Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.984285 Composed by Alexander Campbell (words and melody). Arranged by Karen E McAulay (piano). Celtic,Contemporary,Folk,Patriotic. 5 pages. Dr Karen E McAulay #4612723. Published by Dr Karen E McAulay (A0.984285). A poignant Scottish song from the island of St Kilda.  The theme is emigration, melody first published in 1818.  Soprano and piano. Full piano accompaniment - no chord symbols.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1095674 By Tina Turner. By Bono and The Edge. Arranged by Chris Gorman. Film/TV. Brass Band. 53 pages. Chris Gorman #699660. Published by Chris Gorman (A0.1095674). GoldenEye is a 1995 spy film, the seventeenth in the James Bond series produced by Eon Productions, and the first to star Pierce Brosnan as the fictional MI6 agent James Bond. Directed by Martin Campbell, it was the first in the series not to utilize any story elements from the works of novelist Ian Fleming. It was also the first James Bond film not produced by Albert R. Broccoli, following his stepping down from Eon Productions and replacement by his daughter, Barbara Broccoli (along with Michael G. Wilson, although Albert was still involved as a consultant producer; it was his final film project before his death in 1996). The story was conceived and written by Michael France, with later collaboration by other writers. In the film, Bond fights to prevent a rogue ex-MI6 agent (Sean Bean) from using a satellite weapon against London to cause a global financial meltdown.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.984262 Composed by Joshua Campbell. Arranged by Karen E McAulay. Celtic,Classical,Folk. 14 pages. Dr Karen E McAulay #3675973. Published by Dr Karen E McAulay (A0.984262). 'Joshua's Glasgow' is an instrumental medley from a late 18th century Scottish fiddle tunebook.

SATB with piano - Digital Download SKU: MQ.34-96820-E Composed by David Francis, Jeffery Redding, Justine Sasanfar, Mairi Campbell, and Michael Hanawalt. Octavo. 14 pages. Colla Voce Music - Digital #34-96820-E. Published by Colla Voce Music - Digital (MQ.34-96820-E). On New Year’s Eve in many parts of the world, this text is commonly sung to a tune other than the one used in this arrangement. However, the tune used here predates the one used today and is said to have been preferred by Burns himself. The phrase “Auld Lang Syne� literally translates to “old long since,� but paraphrases such as “for old time’s sake� and “to the good old days� more directly capture its spirit and meaning. Above all, the song speaks to the value of old friends, despite the fact that life circumstances and people themselves are ever changing.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 1 - Digital Download SKU: A0.1386967 By Kevin P Holdgate. By Thomas Campbell & Charles Wesley. Arranged by Kevin P Holdgate. 19th Century,Christian,Praise & Worship,Religious,Sacred. Brass Band. 21 pages. Kevin P Holdgate #970852. Published by Kevin P Holdgate (A0.1386967). And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. The hymn celebrates personal salvation through the death and resurrection of Jesus, and is one of the most popular Methodist hymns today.Charles Wesley (1707–1788), along with his brother John Wesley, was one of the founding figures of Methodism. Like his brother, he was profoundly influenced by a religious conversion. Charles's experience took place on 21 May 1738 (the feast of Pentecost), and it inspired him to write two new hymns, And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin?. After this, Charles went on to become a prolific hymnodist, composing over 6,500 hymns.The original six-verse hymn And Can It Be? was first published in 1739 in John Wesley's hymnal, Hymns and Sacred Poems, with the title Free Grace.The hymn remains popular today and is included in many contemporary hymn books. In 2013, following a survey conducted by the BBC Television programme Songs of Praise, And Can It Be? was voted number 6 in the UK's Top 100 Hymns.

Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Classical,Opera,Traditional. 9 pages. Bacco Baccanels #993210. Published by Bacco Baccanels (A0.1410812). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934264 Composed by Concone Panofka Seidler Tosti. Arranged by Antonio Cericola. Instructional. Octavo. 162 pages. Antonio Cericola #6328883. Published by Antonio Cericola (A0.934264). I migliori e più belli vocalizzi, lezioni e solfeggi cantati tratti dalle opere storiche più importanti della didattica del belcanto internazionale. Unica nel panorama editoriale e didattico, questa edizione annovera tutti i vocalizzi trasportati per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa composizione già trasposta), ma anche agli insegnanti. Gli allievi più illuminati, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Una chiarissima impaginazione e formattazione musicale contraddistingue questa edizione da tutte le altre esistenti. La raccolta si articola in due volumi.Vocalizzi presenti nel primo volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 F. P. Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melodia n 4 § 5 H. Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H.The best and most beautiful vocalizations, lessons and sung solfeggi taken from the most important historical works of the teaching of international bel canto. Unique in the publishing and educational landscape, this edition includes all the vocalizations carried for all the vocal extensions in three different tones. This convenience will certainly be useful not only to accompanying pianists (who will have the same composition already transposed to hand), but also to teachers. Furthermore, the more enlightened students could practice the same lesson in different tones for educational and musical purposes. A very clear layout and musical formatting distinguishes this edition from all the other existing ones. The collection is divided into two volumes: vocalizations present in the first volume: 1 H. Panofka Op 85 n 1 § 2 H. Panofka Op 81 n 13 § 3 FP Tosti Piccolo solfeggio n 12 § 4 G. Seidler Melody n 4 § 5 H . Panofka Op 85 n 4 § 6 H. Panofka Op 85 n 10 § 7 H. Panofka Op 85 n 11 § 8 H. Panofka Op 85 n 12 § 9 H. Panofka Op 85 n 13 § 10 H. Panofka Op 85 n 14 § 11 H. Panofka Op 85 n 24 § 12 H. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1. Panofka Op 81 n 14 § 13 H. Panofka Op 85 n 8 § 14 H. Panofka Op 85 n 16 § 15 H. Panofka Op 85 n 9 § 16 H. Panofka Op 81 n 17 § 17 H. Panofka Op 81 n 1.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Opera,Traditional. 9 pages. Bacco Baccanels #993208. Published by Bacco Baccanels (A0.1410810). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.

Orchestra with organ or brass, with optional handbells (1 2 2 1 – 0 0 0 0 – org – str (8-8-6-4)– handbells, optional Brass (Trumpet, Horns I and II, Trombones I and II)) - Moderately Easy - Digital Download SKU: MQ.25-177-E Composed by Charles E. Peery. Christmas, Christmas-Sacred. 30 pages. MorningStar Music Publishers - Digital Sheet Music #25-177-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.25-177-E).

B-Flat Instrument, handbells, organ, percussion, timpani, trumpet, Windchimes - Digital Download SKU: H1.C5537PDP Arranged by Joel Raney. Piano with Optional B-Flat Instrument, Handbells, Organ, Percussion, Timpani, Trumpet, Windchimes. Hope's Recent Best Sellers Series. Hymntune, Celebration, Commemoration, Dedication, General Worship, Commitment, Discipleship, Guidance, Kingdom, Wisdom. Instrumental Parts. 33 pages. Hope Publishing - Digital #C5537PDP. Published by Hope Publishing - Digital (H1.C5537PDP). Matthew 3:2 - Matthew 4:17 - Matthew 7:21 - James 1:5 - 1 Chronicles 22:13 - 1 Chronicles 28:20 - 2 Chronicles 32:7 - Acts 4:13 - Acts 4:29 - Deuteronomy:31:6 - Deuteronomy:31:7 - Deuteronomy:31:23 - Ephesians 2:8 - Ephesians 2:9 - E.Classic hymn Joel Raney pairs the text of this profound hymn with his own original melody and additional words to capture the power and glory of God's grace. The essential elements of this stately anthem call for SATB choir and piano accompaniment, but the addition of organ, handbells, 3 trumpets and percussion makes this an ideal selection for any festive service of praise. The appearance of the hymn tune, CWM RHONDDA, pulls everything together along with the deeply felt refrain: Grant us hearts and hands for service, Lord. On your people pour your holy power! The Instrumental Parts contain a Conductor's Score and parts for Organ, 3-5 octave Handbells, 3 Trumpets in B-flat, and Percussion (Timpani, Suspended Cymbal & Windchimes).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1138597 Composed by Belle Humble and Nick Coler. Arranged by Liz Garnett. A Cappella,Barbershop,Christmas. Octavo. 6 pages. Liz Garnett #738944. Published by Liz Garnett (A0.1138597). This song was first released on The Great British Barbershop Boys' album Christmas Time. The intro, backing instrumentation and key change heard in the recording were added in the studio, but otherwise this is the arrangement as recorded. Vocal ranges: Tenor: F4-F5 Lead: B flat 4 - D5 Bari: B flat 4 - E flat 5 Bass: E flat 3 - G4 N.B. This arrangement is notated in the clef's for women's barbershop, i.e. treble (sung at pitch) and bass alta (sung an octave higher than written).

