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Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.787259

Composed by Greg Bartholomew. Concert,Contemporary,Folk,Standards. Octavo. 10 pages. Burke & Bagley #49725. Published by Burke & Bagley (A0.787259).

An Open World, When I Land and And the Wind are three settings of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979.  When I Land is duration ca. 5 minutes.

Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management.

Follow along in the score as you listen to a performance in this video:  
https://youtu.be/8ZmbFg3jI6s

 TEXT:
I fly da Vinci's dream on wings of speed,
With effortless delight I cleave the air,
Free in the boundless realm of sky, I feed
My soul with wonder, questions seeming fair.

 Why brought forth to wander on this earth?
Why given this brief breath of life,
To wonder at our enigmatic birth,
To reach for stars, want reason for the strife.
Yet, being here, why try to find a plan?
Why waste time in thought before we go?
Is not life enough for any man?
How many have, as theirs, my answer, No.

When I set foot again upon the land,
And darkness gains upon the setting of the sun,
I long to feel the welcome of your hand In mine, to rest, let Time its silly cycles run,
Life's nights are all too few.
No other hand, no other's look, no other one,
Can bring that peace to mind or heart or soul,
No peace.
Although I know there's always fun In life,
to reach that sublime goal, I must return to you.

When I Land Chorale SATB

$2.25 2.14 € Chorale SATB PDF SheetMusicPlus

Flute / violin - Digital Download

SKU: S9.Q5946

Composed by Andre Campra. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Ernst Eulenburg & Co. GmbH - Digital #Q5946. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q5946).

Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.

Messe de Mort

$5.99 5.71 € PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download

SKU: A0.1254345

Composed by Greg Kane and Patrick Mark Kane. Arranged by John Ivor Holland. 20th Century,Pop,Rock,Singer/Songwriter. Score and Parts. 44 pages. John Ivor Holland #847917. Published by John Ivor Holland (A0.1254345).

Hue and Cry are a sibling act from Scotland consisting of Pat Kane and his younger brother, Greg. The act’s heyday dates back to the late-1980s/early-1990s. Around this time, a couple of their LPs broke the top 10 of the UK Albums Chart - 'Looking for Linda' is from their 1988 album, Remote. The song peaked at number 15 in the singles chart in January 1989, making it their best chart position. After a short fanfare, the groove kicks in and the lovely melody is passed around the band, with some great chord shifts along the way. Puch the nostalgia button with this rather enigmatic song that should be more well-known.

Looking For Linda
Orchestre d'harmonie

$49.99 47.65 € Orchestre d'harmonie PDF SheetMusicPlus

Instrumental Solo,Organ - Digital Download

SKU: A0.1402523

Composed by Chris Kovarik. 21st Century,Advent,Christmas,Praise & Worship,Sacred. Individual part. 9 pages. Chris Kovarik #985744. Published by Chris Kovarik (A0.1402523).

Veni Emmanuel (composed 2022, duration ca. 5’ 10â€) builds on the mystery inherent in the season of Advent, the text that presents us with many different visions of Christ (God with us, Wisdom from on high, etc.), and in the ancient, minor-mode tune itself. There are two complete statements of the tune with its refrain, one quiet and sedate, the other loud and joyous. The rest of the piece is essentially a free fantasy, culminating in an enigmatic right-hand solo a dozen or so bars before the end. This piece is contemplative and moody, with plenty of opportunity for colourful registrations.

Chorale Prelude on Veni Emmanuel (O come, O come, Emmanuel)
Orgue

$4.99 4.76 € Orgue PDF SheetMusicPlus

Brass Ensemble Horn - Level 3 - Digital Download

SKU: A0.919037

Composed by Erik Satie. Arranged by L.C. Harnsberger. 20th Century,Concert,Contemporary,Wedding. Score and parts. 11 pages. LCH Music #6474671. Published by LCH Music (A0.919037).

Enigmatic and highly influential composer Erik Satie wrote over three dozen piano works between 1884 and 1920. Some pieces were outlandish such as his Vexations which repeats 840 times and lasts up to 35 hours, and other pieces were simple with absurd titles like his Three Pieces in the Form of a Pear. Perhaps his best-known piece is his first Gymnopédie for piano that was completed in 1888.

