EUROPE
186 articles
USA
2175 articles
DIGITAL
2510 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
2510 partitions trouvées


English Horn,Piano - Level 1 - Digital Download

SKU: A0.548716

Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411745. Published by jmsgu3 (A0.548716).

Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score.


Out of the Depths

Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger.


Luther Background

Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music.


Influence

It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works.


Legacy

The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Luther: Out of the Depths for English Horn & Piano
Cor anglais, Piano

$24.95 23.16 € Cor anglais, Piano PDF SheetMusicPlus

Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1264232

Composed by English Traditional Melody. Arranged by Todd Marchand. Christian,Sacred,Traditional. 22 pages. Con Spirito Music #857095. Published by Con Spirito Music (A0.1264232).

All Things Bright and Beautiful is a beloved hymn written by Cecil Frances Alexander (1818-1895), an Anglo-Irish poet known for her hymns There is a Green Hill Far Away and Once in Royal David's City as well as her metrical paraphrase of St. Patrick's Breastplate (a prayer attributed to Patrick, patron saint of Ireland), known by its opening words, I bind unto myself today the strong name of the Trinity. 

An exposition of the clause of the Apostles' Creed that describes God as maker of heaven and earth, All Things Bright and Beautiful was published in Alexander's Hymns for Little Children in 1848. It was later included in The English Hymnal (1906) with a tune composed by W.H. Monk in 1887.

All Things Bright and Beautiful is also frequently sung to the hymn tune ROYAL OAK, adapted from a 17th-century English folk tune, The Twenty-Ninth of May and published in the collection of English country dances, The Dancing Master, in 1686. This tune was first associated with Alexander's poem in a 1916 arrangement published by English composer Martin Shaw (1875-1978) and earned wide popularity after its inclusion in the 1925 English hymnal, Songs of Praise. 

This accompaniment to unison voices for organ and brass quintet is based on the ROYAL OAK tune. 

Includes full score, parts for organ, Bb trumpets 1-2, F horn, trombone, tuba, and reproducible bulletin insert.

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

All Things Bright and Beautiful — festival hymn accompaniment for organ, brass quintet
$25.00 23.21 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.972672

Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672).

Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion.

Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues:

On which the Prince of Glory dy’d,

. . . See from His Head, his Hands, his Feet,

Sorrow and Love flow mingled down!

 

In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight.

The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion  . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra.

A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.


Sonata Hymnica No. 5
Piano seul

$9.50 8.82 € Piano seul PDF SheetMusicPlus

Horn,Organ,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1268716

Composed by John Francis Wade. Arranged by Todd Marchand. Christian,Christmas,Sacred. 25 pages. Con Spirito Music #861244. Published by Con Spirito Music (A0.1268716).

Perhaps the most often-sung processional or recessional hymn at Christmas services, O Come, All Ye Faithful is generally attributed to John Francis Wade (1711-1786), an English Catholic hymn-writer who authored both its Latin text and its tune, known as ADESTE FIDELES from the opening words of the text. 

Although more than two dozen English translations of Wade's text (c. 1743) by various writers exist, the 1841 translation by English Catholic priest Frederick Oakeley (1802-1880) is the most commonly used.

In addition to the four verses-with-refrain in Wade's text and Oakeley's translation, other hymn-writers penned additional stanzas, and it is not uncommon to hear six or seven sung today. This accompaniment for organ, brass quintet, and timpani is based on the four original stanzas as translated by Oakeley, with all but the final verse employing the standard harmonization from The English Hymnal (1906). For performances of more than four verses, it is suggested that the organ-only accompaniment (Verse 1) be repeated/inserted at the discretion of the organist or music director.  

Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, timpani, and reproducible bulletin insert for voices. 

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

O Come All Ye Faithful — festival hymn accompaniment for organ, brass quintet, timpani
$25.00 23.21 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download

SKU: A0.784713

Composed by William Knapp. Arranged by setting by P. F. Tillen. Christian,Concert,Contemporary,Sacred. Score. 5 pages. PFTMusic #6360593. Published by PFTMusic (A0.784713).

