Piano Solo - Level 3 - Digital Download SKU: A0.958756 Composed by Johannes Brahms. Arranged by Juan Carlos Cortés A. Concert,Romantic Period,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6452583. Published by Juan Carlos Cortés Aguirre (A0.958756). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Danza húngara (Ungarischer Tanz) No 2 (WoO 1) en re menor - Allegro non assai.Basada en la obra Emma Csárdás por Windt Mór, quién fue uno de los muchos compositores que florecieron en el espíritu nacionalista de mediados del siglo XIX. Su Emma csárdás (1858) alcanzó una fama duradera como base de la Danza húngara n. ° 2 de Brahms.Cibergrafía: https://www.lubranomusic.com/pages/bo...Por: Johannes Brahms Nissen (Hamburgo, 7 de mayo de 1833 - Viena, 3 de abril de 1897) Compositor, pianista y director de orquesta alemán del romanticismo. Danzas húngaras (En alemán: Ungarische Tänze) Serie musical de 21 danzas húngaras, donde 3 danzas son composiciones originales numeradas como 11, 14 y 16 y las restantes 18, adaptaciones musicales del Folklore húngaro. Originalmente compuestas para piano a cuatro manos, luego 10 arreglos para piano solo y orquestación original de las danzas 1, 3 y 10. Las demás han sido orquestadas por Antonín Dvořák, quién influenciado por estas obras, se inspiró para componer su serie de Danzas Eslavas.

Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973.   Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews.   As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.

Piano Solo - Level 2 - Digital Download SKU: A0.678664 Composed by Gert Th. Walter. Children,Pop. Score. 2 pages. Gert Th. Walter #3456677. Published by Gert Th. Walter (A0.678664). Very easy Pop-Song for pupil and young beginners. With fingering and pedal.

Piano Solo - Level 3 - Digital Download SKU: A0.956182 Composed by Marc Yu. 20th Century. Score. 6 pages. Marc Yu Music #5993643. Published by Marc Yu Music (A0.956182). A selection from an album of impressionist and minimalist piano preludes for Emma Bergholtz.

Easy Piano - Level 2 - Digital Download SKU: A0.956181 Composed by Marc Yu. 20th Century. Score. 2 pages. Marc Yu Music #5993637. Published by Marc Yu Music (A0.956181). A selection from an album of impressionist and minimalist piano preludes for Emma Bergholtz.

Piano SKU: HL.8738371 Composed by Myra Schubert. Piano solos. Fred Bock Publications. General Worship, Sacred. Fred Bock Music Company #BG0885. Published by Fred Bock Music Company (HL.8738371). ISBN 9781495078088. UPC: 073999383713. 9.0x12.0x0.134 inches.These solos for the advanced pianist incorporate well-loved hymn tunes with classical themes. Titles included are: Abide with Me * All Hail the Power of Jesus' Name * Amazing Grace * Hiding in Thee * Jewels * Near to the Heart of God * O Come, O Come Emmanuel * Something for Jesus * Take Time to Be Holy * When I Survey the Wondrous Cross.

Viola Solo - Level 2 - Digital Download SKU: A0.953405 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Emma Butterworth. Children,Film/TV,Hip-Hop,Pop,R & B. Individual part. 3 pages. Emma Butterworth #559150. Published by Emma Butterworth (A0.953405). A fun and playable arrangement for solo viola of the song 'Nobody Like U' from the hit film 'Turning Red', in the same key as the original and following the track exactly so you can play along with the original song! All of Emma's arrangements find creative and artistic ways to re-present original songs in a way that suits the new instruments and ensemble whilst maintaining the integrity of the original piece. Her aim is to go far beyond a simple copying of the melody and harmony, but to create an arrangement that sounds as if the piece was always meant for these new instruments. Emma Butterworth is a composer for film and TV and also a successful Suzuki cello teacher. She has an intimate knowledge of how to write for strings, and has written and arranged a vast number of pieces for cellos and strings especially. All pieces have been played and performed. www.emmabutterworthmusic.com.

