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Concert Band - Digital Download SKU: AX.00-PC-0016543_PC1 1st Percussion. Composed by Roland Barrett. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016543_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016543_PC1). UPC: 038081481296.Drawing its title from the term firestorm, this original composition opens with a slow and mysterious chorale in 3/4 time, then yields to relentless waves of firestorms, each one building in intensity, then receding, then rising again in a successive series of escalating passages, finally reaching a powerful and emphatic conclusion. Intense! (3:45) This title is available in SmartMusic.Concert/Contest; Festival.
Prelude and Firestorm: 1st Percussion
Orchestre d'harmonie

$3.00 2.57 € Orchestre d'harmonie PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre

$60.00 51.33 € Orchestre de chambre PDF SheetMusicPlus

Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1346468 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 18 pages. Tully Road Music #931255. Published by Tully Road Music (A0.1346468). Gretchen am Spinnrade (D. 118, Op. 2) is one of Schubert’s first, most successful, and most widely recognized accomplishments in the genre of the Lied, a 19th-century German art song for solo voice and piano. Schubert composed over 600 Lieder, but the breadth and compositional maturity of this 1814 example are an early indication of his gift for the form. The text is a strophic poem taken from Johann Wolfgang von Goethe’s play Faust, depicting a scene in which Gretchen, sitting at the spinning wheel (spinnrade), daydreams about Faust, a man with whom she is infatuated though she has only just met him and barely knows him. Schubert employs the first stanza as a refrain, repeating the text (“My peace is gone/My heart is heavy/I will never again find themâ€) to heighten the dramatic intensity as Gretchen becomes increasingly overwhelmed by her feelings. The piano accompaniment, with its relentless sixteenth notes in the right hand, depicts both Gretchen’s accumulating madness and the perpetual motion of the spinning wheel. Sixty-five measures pass before the pattern breaks, when Gretchen is so overcome by her emotions that she stops spinning while imagining Faust’s kiss. It then takes three tries to get the spinnrade turning again, which we hear in measures 69-71 before the spinning figure resumes in measure 72 to accompany Gretchen’s doleful refrain. This arrangement is also available for 3-part treble (SSA) voices published by Hal Leonard Corporation, 00140699.
Gretchen am Spinnrade
Chorale 2 parties

$2.60 2.22 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.839921 By Miley Cyrus. By Antonina Armato, Marek Pompetzki, Miley Cyrus, Paul Neumann, and Timothy James Price. Arranged by Christopher Alexander. Pop. 16 pages. Christopher Alexander #6072725. Published by Christopher Alexander (A0.839921). From the third studio album by Miley Cyrus comes this electropop thriller for your women's chorus!  In 12/8 meter, the relentless drive from the lyrics and the vigorous melodic movement of the chorus is full of energy that will not back down.  With a solo opportunity and only the choir featured on the last measure of music, this song will be great for your women's choir to perform at your next concert.Full score and parts also available (tenor sax, 3 trumpets, trombone, piano, synthesizer, bass guitar, drum set):https://www.sheetmusicplus.com/title/can-t-be-tamed-octavo-digital-sheet-music/21870453https://www.sheetmusicdirect.com/en-US/se/ID_No/936263/Product.aspx.
Can't Be Tamed
Chorale 3 parties
Miley Cyrus
$2.25 1.93 € Chorale 3 parties PDF SheetMusicPlus

Piano,Violin - Level 2 - Digital Download SKU: A0.1383727 Composed by Hans Zimmer. Arranged by Midnight Symphony. 21st Century,Film/TV,Multicultural,New Age,Video Game,World. 12 pages. Midnight Symphony #968183. Published by Midnight Symphony (A0.1383727). Rekindle the electrifying spirit of Hans Zimmer's iconic Lost but Won from Rush with this captivating arrangement for violin and piano.Dive into a thrilling duet that captures the essence of the film's legendary rivalry, weaving together: Soaring violin melodies that mirror the relentless pursuit of victory Pulsating piano lines echoing the roar of engines and the intensity of the competition Contrasting sections reflecting the triumphs and heartbreaks of the on-track battle Let the music fuel your drive![Music Sheets]- sheet.midnightsymphony.com[Contact]- www.midnightsymphony.com[Yotube]- youtube.midnightsymphony.com.
Lost But Won
Violon et Piano

$7.99 6.84 € Violon et Piano PDF SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part – vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark O’Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it’s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1998 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright © 1998 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  
Poem For Carlita (viola part - vln, vla, cel)
Mark O’Connor

Originally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical

Poem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Records

com/omac-7-crossing-bridges>https://omacrecords
$4.50 3.85 € PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind.   In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue.   The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages.   The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury.   This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section.   The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section.   This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue.   The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word.   This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel    
String Quartet No.2
Quatuor à cordes: 2 violons, alto, violoncelle

$19.99 17.1 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano,Violin - Digital Download SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith Cloud (A0.981188). <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Times New Roman; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> Program notes: Three Impressions of Northern Arizona for flute (or violin) and piano  The three movements of this piece were composed in the summer of 2007 for Emily McKay, flute and Rita Borden, piano. I chose places and themes that were compelling for me for a variety of reasons. The first movement, Wupatki, is based on the feeling of expanse and solitude I experience when I am visiting this ancient pueblo and the stunning vistas of the Painted Desert. The Song of Friendship, a charming and simple tune was introduced to me by Gary Gorman, a Native American student of mine in the early 1990’s. I fashioned a simple arrangement and composed some original tunes to accompany it. This movement is dedicated to my colleague, clarinetist Michael Sullivan, who was dying from a rare form of cancer during the days I was finishing this movement. The day I finished the piece, I realized that it needed to end as if it never had a chance to finish, much like Michael’s life that was so tragically cut short. Quite by chance, the music ends at bar 43-the exact number of years of Michael’s brief life. Wind, title of the third movement, was composed to give musical interpretation to this element of relentless fury we experience during several months out of the year in this region. It springs up then dies down, only to resurface with more force and resilience.
Three Impressions of Northern Arizona Violin Version
Violon et Piano

$15.00 12.83 € Violon et Piano PDF SheetMusicPlus

Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1421609 Composed by John Cavicchio. 21st Century,Christian,Multicultural,Religious,Sacred,World. Individual part. 3 pages. John Cavicchio #1003007. Published by John Cavicchio (A0.1421609). Composition for Pipe OrganThis vibrant and enigmatic composition serves as a powerful prelude or postlude, encapsulating a journey of spiritual and existential inquiry. The Eternal Search opens with a series of mysterious overtones that immediately draw the listener into a sonic exploration of depth and intensity. The music navigates through wild and bright passages, each phrase and chord progression building upon the last, reflecting the relentless quest for answers.As the piece progresses, the organ's rich tonal palette is utilized to its full extent, weaving complex harmonies and exhilarating arpeggios that resonate with a sense of urgency and wonder. The composition culminates in a satisfying resolution, providing an answer to the thematic questions posed throughout, leaving the listener with a sense of completion and enlightenment.Ideal for moments of reflection or solo pieces, The Eternal Search is a testament to the power of music to explore and express the deepest human searches for meaning.
The Eternal Search
Orgue

$5.99 5.12 € Orgue PDF SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello – vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark O’Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it’s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1998 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright © 1998 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  
Poem For Carlita (cello part - vln, vla, cel)
Mark O’Connor

Originally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical

Poem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Records

com/omac-7-crossing-bridges>https://omacrecords
$4.50 3.85 € PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1436125 Composed by Frederic Chopin. Arranged by Jhavilah. 19th Century,Classical,Lent,Romantic Period,Soul. 4 pages. Jhavilah #1016277. Published by Jhavilah (A0.1436125). Frédéric Chopin's Prelude Op. 28, No. 4, is a masterpiece of brevity and emotional depth. Often referred to as the Suffocation Prelude, it is a short yet intensely expressive piece, reflecting Chopin's unparalleled ability to convey profound emotions in a compact form.Composed in 1839, this prelude is written in E minor and features a slow, mournful melody over a repetitive left-hand accompaniment. The piece begins with a simple, descending chromatic pattern in the right hand, which is then echoed by the left hand. This pattern repeats throughout the piece, creating a sense of relentless, suffocating despair.Despite its brevity, Chopin's Prelude Op. 28, No. 4, is rich in emotion and musical depth. The melancholic melody, combined with the hypnotic accompaniment, creates a hauntingly beautiful piece that leaves a lasting impression on the listener. It is a testament to Chopin's genius that he was able to evoke such intense emotion in just over two minutes of music.The piece is often interpreted as a reflection of Chopin's own struggles with illness and mortality, as well as his experiences of exile from his native Poland. Whatever the inspiration behind it, Prelude Op. 28, No. 4, remains one of Chopin's most beloved and enduring works, continuing to captivate and move audiences more than 180 years after it was written.
Prelude In E Minor, Op. 28, No. 4

$5.99 5.12 € PDF SheetMusicPlus






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