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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â? from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ? is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ? (erroneously labeled â??simplifiedâ? on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
Voix basse, Piano

$6.99 6.05 € Voix basse, Piano PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
Voix haute

$6.99 6.05 € Voix haute PDF SheetMusicPlus

Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)

$6.95 6.02 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1397079 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 9 pages. Sean A Moore #979133. Published by Sean A Moore (A0.1397079). Sonata for Piano No. 6 Meditation is in two movements. The two movements are titled River's Flow and Prayer. The shorter first movement is both lyrical and motivic using some added tone harmony and the full expanse of the keyboard. The reference to the opening main idea played very softly at the end of the movement creates a sense of return to the movement's beginnings. The gentle opening of the second movement begins with a chant-like melody played in the lower register of the instrument. The movement grows from this point drawing its musical material from the opening melody and building to the climactic section of the work. Three staves are used to notate this section of the movement with the full expanse of the keyboard again being explored. Like the first movement, the second movement ends softly. However, the second movement ends with every note in the D natural minor scale (or D Aeolian mode) sounding together, creating a darker ending and a contrast to the conclusion of the first movement. Both movements feature expressive playing and mostly slow tempos and are intended to convey the “Meditation†part of the title by painting a picture of both introspection and transcendence.
Sonata No. 6 for Piano "Meditation"
Piano seul
Sean A Moore
$8.99 7.78 € Piano seul PDF SheetMusicPlus

Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.799509 Composed by Drake Mabry. 20th Century,Jazz,Standards,World. Score and parts. 7 pages. Drake Mabry #3533853. Published by Drake Mabry (A0.799509). Meditation was written in 1978 during a summer vacation in Vermont. The chord progression is based on a Spanish jazz style but the work also recalls some elements of Bach's four-part chorale writing. It can be played separately or as part of a suite featuring: C.S. Chaconne, Meditation, Tango and Caught between a Music Box and a Calliope, a humorous encore piece. The different moods of each of the movements provide the audience with a voyage in various instrumental colors and expressions. The duration is 3'00.
Meditation (Recorder quartet SATB)
Quatuor de Flûtes à bec

$5.99 5.18 € Quatuor de Flûtes à bec PDF SheetMusicPlus

Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.787269 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score and part. 32 pages. Burke & Bagley #17401. Published by Burke & Bagley (A0.787269). IN THE LANGUAGE OF MEDITATION was originally composed in 2013 for violist Brett Deubner and pianist Caroline Fauchet in memory of Ingrid Buschmann (1954 - 2013). The adaptation for alto saxophone & piano was made in 2014. Total duration: approx. 14 minutes.  IN THE LANGUAGE OF MEDITATION is in three parts: I. Observations from a Rooftop Garden  II. Contemplating a Mountain with Love  III. Reflecting on a Visit with Birds  Watch the premiere performance on YouTube: http://youtu.be/Vgc6jKsEMXw?list=PLC467B58A453D766A
In the Language of Meditation for alto saxophone & piano
Saxophone Alto et Piano

$24.99 21.63 € Saxophone Alto et Piano PDF SheetMusicPlus

Clarinet,Piano - Level 5 - Digital Download SKU: A0.787265 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score and part. 40 pages. Burke & Bagley #14577. Published by Burke & Bagley (A0.787265). IN THE LANGUAGE OF MEDITATION was originally composed in 2013 for viola & piano in memory of violist Ingrid Buschmann (1954 - 2013). The adaptation for clarinet & piano was made in 2014. Total duration: approx. 14 minutes.  IN THE LANGUAGE OF MEDITATION is in three parts: I. Observations from a Rooftop Garden II. Contemplating a Mountain with Love III. Reflecting on a Visit with Birds Watch the YouTube video of the premiere performance: http://youtu.be/k67fuvv0vUU?list=PLC467B58A453D766A
In the Language of Meditation for clarinet & piano
Clarinette et Piano

$24.99 21.63 € Clarinette et Piano PDF SheetMusicPlus






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