Solo Guitar - Level 3 - Digital Download SKU: A0.1310272 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #899389. Published by Christopher J. Malin (A0.1310272). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. In the film The Wizard of Oz. Sung by Judy Garland.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.

Easy Piano - Level 1 - Digital Download SKU: A0.1231016 Composed by Catia Lee. Arranged by Catia Lee. Children. Score. 1 pages. Catia Lee #826698. Published by Catia Lee (A0.1231016). Music Theory for Kids - High sound Activity to use creativity to draw  what the child knows about high sound.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.612143 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Exultet Music #3548149. Published by Exultet Music (A0.612143). Meditative Communion hymn that utilizes the choir to sing the refrain like a meditative chant while a soloist sings the new melody with the familiar Eucharistic hymn Draw Near And Take The Body Of The Lord. Scored for SAB, Solo, with Piano accompaniment. Accessible and appropriate for any church setting. Can be used at any time throughout the liturgical year.

C Instrument - Digital Download SKU: A0.1273525 By Rick Lee James. By Rick Lee James. Arranged by Rick Lee James. Christian,Contemporary,Praise & Worship,Religious. Lead Sheet / Fake Book. 4 pages. Voices In My Head Productions LLC #865664. Published by Voices In My Head Productions LLC (A0.1273525). Keep Watch, Dear LordBy Rick Lee JamesVerse 1Keep watch, dear Lord, with those who work, or watch, or weep this night.And give your angels charge o’er those who are saving other’s livesLet them be as Christ to the dying ones Who will draw their final breathLet their hands soothe the sufferingAnd bring the weary restKeep watch, dear Lord, with those who work, or watch, or weep this night.Verse 2Keep watch, dear Lord, with those who work, or watch, or weep this dayTheir healing hands bring solace near to grieving ones whose lives have changedLet your compassion give them strength to lift the heavy loadWith willing minds and open hearts that welcome every soulKeep watch, dear Lord, with those who work, or watch, or weep this dayVerse 3Keep watch, dear Lord, with those who work, or watch, or weep in life.May they find you in the broken hearts of those for whom You gave Your lifeGive eyes to see you in the ones who are overlooked each dayAnd ears to hear you in the ones who have never had a sayKeep watch, dear Lord, with those who work, or watch, or weep in life.

Concert Band - Digital Download SKU: AX.00-PC-0002553_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by John Zdechlik. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002553_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002553_WPTN2BC). UPC: 029156131482.Psalm 46 is based upon the chorale melody from A Mighty Fortress is our God, the best known Martin Luther hymn which was composed sometime between 1527 and 1529. The hymn's words paraphrase Psalm 46. Zdechlik's setting is divided into four major sections with a wide variety of styles and meters that draw to a powerful heroic conclusion. The work, originally published in 1971, is dedicated to Mr. Leon Titus and the Concordia College Band, St. Paul, Minnesota. (9:18) This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, Perc.

Piano Solo - Level 3 - Digital Download SKU: A0.1269606 Composed by William Ralph Featherston, Adoniram Judson Gordon. Arranged by Telmo D. Zaldivar Jr. Christian,Religious,Sacred. Score. 3 pages. Telmo D. Zaldivar Jr. #862151. Published by Telmo D. Zaldivar Jr. (A0.1269606). My Jesus, I Love Thee is a beloved Christian Hymn with lyrics written by William Ralph Featherston in the mid-19th century. The Hymn expresses a deep and heartfelt love for Jesus Christ. The Tune is typically attributed to Adoniram Judson Gordon, who was inspired by Featherston's poem.This arrangement for solo piano in F major captures the emotional essence of the hymn.  Begins with a gentle soft introduction, setting the tone for the personal and heartfelt expression of love for Jesus. A single-note melodies to draw the listener into the hymn's contemplative atmosphere. Modulating to the relative D minor key to convey emotional depth of devotion and ended back to its original key in  F major. A peaceful and reverent conclusion.

Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.

Concert Band - Digital Download SKU: AX.00-PC-0002553_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by John Zdechlik. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0002553_wpTN2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002553_WPTN2TC). UPC: 029156131482.Psalm 46 is based upon the chorale melody from A Mighty Fortress is our God, the best known Martin Luther hymn which was composed sometime between 1527 and 1529. The hymn's words paraphrase Psalm 46. Zdechlik's setting is divided into four major sections with a wide variety of styles and meters that draw to a powerful heroic conclusion. The work, originally published in 1971, is dedicated to Mr. Leon Titus and the Concordia College Band, St. Paul, Minnesota. (9:18) This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, Perc.

Concert Band - Digital Download SKU: AX.00-PC-0000919_WPTBEBC (wp) E-flat Tuba B.C.. Composed by H. Owen Reed. Arranged by William Berz. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0000919_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000919_WPTBEBC). UPC: 038081277356.Frolicking Winds is an adaptation of H. Owen Reed's Symphonic Dance. Working closely with this revered composer, William Berz has scored this dynamic work for concert band. Ternary in form, the first and last sections are characterized with quick syncopated rhythms while the more sustained middle sections demonstrate vivid instrumental colors.A A brilliant addition to the Belwin Symphonic Band Series certain to draw critical acclaim.

Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.589203 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 8 pages. David McKeown #5743957. Published by David McKeown (A0.589203). Merengue de Merlín is an exciting original composition by David McKeown, arranged as a duet for one Clarinet and one Viola.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de Merlín has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.893703 Composed by Lyrics by K.J. Murdock, music arranged from African American Spiritual. Arranged by K.J. Murdock. A Cappella,Blues,Christian,Easter,Gospel,Spiritual. Octavo. 7 pages. Kristopher James Murdock #3052979. Published by Kristopher James Murdock (A0.893703). Teachers and singers, do you need a fresh new song, with a new feel, based on a timeless classic?Church music leaders, are you looking for a unique way to share the faith, a change in style to draw attention to the Gospel in song?The new a capella Gospel song Jesus Fought the Battle at Calvary, to the tune of the familiar American Spiritual Joshua Fought the Battle of Jericho, solves both problems.The tune, with its lively blues chorus and solemn verses, is arranged from a Spiritual that emphasized the hope of an oppressed people to emerge triumphant one day, from slavery into a Promised Land of freedom, just like Moses and his successor Joshua in the days of old. These lyrics remind Christians of the belief that, by the Blood of Calvary, God's people of all races are spiritually triumphant over the ultimate foe, satan. Taking these contexts together, Jesus Fought the Battle at Calvary reminds us of a people who learned to look to God for victory and freedom, in both the spiritual and the natural realm. Jesus Fought the Battle at Calvary will be an inspiring addition to your repertoire, whether at Easter season or at any other time of year.Duration: approximately 1:53Uses: Church, school, etc.Rights: Feel free to sing this choral piece live without any additional charge beyond the price of sheet music, as long as no admission is charged in any non-academic setting other than a church fundraiser. For rights to charge admission in any other setting, or for any other rights such as copying or recording, please contact:

Concert Band - Digital Download SKU: AX.00-PC-0000919_WPEH1 (wp) 1st Horn in E-flat. Composed by H. Owen Reed. Arranged by William Berz. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0000919_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000919_WPEH1). UPC: 038081277356.Frolicking Winds is an adaptation of H. Owen Reed's Symphonic Dance. Working closely with this revered composer, William Berz has scored this dynamic work for concert band. Ternary in form, the first and last sections are characterized with quick syncopated rhythms while the more sustained middle sections demonstrate vivid instrumental colors.A A brilliant addition to the Belwin Symphonic Band Series certain to draw critical acclaim.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1091873 Composed by Erik Satie. Arranged by David Rain. A Cappella,Classical,Contemporary. 6 pages. David Rain, Choral Composer #696006. Published by David Rain, Choral Composer (A0.1091873). Erik Satie's Sarabande No. 1 is one of my favourite piano pieces. For a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece has its challenges. I tried to keep faithful to Satie's original musical inspiration and created lyrics to go with my arrangement that evoke an early summer morning, one of my favourite times of the year. Several months later, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. As dawn breaks was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. As dawn breaks works perfectly as the opening number of this suite. Finally, my instruction to choirs is to sing as if in a painting, and indeed I invite any artists who might draw inspiration from this piece to consider creating a companion work of art to accompany it.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1174322 Composed by Richard Hageman. Arranged by Jay Dougherty. 20th Century,Children,Comedy. Octavo. 6 pages. Jay Dougherty #774492. Published by Jay Dougherty (A0.1174322). This whimsical upbeat melody by Richard Hageman was originally set as a solo art song in 1922. This arrangement takes Hageman's delightful song and couples it with an alto, tenor, and bass line to make for a fun and accessible SATB crowd pleaser. It is sure to draw a smile on the faces of singers and audience alike. For more information on compositions and arrangements by Dr. Jay Dougherty, visit www.jmdougherty.com.