Violin Solo - Level 2 - Digital Download SKU: A0.953406 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Emma Butterworth. Children,Film/TV,Hip-Hop,Pop,R & B. 3 pages. Emma Butterworth #559151. Published by Emma Butterworth (A0.953406). A fun and playable arrangement for solo violin of the song 'Nobody Like U' from the hit film 'Turning Red', in the same key as the original and following the track exactly so you can play along with the original song! All of Emma's arrangements find creative and artistic ways to re-present original songs in a way that suits the new instruments and ensemble whilst maintaining the integrity of the original piece. Her aim is to go far beyond a simple copying of the melody and harmony, but to create an arrangement that sounds as if the piece was always meant for these new instruments. Emma Butterworth is a composer for film and TV and also a successful Suzuki cello teacher. She has an intimate knowledge of how to write for strings, and has written and arranged a vast number of pieces for cellos and strings especially. All pieces have been played and performed. www.emmabutterworthmusic.com.

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.

Level 5 - Digital Download SKU: A0.1150490 By EMMACULATE. By Achaiah. Arranged by EMMACULATE. Hip-Hop,R & B,Romantic Period,Singer/Songwriter,Spiritual,Standards. Full Performance. Duration 156. EMMACULATE #750664. Published by EMMACULATE (A0.1150490). It’s a motivational songs.

SATB chorus - Digital Download SKU: C7.CGA983 Composed by Barbara Semmann and John R Paradowski. General. Mixed Voices. With Piano or string quartet (2 violins, viola, and cello), congregation, optional C instrument, and optional handbells (3, 4, or 5 octaves). Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA983. Published by Chorister's Guild - Digital (C7.CGA983). UPC: 749193008676.This multifaceted piece serves as the Kyrie in a liturgical service but works equally well as a general anthem in a non-liturgical format. In each case, the piece provides a number of possibilities for use that are listed in the anthem. The anthem begins with an optional handbell processional that moves directly into the Kyrie setting where choir (or cantor) and congregation engage in a call and response dialogue between stanza and refrain. An optional C instrument and handbells provide additional color to this unique composition. Parts for string quartet are included at the end of the score as an accompaniment alternative for the piano. Composer: Paradowski, John R. and Semmann, Barbara Text Author: Paradowski, John R.

Antiphonal voices - Digital Download SKU: C7.CGA977 Composed by Michael Bedford. General, Pentecost, Baptism. Combined Choirs. With Vibraphone or handchimes (2 octaves). Sacred Anthem. Octavo. 20 pages. Chorister's Guild - Digital #CGA977. Published by Chorister's Guild - Digital (C7.CGA977). UPC: 749193008669.This multifaceted piece serves as the Kyrie in a liturgical service but works equally well as a general anthem in a non-liturgical format. In each case, the piece provides a number of possibilities for use that are listed in the anthem. The anthem begins with an optional handbell processional that moves directly into the Kyrie setting where choir (or cantor) and congregation engage in a call and response dialogue between stanza and refrain. An optional C instrument and handbells provide additional color to this unique composition. Parts for string quartet are included at the end of the score as an accompaniment alternative for the piano. Composer: Paradowski, John R. and Semmann, Barbara Text Author: Paradowski, John R.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1186940 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 8 pages. Kevin G. Pace #786565. Published by Kevin G. Pace (A0.1186940). A stunning choral arrangement with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Gethsemane, garden lovely. Moonlight filters through o'erhanging trees,There revealing our blessed Savior, having fallen down upon His knees.Pleading May this cup, Father, from me pass. But Thy will be done at last.Golgotha’s Hill, cold and lonely, whispers still of sacrifice and love,Where the Savior gave up His life for us and for those who waited up above.Though He suffered sore, He forgave the more, and thus opened heaven's door.Hewn from the stone, tomb of sorrow, held the body of The Crucified.Now His mortal work was completed, and His love for all men satisfied.Though he died for men, yet He rose again, and repentance justified.Long, dusty road to Emmaus. Two disciples met the risen Lord.Sacred scriptures there He expounded, showing Jesus was indeed The Word.And His holy voice, led them to rejoice, from the promises restored.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.702237 Composed by Emma Lazarus, Kevin G. Pace (ASCAP), and Mark R. Fotheringham. Christian,Holiday,Patriotic,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #5970357. Published by Kevin G. Pace (A0.702237). A bold, beautiful patriotic hymn inspired by the poem The New Colossus with music by Kevin G. Pace and text by Emma Lazarus and Mark R. Fotheringham. See text below: