Piano,Viola - Level 3 - Digital Download SKU: A0.773987 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Anthony Giamanco. Christian. Score and part. 15 pages. Whole Tone Press #6248345. Published by Whole Tone Press (A0.773987). 10,000 REASONS (Bless the Lord, O My Soul), written by Jonas Myrin and Matt Redman, has been recorded by many of today's top Christian artists, and continues to be one of the most popular Praise and Worship songs of the 21st century. This arrangement for viola and piano wonderfully showcases the tune, capturing its beautiful simplicity. Judicious use of pedal, attention to dynamic markings, and, above all, sensitive and expressive interpretation,, will result in a memorable experience for both players and listeners. Enjoy!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg

Piano Solo - Level 3 - Digital Download SKU: A0.1000125 Composed by Denny Dlabal. Contemporary,Jazz,New Age,Spiritual. Score. 8 pages. Denny Dlabal #6410967. Published by Denny Dlabal (A0.1000125). This is an original composition written for solo piano. The song was improvised with a few edits made afterwards. Some of the repeat sections were added afterwards too. This is a great song to help learn how to improvise. It would be great for teaching students improvisation. After learning and being able to perform the song, it would be great to then attempt your own improvisation by restricting yourself to a key and creating music. Once the song is learned, you could try playing it rubato and changing the accents on some of the notes. This most important thing is to have fun and have as much love for music as you can find. This song is 7 minutes and 23 seconds in length. For any questions or comments, I can be reached at:jamesdlabal@kc.rr.com913-424-3256

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.762494 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 5 pages. Rowena Harper #4726641. Published by Rowena Harper (A0.762494). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.

Voice (TTBB) - Level 4 - Digital Download SKU: A0.762493 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 5 pages. Rowena Harper #4726635. Published by Rowena Harper (A0.762493). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.