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Brass Ensemble - Level 3 - Digital Download SKU: A0.767166 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 328 pages. Lyons Music Services #3066091. Published by Lyons Music Services (A0.767166). Well, here it is!Monteverdi's 2nd book of madrigals, published in 1590 and transcribed for brass quintet. The arrangement is as flexible as possible, not even requiring brass instruments. The parts are within the capabilities of most instrumentalists. As with the first book, the 21 individual madrigals are available separately. These pieces provide music for every occasion in all kinds of venue.Parts supplied:Part 1 in BbPart 2 in BbPart 3 in Eb/FPart 4 in Bb/C(Bass clef)Part 5 in Bb/Eb/C(Bass clef)
Monteverdi Second Book of Madrigals - Complete
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$125.00 108.58 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Flute,Folk Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1265481 Composed by Traditional Cornish. Arranged by Darhon Rees-Rohrbacher. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 54 pages. Afghan Press Music for the Harp #858280. Published by Afghan Press Music for the Harp (A0.1265481). ALL HARPS INTERMEDIATE + MELODY INSTRUMENT – Fifteen Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  All of these arrangements fit within the 26-string range. Fifteen Arrangements of Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  Guitar chords included, with duo parts for Flute or Violin.These tunes have been placed in progressive key order to create a satisfying “Cornish suite†that facilitates lever and pedal changes. All tunes were typeset to fix exactly on two facing pages to eliminate any page turns within a piece.Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minor adjustments. Only one song in this collection, #6, has any lever or pedal changes (B-flat and B-natural). Otherwise, there are only lever or pedal presets in preparation for the next song. Dynamic markings, fingerings, metronome markings, breath marks, and lever/pedal changes are provided throughout. However, the musicians should use whichever expressive markings and lever/pedal adjustments suit them, no matter what this book indicates! Due to space constraints, first and second endings were only indicated above the flute/violin part in the full score and dynamics only within the harp part; but these markings apply to both instruments. (However, all markings are indicated on the separate instrumental leaflet.) This entire book of arrangements can be played on a harp of only 26 strings (3.5 octaves), from low C to high G. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten any glissandos.Table of Contents:Helston Furry DanceThe Cottage Thatched With StrawThe White CockadeThe Lovers’ TasksStrangerLimadieThe MarigoldLullabyWilly CoombeRouse, RouseThe BlackbirdCaptain PearseCome My LadsOn A May Morning So EarlyThe Siege Of St. MaloRelated products.
Cornish Traditional Tunes
2 Harpes (duo)

$20.00 17.37 € 2 Harpes (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288655. Published by Slide Ride (A0.784332). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Soprano or Tenor Saxophone Quartet
2 Saxophones (duo)

$5.00 4.34 € 2 Saxophones (duo) PDF SheetMusicPlus






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