A Little Toccata on an English Hymn is an arrangement of William Knapp's hymn tune WAREHAM, which is found in contemporary hymnals under many titles, including O Wondrous Type, O Vision Fair, O Spirit of the Living God, Creating God, We Give You Thanks, and several others.  A brilliant arrangement that gives the skilled pianist a chance to show off, it is accessible to an advanced player.
This arrangement is suitable for general worship, or as a recital selection. 
Please check for more piano music, sacred and secular choral and vocal selections, and arrangements for instrumental ensembles, at pftmusic.com.

A Little Toccata on an English Hymn
Piano seul

$6.99 6.49 € Piano seul PDF SheetMusicPlus

Handbell - Digital Download

SKU: JX.00-11528

Lent, Holy Week, & Easter. Arranged by Anna Laura Page. This edition: Handbell Part. Choral Worship Collection; Performance Music Ensemble; Single Titles. Alfred Handbell Series. Easter; Holy Week; Lent; Sacred; Spring. Part(s). 16 pages. Jubilate Music Group - Digital #00-11528. Published by Jubilate Music Group - Digital (JX.00-11528).

English.

Hymn Descants for Ringers and Singers is a wonderful worship resource that provides fresh opportunities for programming with handbells, singers, and keyboard. The collection is presented in four volumes focusing on seasonal applications:
-Volume I---Advent, Christmas & Epiphany
-Volume II---Lent, Holy Week & Easter
-Volume III---All Saints', Ascension, Christ the King, Communion, Pentecost, Reformation & Trinity Sunday
-Volume IV---Patriotism, Stewardship & Thanksgiving.

Each volume contains 10 tunes arranged for 3-octaves handbells. Each tune was selected based upon its appropriateness to both festal days and special events in the church year as well as to its common usage in most major denominational hymnals.
The handbell arrangements may serve as hymn introductions, interludes, postludes, or accompaniments. The rich harmonizations are based upon the standard harmonic structures of each hymn, enhancing them without straying too far afield. Thus, they may be used to accompany hymn singing, inspiring rather than frightening the average congregant! These arrangements may also be performed as separate handbell pieces without singing.

Hymn Descants for Ringers and Singers, Vol. II
Cloches

$4.95 4.6 € Cloches PDF SheetMusicPlus

English Horn,Piano - Level 2 - Digital Download

SKU: A0.590366

Arranged by David McKeown. Christian,Holiday,Praise & Worship,Sacred. Score and part. 27 pages. David McKeown #6204541. Published by David McKeown (A0.590366).

15 Favourite Hymns for Thanksgiving and Harvest for English Horn and Piano is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns, carefully chosen to help you celebrate this special time of year with music. Each hymn is arranged for solo English Horn (or Cor Anglais) and Piano. The file contains both the piano score and a separate part for the solo instrument.

15 Favourite Hymns for Thanksgiving and Harvest are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest useful for building reading, rhythmic and expressive skills.

The hymns are in alphabetical order and are as follows…

·     All Things Bright and Beautiful, (The 29thMay)

·     Come Thou Fount of Every Blessing, (Nettleton)

·     Come, Ye Thankful People Come, (St George’s, Windsor)

·     Count Your Blessings, (Blessings)

·     For All the Blessings of the Year, (Oldbridge)

·     For the Beauty of the Earth, (Dix)

·     Now Thank We All Our God, (Nun Danket)

·     O Store Gud, (Trad. Swedish, also used for How Great Thou Art)

·     Praise God from Whom All Blessings Flow, (Old Hundredth)

·     Praise My Soul, the King of Heaven, (Laude Anima)

·     Praise to the Lord, the Almighty, (Lobe den Herren)

.    Rejoice Today with One Accord, (Ein Feste Burg)

·     We Gather Together, (Kremser)

·     We Plough the Fields and Scatter, (Wir Pflügen)

·     When Morning Gilds the Skies, (Laudes Domini)

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

15 Favourite Hymns for Thanksgiving and Harvest for English Horn and Piano
Cor anglais, Piano

$7.60 7.06 € Cor anglais, Piano PDF SheetMusicPlus

Choral Choir (SAB) - Level 2 - Digital Download

SKU: A0.1042625

Composed by Todd Marchand. Sacred. Octavo. 7 pages. Con Spirito Music #647400. Published by Con Spirito Music (A0.1042625).

