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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir

$47.95 40.23 € PDF SheetMusicPlus

English Horn,Flute,Instrumental Duet - Level 1 - Digital Download SKU: A0.1304124 Composed by Traditional. Arranged by André Nusa. Christmas,Traditional. 3 pages. Andre_Nusa #893720. Published by Andre_Nusa (A0.1304124). Begin your musical journey this holiday season with our 'Deck the Halls' duet arrangement for beginner flute and english horn players. This delightful sheet music is the perfect choice for aspiring musicians looking to spread some festive cheer. Designed with simplicity in mind, it allows beginners to master a beloved Christmas classic with ease. The duet format promotes collaboration and makes it an excellent choice for lessons, recitals, or family gatherings. Bring the joy of the holidays to life with this heartwarming duet.
Deck the Halls

$5.99 5.03 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.963515 Composed by Giuseppe Verdi. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Standards. 44 pages. Cristiano Vecchi #6049977. Published by Cristiano Vecchi (A0.963515). Composed  by Giuseppe Verdi and published in the Four Sacred Pieces (1898), this Ave Maria, built on the enigmatic scale proposed by Adolfo Crescentini, combines a religious mysteriousness with the vocal pleasantness of the Italian Maestro. Here the original choir work has been transposed in F Major to better fit the range of woodwinds.SCORE and PARTS, including: Part 1 (Flute/Oboe, Clar. in Bb, Clar. in Eb), Part 2 (Oboe/Flute, Alto Flute, Alto Sax, English Horn, Clar. in Bb) , Part 3 (Clarinet in Bb, Alto Flute, Alto Sax, Tenor Sax, French Horn, English Horn ), Part 4 (Bassoon, Tenor Sax, Baritone Sax, French Horn, Bass Clarinet in Bb, Bass Flute)MP3 also available on this website (duration: 3'33).My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
Ave Maria in F Major for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson

$5.33 4.47 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528833 Composed by Traditional. Arranged by Diego Marani. Christmas,Classical,Concert,Instructional,Standards. 9 pages. Diego Marani #6560763. Published by Diego Marani (A0.528833). The First Nowell, also known as The First Noel (or Noël), is a traditional English Christmas carol with Cornish origins, most likely from the early modern period, although possibly earlier. Nowell is an Early Modern English synonym of Christmas from French Noël the Christmas season, ultimately from Latin natalis [dies] [day] of birth. The word was regularly used in the burden of carols in the middle ages towards the early modern period.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.
The First Noel for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$9.99 8.38 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.813749 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6475103. Published by Regis Bookshar (A0.813749). O God, Beyond All Praising (Thaxted) (Bb) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello (which has the lead) and 1 Double Bass, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from Jupiter,.
O God, Beyond All Praising (Thaxted) (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass) (Vi
Quintette à cordes: 2 violons, alto, violoncelle, basse

$10.00 8.39 € Quintette à cordes: 2 violons, alto, violoncelle, basse PDF SheetMusicPlus

SSATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.8266-E Composed by Alistair Coleman. 21st Century, Justice/Peace/Social Concerns. Instrument parts. 11 pages. E. C. Schirmer Music Company - Digital #8266-E. Published by E. C. Schirmer Music Company - Digital (MQ.8266-E). English.A Hymn for Peace is set to the text “O God of Love O King of Peace†by English poet, Henry Williams Baker. In this setting, the composer paints Baker's timeless text using rich harmonies and a prayerful melody, which is distributed among the different voice parts. A soaring soprano descant is added towards the climax driving it toward a satisfying resolution. This versatile work is perfect for concerts, schools, and church choirs during any liturgical season. Duration: 3:00.
A Hymn for Peace (Downloadable)
Chorale SSATB

$2.65 2.22 € Chorale SSATB PDF SheetMusicPlus

Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.1117126 By Louis Prima & Keely Smith. By Jacob Jacobs, Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Jörg Richter. 20th Century,Broadway,Jewish,Musical/Show,Standards. Score and parts. 7 pages. Jörg Richter #718714. Published by Jörg Richter (A0.1117126). Bei Mir Bistu Shein is a popular Yiddish song written by lyricist Jacob Jacobs and composer Sholom Secunda for a 1932 Yiddish language comedy musical, I Would If I Could (in Yiddish, Men Ken Lebn Nor Men Lost Nisht, You could live, but they don't let you), which closed after one season at the Parkway Theatre in Brooklyn, New York City. The score for the song transcribed the Yiddish title as Bay Mir Bistu Sheyn. The original Yiddish version of the song (in C minor) is a dialogue between two lovers. Five years after its 1932 composition, English lyrics were written for the tune by Sammy Cahn and Saul Chaplin, and the English version of the song became a worldwide hit when recorded by The Andrews Sisters under a Germanized spelling of the title, Bei mir bist du schön, in November 1937 (From: Wikipedia.org). Here is an arrangement for 2 Marimbas.
Bei Mir Bist Du Schon (means That You're Grand)
Louis Prima & Keely Smith
$17.99 15.09 € PDF SheetMusicPlus

B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1156390 Composed by Anonymous (Medieval). Arranged by Alex Nunes Rodrigues. Early Music,Medieval,Traditional. 4 pages. Alex Rodrigues #756709. Published by Alex Rodrigues (A0.1156390). Greensleeves is a traditional English song that is widely recognized and admired around the world. The lyrics of the song speak of unrequited love and the melody is gentle and melancholy, reflecting the sadness of the narrator. The song has been attributed to King Henry VIII, but this is highly disputed by historians. Regardless of its true authorship, Greensleeves is an icon of traditional English music and continues to be played and appreciated to this day.
Greensleeves
Trompette, Trombone (duo)

$1.99 1.67 € Trompette, Trombone (duo) PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813735 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6474757. Published by Regis Bookshar (A0.813735). O God, Beyond All Praising (Thaxted) (Bb) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Brass Quintet, consisting of 2 Trumpets (one of which has the lead), 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from Jupiter.
O God, Beyond All Praising (Thaxted) (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba) (Trumpet lea
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$10.00 8.39 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus






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