokalwerk, speziell dem Chorgesang. Dabei hat er auf drei Gedichte Bertolt Brechts zurückgegriffen, auf „Das Lied vom Rauch“ und „Das Lied vom Nimmerleinstag“ (aus des Dramatikers Parabelstück „Der gute Mensch von Sezuan“) sowie auf „Die haltbare Graugans“. Die Vergeblichkeit des menschlichen Handelns, die Vergänglichkeit alles Irdischen hat der Chormusikspezialist mit prägnanten musikalischen Mitteln effektvoll für vierstimmigen Chor mit Klavierbegleitung umgesetzt. Witzig, wenn er die vergeblichen Versuche schildert, einer Gans den Garaus zu machen, oder wenn er den „Nimmerleinstag“ mit Walzerklängen persifliert – das ist Chormusik vom Feinsten!

Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1248898 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand. Christian,Easter,Holiday,Sacred. 21 pages. Con Spirito Music #843370. Published by Con Spirito Music (A0.1248898). Perhaps most often associated with Christopher Wordsworth’s Easter hymn text, “Alleluia, Alleluia! Hearts to Heaven and Voices Raise,� and his All Saints Day text, “Hark! The Sound of Holy Voices,� Arthur S. Sullivan's tune LUX EOI may be used with any hymn in 8.7.8.7 D meter.Best known for his Victorian-era collaborations with dramatist and librettist W.S. Gilbert on comic operas including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, Sullivan (1842-1900) displayed prodigious musical talent early in life, writing his �rst anthem at age eight, joining the Chapel Royal as a chorister at age 12, and earning a scholarship to the Royal Academy of Music at age 14. He later studied at the Leipzig Conservatory, and while still in his teens began building a reputation as a promising young composer. Among Sullivan’s works are 24 operas, 11 full orchestral works, 10 choral works and oratorios, and more than 70 hymns and anthems, including the hymn tunes ST. GERTRUDE (“Onward, Christian Soldiers�), FORTUNATUS (“Welcome, Happy Morning�), ST. KEVIN (“Come, Ye Faithful, Raise the Strain�), and the tune that is the basis for this arrangement.Following an opening fanfare by brass which is answered by organ, the verses proceed as follows: organ accompaniment verse (may be repeated as needed), brass accompaniment verse, penultimate verse (organ accompaniment with countermelody by trumpets), interlude, and �nal verse (organ with brass punctuations and conclusion).©Copyright 2023 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.782457 Composed by Richard Rodgers. Arranged by James Haynor. Contemporary. Score and parts. 16 pages. James Haynor #6645155. Published by James Haynor (A0.782457). You'll Never Walk Alone is a show tune from the 1945 Rodgers and Hammerstein musical Carousel. Rodgers and Hammerstein refers to the theatre-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960). Scored here for woodwind quintet, You’ll Never Walk Alone would make a great encore for your next concert or recital. ( Duration 3:35 )

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022765 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 2 pages. Stefano Torchio #3142887. Published by Stefano Torchio (A0.1022765). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.

Full Orchestra - Level 4 - Digital Download SKU: A0.1435948 Composed by Cliff Eidelman. Arranged by Chris Siddall. Film/TV. 24 pages. Chris Siddall Music Publishing #1016115. Published by Chris Siddall Music Publishing (A0.1435948). 1991 saw the final big screen outing of the original Star Trek crew. Following the critical and commercial disappointment of Star Trek V: The Final Frontier, director Nicholas Meyer, who also directed Star Trek II: The Wrath of Khan, returned to the franchise and set out to tell a more complex and tonally dark story than any previous installment.Thanks in part to the previous movie’s box office performance, the limited budget available for music led Meyer to consider using Gustav Holst’s The Planets suite to score the movie, but the extraordinary cost of licensing that work and adapting it to fit the picture ruled it out as a viable option. After listening to several demo tapes, young and upcoming composer Cliff Eidelman was selected to write the new score, and the resulting soundtrack remains a uniquely dark and melodramatic powehouse.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!