Tobias Clausnitzer (1619-1684) was a German Lutheran pastor and writer of theological treatises, sermons, and hymns. His best-known hymn, perhaps, is Liebster Jesu wir sind bier, translated to English and published as Blessed Jesus, at thy word by the English hymn-writer and educator Catherine Winkworth (1827-1878) in her Lyra Germanica — Hymns for the Sundays and Chief Festivals of the Christian Year, translated from the German (1858), and repeated in her Chorale Book for England (1863).

Winkworth was also translator for Clausnitzer's Wir glauben all an einen Gott, Yater, Sohn und heilgen Geist (We all believe in one true God, Father, Son, and Holy Ghost), a metrical paraphrase of the Apostles Creed designated for Trinity Sunday in the Culmbach-Bayreuth Gesang-Buch (1668). Winkworth also included this in her Chorale Book for England.

This new musical setting, mostly in unison and briefly expanding to three-part harmony at the peak of each verse, is very singable by small and developing choirs composed of soprano, alto, and baritone/bass voices. The accompaniment, with sustained tones, is best realized on organ.

The opening phrase, We all believe in one true God, may be sung by a solo male voice, similar to the opening intonation of a chanted canticle or psalm. Dynamic contrasts (crescendi and decrescendi) throughout follow the rising and falling of the melodic line and should be carefully observed.

©Copyright 2022 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com

Hymn to the Holy Trinity — anthem for SAB voices, organ Chorale 3 parties

$2.00 1.86 € Chorale 3 parties PDF SheetMusicPlus

English Horn,Piano - Level 3 - Digital Download

SKU: A0.1487658

By Josh Groban. By Edith Piaf and Marguerite Monnot. Arranged by Ygor Nunes. 20th Century,Film/TV,Multicultural,Singer/Songwriter,Wedding,World. Score and part. 7 pages. Ygor Nunes #1064592. Published by Ygor Nunes (A0.1487658).

**Experience the Magic of Hymne à l'Amour by Édith Piaf**

Have you heard Édith Piaf's Hymne à l'Amour? This classic song, a heartfelt declaration of love, has captivated audiences for decades.

Each note, each harmony, takes on a new depth and emotion. Rediscover the beauty of Hymne à l'Amour through the unique sound of the english horn.

Don't miss out on this unforgettable musical experience. Let the magic of Hymne à l'Amour touch your heart once again.

Hymne A L'amour
Cor anglais, Piano
Josh Groban
$5.99 5.56 € Cor anglais, Piano PDF SheetMusicPlus

B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download

SKU: A0.1279233

Composed by G.F. Handel / Lowell Mason. Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred. 17 pages. Con Spirito Music #870731. Published by Con Spirito Music (A0.1279233).

One of the most popular English hymns, “Joy to the World†began not as a Christmas carol but as a lyrical paraphrase of Psalm 98 written in 1719 by the English Congregational minister, theologian, and hymn writer Isaac Watts (1674-1748).

Watts published the poem in his collection, The Psalms of David, Imitated in the Language of The New Testament. The free paraphrase is Watts’ Christological interpretation of the psalm, celebrating Jesus’ role as King of both his church and the world. 

More than a century later, the second half of Watts' poem was adapted and set to music by the American music educator and hymn-tune composer Lowell Mason (1792-1872) in his Occasional Psalms and Hymn Tunes (1836). Mason based the music, in part, on excerpts from  George Frideric Handel's (1685-1759) oratorio Messiah, with the descending major scale accompanying the opening words, “Joy to the world! The Lord is come†echoing Handel’s chorus, “Lift up your heads.â€Â 

This accompaniment to unison voices proceeds as follows:

•  Introduction: organ, brass, timpani 
•  Verse 1: organ 
•  Verse 2: brass, timpani
•  Verse 3: organ with alternate harmonization
•  Interlude: all
•  Verse 4: organ, brass, timpani, with alternate harmonization
•  Coda: all

Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, timpani, and reproducible bulletin insert for voices.

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

Joy to the World — festival hymn accompaniment for organ, brass quintet, timpani
$25.00 23.21 € PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale