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Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.856193

Composed by Don Irwin Robertson and Donald Robertson. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4265619. Published by Liz Garnett (A0.856193).

This song was the b-side to Elvis Presley's 'One Broken Heart for Sale', and as such is something of a hidden gem in his oeuvre. It is a song of lost love that starts off with wistfulness, moves through anguish, and ends with feeling that hope is not all lost. 
The arrangement features an original verse, crafted to link the song to another in a barbershop contest set, but the narrative works just as well as a stand-alone piece.

Vocal Ranges:
Tenor: B flat 3 - B flat 4
Lead: B blat 2 - F4
Bari: E flat 3 - F4
Bass: A flat 3 - C4

www.HelpingYouHarmonise.com

They Remind Me Too Much Of You Chorale TTBB

$2.99 2.84 € Chorale TTBB PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download

SKU: A0.1106719

By Teresa Young. By Teresa Young. Arranged by Teresa Young. Instructional. Score. 5 pages. Teresa Young #709656. Published by Teresa Young (A0.1106719).

As a music coach for decades, Teresa Young's superpower is making note-reading skills development fun. (For real!) Use her cheat sheet along with some music-note flash cards to make a timed game of note recognition, for points. 4 minutes works great.

With a teacher or knowledgeable helper as time-keeper and score-keeper, gradually progress up and down the treble and bass staves to ledger lines, over a period of a few weeks. Beat your last score each time to fire up your music-reading skills. First, make it an open book game, then set the cheat sheet aside, picking it up as needed. Next, make sight-reading actual music a game too, keeping it equally light and fun. And take little mental breaks as needed.

After all, learning any language is a neurological process, and music is no different. Using Teresa's enjoyable approach to note recognition, before you know it this foundational skill will become second-nature. Then just keep it fresh. Because, bottom line, use it or lose it absolutely applies to music-reading. The more you read, the better you'll read. So go for it, and have fun!

Teresa Young's Music Reader Cheat Sheet Piano, Voix et Guitare
Teresa Young
$4.99 4.74 € Piano, Voix et Guitare PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download

SKU: A0.856142

Composed by Joe McCarthy, James Monaco. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023075. Published by Liz Garnett (A0.856142).

Written just before the First World War, this flirtatious song anticipates that world where women were finding a new independence and power, and trying to work out what to do with it. On the one hand, the singer doesn’t want to be unfeminine by making the first move, on the other, she’s going to make a bid for what she wants. Go girl, is what I say.

This arrangement is suitable for performance in a barbershop contest, and the Southern Comfort Barber Gals won a bronze medal in the Holland Harmony 2009 chorus contest with this it. It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)

Ranges:
Tenor: F4 - E5
Lead: A flat 3 - C#5
Bari: B flat 3 - B4
Bass: E flat 3 - F#4

www.HelpingYouHarmonise.com

You Made Me Love You
Chorale SSAA

$3.25 3.09 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.856214

By Pink. By Benj Pasek and Justin Paul. Arranged by Liz Garnett. Pop. Octavo. 9 pages. Liz Garnett #4331077. Published by Liz Garnett (A0.856214).

This ballad from The Greatest Showman found popularity far beyond the context of the original movie, as it captures a sense of hope an aspiration that resonates with many of life's circumstances.

The arrangement picks up a number of key motifs from the original orchestration, and also takes inspiration from the layered extended harmonies in the verses, before coming together into homophonic textures to make the central statements of the choruses. The bass carries the melody for significant portions of the song, challenging the leads to take on roles of accompaniment and/or counter-melody.

Vocal Ranges:

Tenor: C4 - A4
Lead: E3 - F4
Bari: F3 - F4
Bass: G2 - A3

www.HelpingYouHarmonise.com

A Million Dreams Chorale TTBB
Pink
$2.99 2.84 € Chorale TTBB PDF SheetMusicPlus

Michel Delpech : Chez Laurette
Instruments en Sib
Instruments en Si bémol
4.99 € Instruments en Sib PDF Noviscore

Choral Choir (SSAA) - Level 4 - Digital Download

SKU: A0.856197

Composed by Irving Mills and Nat King Cole. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4280233. Published by Liz Garnett (A0.856197).

