2 flutes and piano - intermediate to advanced - Digital Download SKU: S9.Q764901 For 2 flutes and piano. Downloadable, Score and parts. Musikverlag Zimmermann - Digital #Q764901. Published by Musikverlag Zimmermann - Digital (S9.Q764901). Throughout music history, the repertoire of music for two flutes has been vast. In this volume, editors Elisabeth Weinzierl and Edmund Wächter have compiled original compositions and arrangements from three centuries for two flutes and piano, which they themselves like to play as encores or on other occasions, but which can also be played in lessons and at school concerts. The selection ranges from Johann Sebastian Bach to Mendelssohn Bartholdy to the contemporary Robert Delanoff.Throughout music history, the repertoire of music for two flutes has been vast. In this volume, editors Elisabeth Weinzierl and Edmund Wächter have compiled original compositions and arrangements from three centuries for two flutes and piano, which they themselves like to play as encores or on other occasions.

Choral Choir (SATB divisi) - Digital Download SKU: A0.993924 By Editors. By Chris Urbanowicz, Ed Lay, Russell Leetch, and Tom Smith. Arranged by Alain De Ley. Contemporary. Octavo. 8 pages. Alain De Ley #4317811. Published by Alain De Ley (A0.993924). Choir SSAATB arrangement of No Sound but the Wind from The Editors

Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina Urchueguía have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].

Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert Pieces from 6 Centuries for Guitar (easy). This edition: Sheet music. Guitar - classical music - original pieces. Guitarissimo. 130 leichte Vortragsstücke aus 6 Jahrhunderten für Gitarre. Downloadable. Schott Music - Digital #Q46314. Published by Schott Music - Digital (S9.Q46314). Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers. The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance – Baroque – Classical period – Romanticism and early 20th century – modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method. Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter. The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1510551 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte and Steven Carryer, Editors. Holiday,Jewish,Praise & Worship,Religious,Sacred. Score. 304 pages. Ayotte Custom Musical Engravings #1085749. Published by Ayotte Custom Musical Engravings (A0.1510551). Part I: S’lichos (God the Listener)Ma NorôAshreiTzadik AdoshemB’motzôëEil MelechSh’ma KoleinuShomeir YisrôeilPart II: Rosh Hashônô (God the King)Tik’uUvashofôr GôdolÔlënuHayom Haras OlômAreshesV’al Y’dei AvôdechôHal’luyôPart III: Yom Kippur (God the Judge)Kôl NidreiYaªleT’vieinuÔnô TôvoÔshamnuRachªmônôÔvinu MalkeinuPart IV: N’ilô (God the Forgiver)Adoshem, AdoshemY’hi Rôtzon (Sh’losh Esrë Midos)Ki Ônu AmechôSh’ma YisrôeilL’shônô Habôô Birushôlôyim.

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.

Violin and piano - Digital Download SKU: S9.Q42319 For Violin and Piano. Composed by Carl Maria von Weber. This edition: Sheet music. Violin Library. This edition of sonatas for violin and piano includes practical arrangements based on the text of the Weber Complete Edition. Downloadable. Op. Heft 1. Schott Music - Digital #Q42319. Published by Schott Music - Digital (S9.Q42319). German • English.When Weber offered the sonatas for violin and piano to the publisher André von Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as large a target group of music-making amateurs as possible, editors at that time increasingly selected only easily playable works. Fortunately, these sonatas nevertheless found their way into the repertoire. This is a practical edition in two volumes based on the text of the Weber Complete Edition.

Treble recorder and piano - intermediate - Digital Download SKU: S9.Q47492 14 Divisions. Composed by Anonymous. Arranged by Yeo Yat-Soon. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Schott Music - Digital #Q47492. Published by Schott Music - Digital (S9.Q47492). German • English • French.Greensleeves to a Ground is taken from John Walsh's two-part publication, The Division Flute, of 1706. Includes pedagogical tips from editors Kathryn Bennetts and Peter Bowman. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.