Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.750317 Composed by Eddie Lewis. Folk. Score and parts. 17 pages. Tiger Music #4790595. Published by Tiger Music (A0.750317). Hopewell Endurance Fourth Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis  Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape.  Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law.  Hopewell Endurance is the fourth movement of the suite. The Eastern Cape, where Hopewell Farm is located in South Africa, is a borderline semi-arid area that can suffer from periodic drought. This is not only difficult for the animals, but can also sometimes be a strain for the people. Exploring the land on the farm, there are signs of past droughts. And yet, the farm continues to thrive, no matter the times.  If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link).

By Kenny Rogers & Sheena Easton. By Bob Seger. Arranged by Jeff Tincher. Contemporary. Score and parts. 17 pages. Jeff Tincher #6559445. Published by Jeff Tincher

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.586052 By Kenny Rogers & Sheena Easton. By Bob Seger. Arranged by Jeff Tincher. Contemporary. Score and parts. 17 pages. Jeff Tincher #6559455. Published by Jeff Tincher (A0.586052). Here is probably the most beautiful love song ever written. In the original key from Bob Seger's Stranger In Town LP. Duration = 4:44. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926655 Composed by M.A. Morizio. Christian,Jewish,Sacred. Octavo. 3 pages. M.A. Morizio #1932501. Published by M.A. Morizio (A0.926655). Our Savior Lutheran Church, Westminster, MA commissioned this piece in 2008 for their celebration of the Feast of Holy Innocents. This short anthem is written for SATB choir with piano accompaniment, and has many modal characteristics lending it an eerie harmonic feeling. The lyrics are based on the Jeremiah 31:15-17 text about Rachel weeping for her children. Geared toward beginning to intermediate choirs, the piece is specifically suited for the Feast of Holy Innocents church services or other Pro Life occasions. The song is 01:45 in length.

Easy Piano - Level 1 - Digital Download SKU: A0.1318028 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 53 pages. SilverTonalities #906724. Published by SilverTonalities (A0.1318028). Carol of the Bells and the Carols of Christmas for Beginner Piano Traditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.ANGELS WE HAVE HEARD ON HIGH, originating from France and recounting the biblical story of the birth of Jesus, pages 1-3AS WITH GLADNESS MEN OF OLD, 19th century British Carol that celebrates the joy and wonder of the Magi's journey to visit baby Jesus, 4-6AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels,  pages 7-9BLESSED BE THAT MAID MARIE, honors the miraculous birth of Jesus Christ through the perspective of the Virgin Mary, pages 10-11CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 12-14FIRST CHRISTMAS NIGHT, an 1899 Carol also known as “I Should Have Heard�, pages 15-17GLOUCESTERSHIRE WASSAIL, originating from England, is sung during the Christmas season to celebrate the arrival of the coming new year, pages 18-19HERE IS JOY FOR EVERY AGE, a 13th Century Carol that celebrates the spirit of joy and unity that defines the holiday season, pages 20-21HURON CAROL “TWAS IN THE MOON OF WINTERTIME’, originates from the indigenous Huron people of Canada and was written in the early 1600s by Jean de Brébeuf, a French Jesuit missionary, pages 22-23IN THE BLEAK MIDWINTER, composed by Gustav Holst, this Carol captures the serene and frosty essence of winter, pages 24-25JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh� in 1857, pages 26-28JOSEPH DEAREST JOSEPH MINE, depicts the birth of Jesus and the role of Joseph as his earthly father, pages 29-31MY DANCING DAY, is a Carol dating back to the Medieval era that tells the story of Jesus’s life, pages 32-33O COME ALL YE FAITHFUL, also known as the Latin “Adeste Fideles�, calling for all faithful Christians to come together to celebrate the birth of Jesus, pages 34-35SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 36-37THE SNOW LAYS DEEP UPON THE GROUND, a Carol that serves as a reminder of the potential for new beginnings that the holiday season brings, pages 38-40STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Inspired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 41-43SUSSEX CAROL, also known as “On Christmas Night True Christians Sing�, reminds us of the true meaning of Christmas, pages 44-45TOYLAND, a nostalgic Christmas song composed by Victor Herbert as a whimsical ode to the joy and wonder of childhood, pages 46-48WE THREE KINGS OF ORIENT ARE, recounts the journey of the three wisemen from the east, bearing gifts to honor the birth of Jesus, pages 49-51.

Guitar,Voice - Level 3 - Digital Download SKU: A0.1298950 By The Allman Brothers Band. By Willie McTell. Arranged by from68. 20th Century,Blues,R & B,Rock. Guitar Tab with Voice. 17 pages. From68 #888800. Published by from68 (A0.1298950). From the legendary live album AT FILLMORE EAST recorded at the Fillmore East in 1971, we pick up this song with the extended slide guitar called Skydog! The golden twin guitars of Duane Allman's free slide guitar and Dickey Betts' solid guitar work are unique to this album! Duane Allman passed away at the young age of 24 that year, and this album captures a dazzling moment in his too-short life. If you play slide guitar in open E tuning, you cannot miss this performance.PDF 17P / 896 KBVOCAL, GUITAR(TAB譜), BASS(TAB譜), KEYBOARD, DRUMSGuitar notation legend Download

SATB choir, organ, optional 2 harps - Moderately Easy - Digital Download SKU: MQ.50-9838-E Composed by K. Lee Scott. Feast of the Holy Family, Lent. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-9838-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9838-E). English. Colossians 3:14-17.Colossians 3:14-17 provides the inspiring text for this original anthem. The compositional style is warm and the mood is encouraging.

Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-16046 Composed by Joseph M. Martin. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Communion; Holy Week; Lent; Palm Sunday; Sacred; Spring. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-16046. Published by Jubilate Music Group - Digital (JX.00-16046). English. Exodus 12:1-14, Psalm 116:12-19, Matthew 26:17-29, Mark 14:12-25, Luke 22:7-23, 1 Corinthians 11:23-26.Come to the Banquet is an anthem for communion and for Maundy Thursday services. Suggested corresponding lectionary readings include Exodus 12: 1-14, Psalm 116: 12-19, Matthew 26: 17-29, Mark 14: 12-25, Luke 22: 7-23, and 1 Corinthians 11: 23-26. One basic homiletical theme is an invitation to join the body of Christ is a feast of forgiveness at the Lord's table.

Soprano voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8474-E Composed by Stanley M. Hoffman. Pentecost. 12 pages. E. C. Schirmer Music Company - Digital #8474-E. Published by E. C. Schirmer Music Company - Digital (MQ.8474-E). English. Ruth 1:16-17.A setting of the most famous passage from the Book of Ruth (Ruth 1:16-17) opens with a gentle polyphonic section for the chorus. The soprano joins the choir for the twice-repeated middle section of the piece. The music here is contrastingly homophonic and intense. (“Where you die, I will die and be buried.�) The Song of Ruth closes with a recapitulation of the music from the opening, but with new words assigned to it, and with the soprano soloist providing a descant for it. Appropriate for Shavuot (The Feast of Weeks) and Pentecost. Duration: ca. 4:00.

(Choral, Orchestra) - Digital Download SKU: H1.GC979ODP Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Spirituals & Gospel, Easter Sunday, Spiritual. Set of Instrumental Parts. 30 pages. Hope Publishing - Digital #GC979ODP. Published by Hope Publishing - Digital (H1.GC979ODP). John 17:6 - John 17:7 - John 17:8 - John 17:9 - John 17:10 - John 17:11 - John 17:12 - John 17:13 - John 17:14 - John 17:15 - John 17:16 - John 17:17 - John 17:18 - John 17:19 - John 17:20 - John 17:21 - John 17:22 - John 17:23 - Joh.American folk-hymn The American folk-hymn with a new, powerful text, which expands it's scope and usefulness: ideal for both Easter and general Sunday services. The American folk-hymn with a new, powerful text, which expands it's scope and usefulness: ideal for both Easter and general Sunday services.

Piano - Digital Download SKU: A0.1071368 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Accompaniment. Duration 4241. Chris Cooke #3004317. Published by Chris Cooke (A0.1071368). This book is a recording of the printed piano accompaniment book in this series. Besides accompanying solo or duet instruments, these recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version (also available on Sheet Music Plus) contains only one verse with no introduction. All hymns are in a good vocal range except Christ the Lord is Risen Today which is in F to accommodate a more accessible playing range. The only hymn not included in this recording (that occurs in the print book) is Great is Thy Faithfulness, since I only have print publication rights to this piece. This is one large file, containing all 34 accompaniments. For this  reason, I have notated the cue point, i.e. the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 10-minute recording. For instance, the second hymn would be found at the 2-minute and 17-second time point. The full list of hymns, with their concert keys, cue points, and length of the introduction, is below: Abide with Me, C; 4-measure intro All Hail the Power of Jesus’ Name, E-flat; cue point: 0:2:17; 4-measure intro Am I A Soldier of the Cross; E-flat; cue point: 0:4:18; 4-measure intro Amazing Grace, E-flat; cue point: 0:5:33; 4-measure intro Blessed Assurance, B-flat; cue point: 0:8:11; 2-measure intro Blest Be the Tie That Binds, E-flat; cue point 0:10:19; 3-measure intro Christ the Lord is Risen Today, F; cue point: 0:12:12; 2-measure intro Come Thou Almighty King, E-flat; cue point: 0:14:36; 4-measure intro Come Thou Fount of Ev’ry Blessing, B-flat; cue point: 0:16:21;4-measure intro Count Your blessings, B-flat; cue point: 0:18:01; 4-measure intro Crown Him With Many Crowns, B-flat; cue point: 0:20:36; 4-measure intro Doxology, E-flat; cue point: 0:22:55; 4-measure intro For the Beauty of the Earth, C; cue point: 0:23:14; 4-measure intro God of Grace and God of Glory, F; cue point: 0:25:49; 2-measure intro Holy, Holy, Holy, B-flat; cue point: 0:27:39; 4-measure intro I Surrender All, C; cue point: 0:30:34; 2-measure intro In Christ There is No East or West, B-flat; cue point: 0:33:26;2-measure intro It is Well with My Soul, B-flat; cue point: 0:35:33; 3-measure intro Jesus Loves Me, B-flat; cue point: 0:36:50; 4-measure intro Jesus the Very Thought of Thee, F; cue point: 0:39:08; 2.75 measure intro Joyful, Joyful, We Adore Thee, C; cue point: 0:40:35; 4-measure intro Love Divine, All Loves Excelling, E-flat; cue point: 0:43:11; 4-measure intro My Country Tis of Thee, E-flat; cue point: 0:45:51; 4-measure intro O Sacred Head, Now Wounded, E-minor; cue point: 0:47:45; 4-measure intro O For A Thousand Tongues to Sing, F; cue point: 0:49:58; 4-measure intro Oh God, Our Help in Ages Past, B-flat; cue point: 0:51:00; 4-measure intro Onward Christian Soldiers, B-flat; cue point: 0:52:46; 4-measure intro Praise Him, Praise Him All Ye Little Children, B-flat; cue point:0:56:08; 4-measure intro Praise to the Lord, the Almighty, E-flat; cue point: 0:57:07; 4-measure intro Sweet Hour of Prayer, B-flat; cue point: 0:59:12; 4-measure intro Take My Life and Let It Be, E-flat; cue point: 1:02:22; 8-measure intro The Battle Hymn of the Republic, B-flat; cue point: 1:04:15; 2-measure intro What a Friend We Have in Jesus, C; cue point: 1:06:33; 4-measure intro Whisper a Prayer, E-flat; cue point: 1:09:12; 4-measure intro