Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1.    Farewell Too Fair 2.    Time Stands Still 3.    Behold a Wonder Here 4.    Daphne Was Not so Chaste 5.    Me, Me, and None but Me 6.    When Phoebus First did Daphne Love 7.    Say Love if Ever Thou Didst Find 8.    Flow Not so Fast Ye Fountains 9.    What if I Never Speed? 10.  Love Stood Amaz’d 11.  Lend Your Ears to My Sorrow 12.  By a Fountain Where I Lay 13.  O What Hath Overwrought 14.  Farewell Unkind 15.  Weep You no More, Sad Fountains 16.  Fie on This Feigning 17.  I Must Complain 18.  It was a Time When Silly Bees 19.  The Lowest Trees Have Tops 20.  What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!

Concert Band - Level 3 - Digital Download SKU: A0.836491 By Various Artists. By Nik Kershaw. Arranged by Julien Roh. Contemporary. Score and Parts. 17 pages. MY music edition #6593455. Published by MY music edition (A0.836491). This is a flex 6-parts arrangement, with percussion (at least drum kit). All parts are in Bb, Eb and C, + part 3 in F.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.510296 By AC/DC. By Angus Mckinnon Young, Angus Young, Brian Johnson, Malcolm Mitchell Young, and Malcolm Young. Arranged by Alex Phillips-Yates. Rock. 17 pages. North Node Music #3686283. Published by North Node Music (A0.510296). AC/DC's classic hit is a fun number for any string quartet. The G major key utilises the natural resonance of the string instruments, and the guitar solo is shared between the 2nd violin and the viola. The inner parts also have some basic double-stopping, but these always include at least 1 open string, keeping these parts accessible to all abilities.

Cabasa,Double Bass,Drum Set,Guitar,Medium-High Voice,Piano and Keyboard - Level 2 - Digital Download SKU: A0.1277994 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Eric O'Reilly. Broadway,Contemporary,Film/TV,Multicultural,Musical/Show,Pop,World. 17 pages. Eric O'Reilly #869692. Published by Eric O'Reilly (A0.1277994). How Far I'll Go, composed by Lin Manuel-Miranda, for Disney's Moana, has been arranged by Eric O'Reilly with a fresh new instrumentation. Best for performances by a pit band or small ensemble. Included with this purchase are the following instruments:Full ScoreVocalsPianoGuitarAcoustic BassDrumsetPercussionThe song can work with many variations on this standard instrumentations but must at least contain Vocals and Guitar.

Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow.  The second and third movements are most like a blues work.  The first movement is a rondo format, is not particularly bluesy.  A Les Paulâ„¢ guitar would play particularly well in this movement.  The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound.  The final movement is happy, upbeat, and lively good time blues.  In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum.  A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound.  The guitar should be the equivalent of a Fenderâ„¢ Stratocaster or Telecaster guitar; a Gibsonâ„¢ Les Paul would do nicely also.  The music is partially fingered leaving the player the opportunity to interpret the part.  The work is after the fashion of Chicago style blues of the 1960’s.  The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands.  It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3â„¢ with Leslie sound, as that instrument was widely used in blues of that period.  Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality.  The orchestral part is not particularly challenging.  The concerto is approx. 17 minutes in length.

Brass Ensemble - Level 3 - Digital Download SKU: A0.802490 By Neil Diamond. By Neil Diamond. Arranged by Peet du Toit. Pop. Score and parts. 17 pages. Peet du Toit #5731399. Published by Peet du Toit (A0.802490). Since its release in 1976, this melody is still popular and easy to listen to. All the players participate greatly in this arrangement for brass quintet, and your audiences will at least hum along. Enjoy!

Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.575307 Composed by Hans Leo Hassler. Arranged by David Musgrove. Baroque,Classical,Renaissance. Score and parts. 17 pages. David Musgrove #182980. Published by David Musgrove (A0.575307). Born in Nuremberg, Hans Leo Hassler (1564-1612) went to Venice at the age of 20 where he studied with Andrea Gabrieli, along with Andrea's nephew Giovanni, with whom he became friends. The friendship lasted after Hassler returned to Germany the following year, and there is evidence of at least one collaborative composition with Gabrieli. His final post was as Kapellmeister in Dresden, and after his death he was replaced by Michael Praetorius and Heinrich Schütz. Hassler's four part motet 'Cantate Domino' is an exciting setting of the traditional Catholic text, taken from Psalm 96. It is well suited to being voiced by four trombones. Item number: DM 2976 MP3 sound file is produced from Sibelius.

Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.872483 Composed by G. F. Handel. Arranged by James K. Taylor. Baroque,Christian,Christmas,Sacred,Standards. Score and parts. 17 pages. James K. Taylor #3407395. Published by James K. Taylor (A0.872483). I found that the Handel's Hallelujah Chorus made for an excellent echo song. I've never heard this and it is hard to imagine that it has never been performed in this manner. I have arranged it for horn quartet, although, two groups could paly it with one quartet playing all dynamics from mf through fff, and the other group (maybe off stage) playing everything from mp down to ppp/ At least give it a listen for a whole new way to perform the great composition.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1342775 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Steve Ash. 20th Century,Christmas,Film/TV,Holiday,Standards. 17 pages. Aaron Hettinga #928283. Published by Aaron Hettinga (A0.1342775). This melancholy Christmas standard from the 1960’s “A Charlie Brown Christmas� television special gets a brass treatment in Steve Ash’s lovely arrangement for brass quintet. Every part takes its turn with the melody for at least a short time, while other accompanying moving lines around the entire ensemble will keep things interesting for everybody. Other than an optional improvised tag for the alto clarinetist, there aren’t many other technical challenges as this arrangement becomes more a vehicle for displaying ensemble blend and balance, as well as making for an accessible chart for a broad range of skill levels. This fantastic chart belongs in the book for every clarinet choir’s Christmas program as it brings a smile to everyone’s face!

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1452154 By Imagine Dragons feat. Kygo. By Ben McKee, Dan Reynolds, Daniel Platzman, Kyrre Gorvell-Dahll, and Wayne Sermon. Arranged by Martin Ash. Contemporary,Pop,Wedding. 17 pages. Martin Ash Music #1031474. Published by Martin Ash Music (A0.1452154). An inventive and energetic arrangement of this romantic dance-pop hit, ideal for weddings, anniversaries or any love-themed occasion. And everybody gets at least a bit of the tune!

Concert Band - Level 3 - Digital Download SKU: A0.836484 By AC/DC. By Angus Young, Bon Scott, Malcolm Young, and Ronald Belford Scott. Arranged by Julien Roh. Contemporary. Score and Parts. 17 pages. MY music edition #6593337. Published by MY music edition (A0.836484). This is a flex 6-parts arrangement, with percussion (at least drum kit). All parts are in Bb, Eb and C, + part 3 in F.

Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.

Piano Solo - Level 3 - Digital Download SKU: A0.819482 Composed by Sara Garrard. Instructional,Standards. Score. 40 pages. Sara Garrard #6188657. Published by Sara Garrard (A0.819482). 30 short pieces for solo piano -- 30 pictures, 30 moments, 30 moods.Music for a while shall all your cares beguile.Styles referenced here vary from Baroque to Romantic and beyond, with nods to favourite VGM soundtracks and more recent composers.Difficulty level: there are several more straightforward pieces, and a few challenges. The short length of all the pieces should help make them at least achievable challenges, appropriate for learners.This book is supplied with optional black and white or colour cover for printing.  It would make a good gift for pianists of various levels, or a gift for yourself.The primary listener or audience is the player. Album available for listening/download: https://sonatina-3.bandcamp.com/album/piano-for-a-dayContents:1 Early Winter2 Sparkling3 The Singing Wood4 Garden Seat5 Night Song6 Romanze7 Arabesque8 Tree Root Music9 In The Night10 Memory11 November Polonaise12 Sleepy Cloud Dragon13 Sleepy Mushroom14 Dream Journey15 Snowstorm16 Reflections17 Swing Song18 Andantino19 Blue Garden20 Sarabande21 Stones22 Andante in Jade23 River Flow24 Drops25 Berceuse26 Waterways27 Whispers28 Over the Bridge29 Quiet Town30 King of simple graces

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1220394 By David Bowie. By David Bowie. Arranged by Aaron Bennett. Disco,Film/TV,Funk,Pop,Rock. 17 pages. StringfulScores.com #816728. Published by StringfulScores.com (A0.1220394). 'Magic Dance' by David Bowie from the cult classic 1986 Jim Henson film ‘LABYRINTH’ arranged for String Quartet by Aaron Bennett.This abridged arrangement retains all the fun and character of the original song with just a few small cuts for practical performance purposes and one altered key change to be friendlier for string players.A funky and whimsical Bowie hit that’s sure to get your listeners’ feet tapping and at least one person quoting the line 'you remind me of the babe!'For more arrangements by Aaron Bennett, visit: StringfulScores.com