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Trumpet Solo - Level 5 - Digital Download SKU: A0.533623 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 4 pages. Musik Fabrik Music Publishing #3033379. Published by Musik Fabrik Music Publishing (A0.533623). Coatue Dreaming (2002) for solo trumpet was commissioned by Richard Mason. The work was written for and is dedicated to trumpeter John Wallace. The title refers to Coatue, a “land spit†(quasi-peninsula) on Nantucket Island, Massachusetts separating Nantucket Harbor from Nantucket Sound. It is conceived as “open-air†music, “imagining†the trumpeter performing on the sand dunes of Coatue at night with the music echoing across Nantucket Harbor to the town on the other side. The work explores ideas of transformative and developing melody. It has a rhapsodic and rhythmically fluid feeling throughout. 
Carson Cooman: Coatue Dreaming (2002) for solo trumpet
Trompette (partie séparée)

$9.10 7.93 € Trompette (partie séparée) PDF SheetMusicPlus

Small Ensemble Baritone Saxophone,Bass Saxophone,Piano - Level 5 - Digital Download SKU: A0.533585 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3029121. Published by Musik Fabrik Music Publishing (A0.533585). Polpis Dreaming (2002) for contrabass saxophone and piano was commissioned for and isdedicated to Jay C. Easton. The work was inspired by Easton's championing of the more unusual members of the saxophone family, particularly the contrabass with its incredibly powerful and deep sound.  This work is recorded on Easton's SoLow CD.The title refers to Polpis, a region of Nantucket Island, Massachusetts that borders Nantucket Harbor with a variety of smaller inlets. This work is one of a variety of pieces connected to the landscape of Nantucket. In the case of this piece, the extra-musical image was one of the incredible depth of the ocean (perhaps parallel to the depth of the contrabass saxophone's sound) slowly being explored/achieved through the means of inlets.The work's basic material comes from the saxophone's opening gesture, which moves upwardfrom the bottom of the instrument. The pitch material and interval content that are transformed throughout the work are presented in that motion.The first section of the work is declamatory, with lyric impulses. The material of the work is unfolded as the sounds of the piano's resonance, combined with the tone of the contrabass saxophone are explored. A faster middle section occurs next in which the harmonic gestures and transformations are always moving towards greater consonance. After the middle section, there is a return to the mood of the opening, although the material of the middle section also appears in transformation.
Carso Cooman: Polpis Dreaming (2002) for Eb contrabass saxophone and piano

$11.95 10.41 € PDF SheetMusicPlus






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