This song was Nat King Cole's first major vocal hit. It is based on a folk tale his father used to use in his sermons, in which a buzzard takes various animals for a ride before throwing them to the ground and eating them for dinner. A monkey observes this, and goes for a ride, but surprises the buzzard wrapping his tail round the bird's neck and refusing to be thrown off.

The song's rhythmic feel is both cool and dry. The laid-back swing feel gives a sense of authority in the way the monkey takes control of the situation, but the syncopations and chromatic licks also remind us that in folk tales, the monkey is the trickster, even when he's on the side of the righteous. The arrangement is designed to be suitable for barbershop contests (BHS system).

N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.

Vocal Ranges:

Tenor: G flat 3 - E5
Lead: B flat 3 - C5
Bari: B flat 3 - B flat 4
Bass: E flat 3 - F sharp 4

www.HelpingYouHarmonise.com

Straighten Up And Fly Right Chorale SSAA

$2.99 2.84 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download

SKU: A0.856134

Composed by Traditional. Arranged by Liz Garnett. A Cappella,Christmas. Octavo. 2 pages. Liz Garnett #3023031. Published by Liz Garnett (A0.856134).

This traditional carol tells of one of the darker parts of the Christmas story, the slaughter of the innocents, from the perspective of the mothers whose children are torn from their arms. The arrangement takes the haunting, plaintive melody, and turns the 'lully-lullay' of a lullaby into the tolling of a bell. The order to slay the children wrenches the music into a new key, and the final verse is bare, halting, desolate.

Ranges:
Tenor: G4-F5
Lead: D#4-D5
Bari: A flat 3 - A4
Bass: F3 - F#4

(N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.

www.HelpingYouHarmonise.com


Coventry Carol
Chorale SSAA

$2.99 2.84 € Chorale SSAA PDF SheetMusicPlus

String Quartet String Quartet - Digital Download

SKU: A0.980596

Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #6565287. Published by TheComposerStudio.Com, LLC (A0.980596).

Sacrum Creaturae  (2019) (score and parts) for string quartet and digital acoustic commissioned and premiered August 18th, 2021 at the Stringwood Chamber Music Festival by the Artaria String Quartet, profiles three endangered creatures: wolves, dolphins, and birds in the three movements of this string quartet. Each of the digital acoustics, the recorded and processed sounds of wolves, dolphins, and birds, explore the sounds of these creatures from three perspectives.  Canis Lupus-Nocturne developed through the exploration of wolf howls, growls, snarls, barks, and choruses. My goal in integrating the sounds of wolves with the string quartet was to make them equally passionate and expressive driving the dynamic and emotional climaxes of the music with equal intensity. Programatically, I have placed the wolves deep in the forest, in an environment that allows the string quartet to evoke the mystery and primal energy associated with these animals. I make musical references to the controversy of re-introducing these animals in the wild and the history of violent annihilation by hunters.         Delphinus-Cradlesong comprises the slow, middle movement of this piece. The cradlesong is literal and is inspired by the recent discovery by marine scientists that a mother dolphin will sing to its unborn calf so that it bonds with the mother and is familiar with her voice after birth. I have essentially orchestrated my Cradlesong for solo piano for string quartet and the whistling sounds of a mother dolphin singing to its calf. The final movement, 21 Birds, incorporates the bird calls of 21 birds in the Driftless region of the upper Mississippi, integrated with the thematic music of the string quartet. I treat the birds as 21 soloists and as an orchestra of birds accompanying the quartet. In the performance with the quartet, I have employed various special effects, such as reverberation, echo, and delay to blend the two acoustics. Parts rental for performance including the digital acoustic files and support http://www.thecomposerstudio.com/chamber-music/#tab-13006
   Inquires at: thecomposerstudio@gmail.com.

Sacrum Creaturae
Quatuor à cordes: 2 violons, alto, violoncelle

$30.00 28.51 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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