SKU: A0.597305

This beautiful edition of Handel's well-known worldwide 'Hornpipe' was based on the Halle Handel Edition. In this edition you will find optional parts for two flutes and timpani. The continuo was realized and can be replaced by the organ as optional. This 'Hornpipe' from Handel's Water Music (HWV 349) transcription is also a combination of the Halle Handel Edition and the recording performed by the FestspielOrchester Göttingen with Laurence Cummings as director (https://www.youtube.com/watch?v=1h4mAceHmrI).

This score is an excellent purchase for your group, or archive. You and your ensemble will love playing along with the eardrums. Your audience will be enchanted by the vibrant power of this piece.

SKU: A0.521013

TRUMPET VOLUNTARY (The Prince of Denmark) Jeremiah Clarke   String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello

Intermediate Level

Score: 2 pages

Parts: 4 pages 

Time: 2'00

MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts 

however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.

Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.

If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.

VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.

PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. 

AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.

LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. 

ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.

EXCELLENT for corporate events, weddings, social gatherings and recitals.

APPROPRIATE for students and schools.

CHURCH REPERTOIRE I’m always adding more titles.

Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!

SKU: A0.1167446

The sheet music for voice and piano of the song Amazing Grace is the perfect choice for those who are starting their musical journey. This iconic song is one of the most well-known and beloved in the world, and learning it is an excellent way to develop piano and singing skills.


The sheet music is easy to follow and accessible, with clear notes and legible lyrics. It is also a great opportunity to develop your vocal technique and interpretation.

SKU: A0.1167450

The sheet music for voice and piano of the song Amazing Grace is the perfect choice for those who are starting their musical journey. This iconic song is one of the most well-known and beloved in the world, and learning it is an excellent way to develop piano and singing skills.


The sheet music is easy to follow and accessible, with clear notes and legible lyrics. It is also a great opportunity to develop your vocal technique and interpretation.

SKU: A0.1328390

The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â?� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ?� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.

This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ?� (erroneously labeled â??simplifiedâ?� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.

The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.

While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!