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1478094 Composed by Alan Menken. Arranged by Helen Douthwaite-Teasdale. Broadway,Film/TV,Musical/Show. Brass Band. 54 pages. Helen Douthwaite-Teasdale #1055494. Published by Helen Douthwaite-Teasdale (A0.1478094). Transformation and Final from Walt Disney's Beauty and the Beastarranged for brass bandapprox 5 minsMenken's score as Belle tearfully professes her love to a dying Beast as the last petal falls, which undoes the curse, reviving the Beast and restoring him and his servants to their human forms.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931272 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 47 pages. Music Macri Editions #6076475. Published by Music Macri Editions (A0.931272). Rosen aus dem Süden (Rose del Sud) op. 388, è un valzer di Johann Strauss (figlio).«È stata una serata movimentata, la sala era gremita e tutti erano in attesa di poter ascoltare il nuovo lavoro del nostro Strauss, che oggi può godere del raro titolo di nostro, il massimo superlativo per un artista!»(Fremdenblatt)Così scrisse il giornale Fremdenblatt (3 ottobre) in sede di riesame del grande successo alla prima dell'operetta di Johann Strauss Das Spitzentuch der Königin (Il fazzoletto di pizzo della regina), che ebbe la sua prima al Theater an der Wien di Vienna il 1º ottobre 1880.Il compositore stesso, nonostante il favore con il quale la sua operetta venne accolta da pubblico e critica, era convinto che non avrebbe goduto di un successo duraturo. Ma Strauss non aveva alcun dubbio al riguardo del valzer, Rosen aus dem Süden, che aveva frettolosamente assemblato da motivi dell'operetta. L'edizione per pianoforte venne pubblicata dal suo editore, Cranz, appena quattro giorni dopo la prima del lavoro.L'onore di condurre la prima rappresentazione di Rosen aus dem Süden toccò al fratello Johann, Eduard Strauss, ancora impegnato in un tour di concerti in Germania quando vi fu la prima dell'operetta, che il 7 novembre lo eseguì durante uno dei concerti della domenica pomeriggio diretti da Eduard al Musikverein.Il valzer racchiude al suo interno alcune delle più belle arie dell'operetta, due arie che già avevano ricevuto la lode alla prima rappresentazione furono quella del re nel primo atto Stets kommt mir wieder in den Sinn (il ritornello che Strauss sostenne di aver dovuto riscrivere per ben 12 volte) e la romanza di Cervantes del secondo atto Wo die Wilde erblht Rose.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931274 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 42 pages. Music Macri Editions #6079807. Published by Music Macri Editions (A0.931274). Wiener Blut (Sangue viennese) op. 354, è un valzer di Johann Strauss (figlio).Il 20 aprile 1873, l'arciduchessa Gisella d'Asburgo-Lorena (1856-1932), la maggiore dei figli dell'imperatore austriaco Francesco Giuseppe e di Elisabetta di Baviera, si sposò con il principe Leopoldo di Baviera (1846-1930) a Vienna.Per celebrare l'evento numerose furono le iniziative e le feste che si svolsero nel periodo del matrimonio reale, fra cui, un ballo di corte all'Hofburg e un festival al Prater ai quali parteciparono i membri della nobiltà e i maggiori rappresentanti della città di Vienna.Da parte sua, il personale della Wiener Hof-Operntheater (Teatro dell'opera reale di Vienna) annunciarono per il 22 aprile 1873 un Ballo dell'opera di corte (precursore del ballo dell'opera di Vienna odierno) i cui proventi sarebbero stati destinati per le future pensioni dei membri del teatro.Tuttavia, poiché non vi fu l'assenso da parte dell'imperatore a far svolgere il ballo nel'Hof-Operntheater, l'evento fu spostato nella sala dorata del Musikverein.Desiderosi di fare bella figura con il pubblico, i membri della Wiener Hof-Operntheater ingaggiarono l'orchestra Strauss e il loro direttore, Eduard Strauss, affinché si esibissero durante il ballo.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1204021 Composed by E. Satie. Arranged by Alessandro Macrì. Chamber,Classical,Film/TV. 12 pages. Music Macri Editions #802598. Published by Music Macri Editions (A0.1204021). La Gymnopedie n.1 di Erik Satie è la prima di un trittico, certamente la più celebre ed eseguita, che il compositore scrisse nel 1888. Le tre Gymnopedies sono frutto del genio e dell’inventiva di un Satie giovane che già si era fatto conoscere per il suo anticonformismo, il suo spirito ribelle alle convenzioni dell’epoca.Il titolo, Gymnopedies, deriva dalla parola Gymnopaidía, utilizzato per designare un ciclo di danze spartane. Satie aveva letto Salammbô di Gustave Flaubert, testo ispirato all’antichità e agli storici greci, e quelle pagine lo avevano ispirato.