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Instrumental Duet Bass Recorder,Instrumental Duet,Tenor Recorder - Level 3 - Digital Download

SKU: A0.835852

Composed by Edward Elgar. Arranged by Paul Burnell. 20th Century. Score and parts. 6 pages. Paul Burnell #5732523. Published by Paul Burnell (A0.835852).

Nimrod (Variations on an Original Theme, Op. 36, Enigma: IX), by Edward Elgar arranged by Paul Burnell.

For Duet - Tenor Recorder, Bass Recorder

Duration 2:40

In this arrangement the melody is shared between the two instruments and the key has been transposed to C major.

In bars 7 and 9 of the Bass Recorder part the bracketed notes may be played should the low F sharp be unavailable.

Programme note:

English composer Edward Elgar wrote the orchestral workâ?? Variations on an Original Themeâ??, popularly known as the Enigma Variations, between 1898 and 1899. The work is dedicated to my friends pictured within, each variation being a musical representation of one of his close acquaintances. The name of the ninth variation Nimrod refers to Augustus Jaeger, Elgarâ??s music editor.

Nimrod, arranged for duet: Tenor and Bass Recorder 2 Flûte à bec (duo)

$1.99 1.89 € 2 Flûte à bec (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download

SKU: A0.816703

Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703).

Entrainment (2009)

Written for New Noise

​Oboe & Percussion

Entrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.

This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.

As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.

Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.

Performance
mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). 

The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.

It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.

It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
Entrainment (2009)
$7.99 7.6 € PDF SheetMusicPlus

Choral Choir (Mixed) - Level 1 - Digital Download

SKU: A0.816706

By Adam Lambert. By Roland Orzabal. Arranged by Guy Bunce. Pop. Octavo. 8 pages. Enigma Music #5286479. Published by Enigma Music (A0.816706).

Music and lyrics by Roland Orzabal

‘Mad World’ was written by Roland Orzabal and performed by British band Tears for Fears with lead vocals by bassist Curt Smith. It was the band’s third official release and first chart hit reaching No.3 in the UK Singles Chart in 1982. The song has been covered by many artists including Michael Andrews and Gary Jules for the soundtrack to the film Donnie Darko in 2001.

This simple choral arrangement is ideal for beginner choirs and community groups who are exploring harmony for the first time. The arrangement exists in a number of versions:

SATB & piano
2-part choir & piano
SATB Quartet

More details:

https://www.guybunce.co.uk/mad-world.html

Preview score:

https://youtu.be/ycZLk86g-2Q

Mad World Chorale SATB
Adam Lambert
$1.99 1.89 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 1 - Digital Download

SKU: A0.816709

Composed by Cesar Auguste Franck. Arranged by Guy Bunce. Christian,Romantic Period,Sacred. Octavo. 6 pages. Enigma Music #5288447. Published by Enigma Music (A0.816709).

Music and César Franck
Text by Saint Thomas Aquinas

Panis angelicus (Latin for Bread of Angels) is the penultimate strophe of the hymn Sacris solemniis.  Written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast which includes prayers for the Mass and the Liturgy of the Hours.

 

Panis angelicus
fit panis hominum;
Dat panis cœlicus
figuris terminum:
O res mirabilis!
Manducat Dominum
pauper, servus et humilis.

Thus Angels' Bread is made
the Bread of man today:
the Living Bread from heaven
with figures dost away:
O wondrous gift indeed!
the poor and lowly may
upon their Lord and Master feed.

César Franck’s setting of these words is perhaps the most well known.  This arrangement for 2-part choir makes this wonderful piece accessible to choirs of all abilities.

When allocating voices, put higher voices (S/T) on the upper part and lower voices (A/B) on the lower part.

Panis Angelicus Chorale SATB

$1.99 1.89 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Bass Guitar,Choir,Drums,Electric Guitar,Piano - Level 3 - Digital Download

SKU: A0.903249

By Electric Light Orchestra. By Jeff Lynne. Arranged by Guy Bunce. Pop,Rock. Score and parts. 37 pages. Enigma Music #509442. Published by Enigma Music (A0.903249).

Arranged for SATB and band by Guy Bunce (April 2022) ​A new choral arrangement (SATB) of this Electric Light Orchestra classic. Suitable for community and professional choir alike. The version of the arrangement on offer here is a set of parts meaning one purchase will give you: 1) a copy of the full score 2) a single copy of the choir part with the piano accompaniment (same as the published choral arrangement) 3) a copy of the piano part (with chords symbols above) 4) a copy of the drum part, 5) a copy of the bass part If you need more than one choral score, please purchase the separate choral arrangement listed at the following link up to the number of score you require. www.guybunce.co.uk/mr-blue-sky.html Performance - https://youtu.be/UyNTnRC9X0Q.

Mr. Blue Sky Chorale SATB
Electric Light Orchestra
$25.00 23.78 € Chorale SATB PDF SheetMusicPlus

Flute,Piano - Digital Download

SKU: A0.816699

Composed by Guy Bunce. 20th Century,Concert,Contemporary,Romantic Period. Score and part. 12 pages. Enigma Music #4890503. Published by Enigma Music (A0.816699).

Gratias Ago Thank you was written on the 14th/15th June 1998 as a thank you to Louise Bunce (nee Taylor) for page turning at a concert on the 13th, in which I played my Etude Fantasia and Gershwin's `An American in Paris`. The opening theme acts as a nucleus to the whole piece. A bridge back to the main theme is in the form of a flute cadenza which contains quotes from 'Etude Fantasia' and 'An American in Paris.'

(flute part included in purchase)

The romantic harmony and lyrical melody would make Gratias Ago an ideal piece for a concert.


Gratias Ago Flûte traversière et Piano

$3.99 3.8 € Flûte traversière et Piano PDF SheetMusicPlus


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