Concert Band - Level 3 - Digital Download SKU: A0.836484 By AC/DC. By Angus Young, Bon Scott, Malcolm Young, and Ronald Belford Scott. Arranged by Julien Roh. Contemporary. Score and Parts. 17 pages. MY music edition #6593337. Published by MY music edition (A0.836484). This is a flex 6-parts arrangement, with percussion (at least drum kit). All parts are in Bb, Eb and C, + part 3 in F.

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797797 By Andrea Bocelli. By Alberto Salerno, Ciro Damicco, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jacobson, Maurizio Seymandi, and Zacar. Arranged by Derek Hasted. Christmas,Contemporary. Score and parts. 17 pages. Derek Hasted #6096055. Published by Derek Hasted (A0.797797). WHEN A CHILD IS BORN - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming Christmas Song was made famous by the effortless singing of Johnny Mathis and recently came back to everyone's awareness with a new version by Andrea Bocelli.There are two versions of my arrangement in this one edition.The first arrangement is in conventional “SATB style�, where the three guitars play tune, harmony and bass lines. It would suit a mixed ability ensemble where the tune player is comfortable to move up the neck and the bass player has the least experience.The second arrangement rotates the roles so that each player takes a different role in every verse and each player has the tune at one point. It would suit a more evenly matched ensemble as the tune deserves a consistent tone and volume across the three verses.The two versions share the same notes.There’s no fingering on the score. This is because a more skilled ensemble might enjoy taking the parts up the neck to achieve a rounder and more lyrical tone.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Piano Solo - Level 3 - Digital Download SKU: A0.819482 Composed by Sara Garrard. Instructional,Standards. Score. 40 pages. Sara Garrard #6188657. Published by Sara Garrard (A0.819482). 30 short pieces for solo piano -- 30 pictures, 30 moments, 30 moods.Music for a while shall all your cares beguile.Styles referenced here vary from Baroque to Romantic and beyond, with nods to favourite VGM soundtracks and more recent composers.Difficulty level: there are several more straightforward pieces, and a few challenges. The short length of all the pieces should help make them at least achievable challenges, appropriate for learners.This book is supplied with optional black and white or colour cover for printing.  It would make a good gift for pianists of various levels, or a gift for yourself.The primary listener or audience is the player. Album available for listening/download: https://sonatina-3.bandcamp.com/album/piano-for-a-dayContents:1 Early Winter2 Sparkling3 The Singing Wood4 Garden Seat5 Night Song6 Romanze7 Arabesque8 Tree Root Music9 In The Night10 Memory11 November Polonaise12 Sleepy Cloud Dragon13 Sleepy Mushroom14 Dream Journey15 Snowstorm16 Reflections17 Swing Song18 Andantino19 Blue Garden20 Sarabande21 Stones22 Andante in Jade23 River Flow24 Drops25 Berceuse26 Waterways27 Whispers28 Over the Bridge29 Quiet Town30 King of simple graces

Concert Band - Level 3 - Digital Download SKU: A0.836491 By Various Artists. By Nik Kershaw. Arranged by Julien Roh. Contemporary. Score and Parts. 17 pages. MY music edition #6593455. Published by MY music edition (A0.836491). This is a flex 6-parts arrangement, with percussion (at least drum kit). All parts are in Bb, Eb and C, + part 3 in F.

Concert Band - Level 3 - Digital Download SKU: A0.836477 By Billie Eilish. By Billie Eilish O'Connell, Billie O Connell, Finneas O Connell, and Finneas O'Connell. Arranged by Julien Roh. Pop. Score and Parts. 17 pages. MY music edition #6245473. Published by MY music edition (A0.836477). This is a flex 6-parts arrangement, with percussion (at least drum kit). All parts are in Bb, Eb and C, part 3 in F.

Clarinet,Piano - Level 3 - Digital Download SKU: A0.1046962 By Juan María Solare. By Juan María Solare. 20th Century,Contemporary,Instructional,Latin,Multicultural,World. Score and part. 17 pages. Juan Maria Solare #651469. Published by Juan Maria Solare (A0.1046962). Juan María Solare: Tengo un tango A representative of the new era of the tango argentino. The piece was featured in (at least) five CDs by different artists. Tengo un tango was composed in Cologne (Germany) in 2004. This piece (here arranged for clarinet and piano by the composer), which duration is approximately 5'40 (or less if you don't play all repetitions), is dedicated to two friends of the composer, Nicola B. Lahn and Walter Samsel, for their marriage. When it began to increase in popularity, the composer arranged this piece for 20 or more different instrumentations ranging from guitar quartet to piano trio and several chamber music combinations from duo to nonet. Tengo un tango, version for saxophone and piano

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Concert Band - Level 1 - Digital Download SKU: A0.1432650 Composed by Biran Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1013111. Published by HMS Music (A0.1432650). ______________________If you need something special for your beginners to play at their first Christmas concert, you've found it. JOY TO THE KING provides an easy and fun medley of the two popular tunes Ode to Joy and Good King Wenceslas. The entire piece uses only the first five notes of the B-flat concert scale.This is a great first concert piece the band will love to play. And since your school will be licensed to make legal photocopies of the parts year after year, you can let the kids keep their parts as a souvenir of their first performance!DIFFICULTY LEVEL: Very Easy (actually Super Easy)PROGRAMMING: first performance; Winter Holiday concert; Christmas concertFEATURES: melody distributed through all wind parts; key of B-flat major; simple percussion parts using only quarter-, half-, dotted-half, and whole notes; there are 2 one-measure occurrences of sixteenth-notes in Snare and Tenor Drum part.CHALLENGES: independence of the two lines (melody played over a simple bass accompaniment).RANGES: uses only the first five notes of the B-flat Concert scale; clarinets must also play low G.INSTRUMENTATION: includes Full Conductor Score (8 pages) and Parts (17 pages) for each instrument: Flute, Oboe, Bassoon, Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpet, Horn (in F), Trombone/Euphonium, T.C. Euphonium, Tuba, Percussion 1 (Snare & Bass Drum), Percussion 2 (Crash Cymbals, Triangle, Finger Cymbals), Bells/Mallets (2 different parts included for range desired/learned by player).MINIMUM INSTRUMENTATION REQUIREMENTS: (A) Flute or Trumpet; (B) two Clarinets; (C) Bass Line (at least one: Bassoon, Bass Clarinet, any Saxophone, Horn, Trombone, Baritone, or Tuba); (D) Percussion.NOTE: this Digital Download document is assembled with the Clarinet part appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. (BcP-YB)- - - - - - - - - - - - - - - - - - COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels.___________________________Click here to view Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)___________________________.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1353824 Composed by Dee Dee Halligan and Junior Torello. Arranged by David Beal. 20th Century,Pop,Rock. Brass Band. 85 pages. Larch Music Ltd. #938578. Published by Larch Music Ltd. (A0.1353824). What Is Love is the debut single by Trinidadian-German Eurodance singer Haddaway from his debut album, The Album (1993). The song was released by Coconut Records in January 1993 and was a hit in Europe, becoming a number-one hit in at least 13 countries and reaching number two in Germany, Sweden, and the United Kingdom. Outside Europe, the single was a hit worldwide, reaching number 11 in the United States, number 12 in Australia, number 17 in Canada, and number 48 in New Zealand. The song earned Haddaway two awards at the German 1994 Echo Award, in the categories Best National Single and Best National Dance Single. The music video for What Is Love was directed by Volker Hannwacker and received heavy rotation on music television such as MTV Europe.Now Available for Brass Band.

Cabasa,Double Bass,Drum Set,Guitar,Medium-High Voice,Piano and Keyboard - Level 2 - Digital Download SKU: A0.1277994 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Eric O'Reilly. Broadway,Contemporary,Film/TV,Multicultural,Musical/Show,Pop,World. 17 pages. Eric O'Reilly #869692. Published by Eric O'Reilly (A0.1277994). How Far I'll Go, composed by Lin Manuel-Miranda, for Disney's Moana, has been arranged by Eric O'Reilly with a fresh new instrumentation. Best for performances by a pit band or small ensemble. Included with this purchase are the following instruments:Full ScoreVocalsPianoGuitarAcoustic BassDrumsetPercussionThe song can work with many variations on this standard instrumentations but must at least contain Vocals and Guitar.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.510296 By AC/DC. By Angus Mckinnon Young, Angus Young, Brian Johnson, Malcolm Mitchell Young, and Malcolm Young. Arranged by Alex Phillips-Yates. Rock. 17 pages. North Node Music #3686283. Published by North Node Music (A0.510296). AC/DC's classic hit is a fun number for any string quartet. The G major key utilises the natural resonance of the string instruments, and the guitar solo is shared between the 2nd violin and the viola. The inner parts also have some basic double-stopping, but these always include at least 1 open string, keeping these parts accessible to all abilities.

Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.

Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.575307 Composed by Hans Leo Hassler. Arranged by David Musgrove. Baroque,Classical,Renaissance. Score and parts. 17 pages. David Musgrove #182980. Published by David Musgrove (A0.575307). Born in Nuremberg, Hans Leo Hassler (1564-1612) went to Venice at the age of 20 where he studied with Andrea Gabrieli, along with Andrea's nephew Giovanni, with whom he became friends. The friendship lasted after Hassler returned to Germany the following year, and there is evidence of at least one collaborative composition with Gabrieli. His final post was as Kapellmeister in Dresden, and after his death he was replaced by Michael Praetorius and Heinrich Schütz. Hassler's four part motet 'Cantate Domino' is an exciting setting of the traditional Catholic text, taken from Psalm 96. It is well suited to being voiced by four trombones. Item number: DM 2976 MP3 sound file is produced from Sibelius.

Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.

Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.872483 Composed by G. F. Handel. Arranged by James K. Taylor. Baroque,Christian,Christmas,Sacred,Standards. Score and parts. 17 pages. James K. Taylor #3407395. Published by James K. Taylor (A0.872483). I found that the Handel's Hallelujah Chorus made for an excellent echo song. I've never heard this and it is hard to imagine that it has never been performed in this manner. I have arranged it for horn quartet, although, two groups could paly it with one quartet playing all dynamics from mf through fff, and the other group (maybe off stage) playing everything from mp down to ppp/ At least give it a listen for a whole new way to perform the great composition.