The piece consists of a simple accompaniment with a long soaring melody above it. The melody is instantly recognizable and was featured in films including My Dinner with Andre, and The Royal Tenenbaums; video games; and on albums by Blood Sweat & Tears, and Gary Numan. It is also found on most Top-50 lists of All-Time Classical Music Favorites.

Satie also wrote two additional Gymnopédie with the collection of all three first published in 1898. Claude Debussy famously orchestrated two of them that same year.

The long soaring melody and calm mood of this piece works beautifully for horn quartet. Each member gets the melody for an enjoyable performance. This piece is ideal for weddings, worship services, funerals, and any recital.

Gymnopédie No. 1 for Horn Quartet
Quatuor de cuivres: 4 cors

$9.99 9.52 € Quatuor de cuivres: 4 cors PDF SheetMusicPlus

Soloists, mixed choir (SATB) and orchestra - Digital Download

SKU: S9.Q5950

Composed by Andre Campra. This edition: set of solo parts. Eulenburg Orchestral Series. Downloadable, Set of solo parts. Ernst Eulenburg & Co. GmbH - Digital #Q5950. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q5950).

Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.

Messe de Mort

$47.99 45.74 € PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download

SKU: A0.533347

Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347).

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of
music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda

Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano

$11.95 11.39 € Saxophone Alto et Piano PDF SheetMusicPlus

Cello,Viola,Violin - Digital Download

SKU: A0.1066454

Composed by Giuseppe Verdi. Arranged by Cristiano Vecchi. Instructional,Romantic Period,Standards. Full Performance. Duration 224. Cristiano Vecchi #6050611. Published by Cristiano Vecchi (A0.1066454).

Composed by Giuseppe Verdi and published in the Four Sacred Pieces (1898), this Ave Maria, built on the enigmatic scale proposed by Adolfo Crescentini, combines a religious mysteriousness with the vocal pleasantness of the Italian Maestro. Here the original choir work has been transposed in G Major to better fit the range of strings.
Duration: 3'43.
Score and parts also available on this website.
My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.

Ave Maria in G Major for String Quartet MP3
Quatuor à cordes: 2 violons, alto, violoncelle

$1.99 1.9 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download

SKU: A0.1250451

By Scholler. By Scholler. Arranged by Scholler. Classical,Comedy,Contemporary,Multicultural,World. Octavo. 28 pages. Scholler #844774. Published by Scholler (A0.1250451).

Phonetically Enchanting Language: Delve into the realm of the unknown as you explore a specially crafted phonetical language, adding a mysterious and otherworldly element to your choir performance. Each vocal line is meticulously created to emphasize the chilling ambiance, embracing the unusual and bizarre.
Mixed Choir Flexibility: Whether you have a large mixed choir or a smaller ensemble, Halloween songs for choir accommodates varying vocal ranges and abilities, making it accessible and exciting for choirs of all sizes. The composition is designed to showcase the power and diversity of a mixed choir, allowing each voice to contribute to the enigmatic soundscape.
Energetic and Spooky Piano Accompaniment: Complementing the choir, the piano accompaniment takes on a central role, infusing the piece with a sense of frenzied excitement and ghostly enchantment. From frenetic arpeggios to dissonant chords, the piano part adds an additional layer of madness and intensity, pushing the boundaries of the traditional choral experience.

Embrace the transformative power of music

Schollermusic

Halloween songs for Choir Chorale SATB
Scholler
$12.99 12.38 € Chorale SATB PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533492

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492).

Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in
1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of
music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in
London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave
mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began
touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the
«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through
China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was
during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He
subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages
were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known
as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he
performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial
Family. After 1865, nothing more is known about him.


Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
Saxophone Soprano et Piano

$11.95 11.39 € Saxophone Soprano et Piano PDF SheetMusicPlus

Cor anglais, bassoon and strings - advanced - Digital Download

SKU: S9.Q22572

An epitaph on Ludwig II for cor anglais solo, bassoon and strings. Composed by Enjott Schneider. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 18 minutes. Schott Music - Digital #Q22572. Published by Schott Music - Digital (S9.Q22572).

Enjott Schneider's composition for cor anglais, bassoon and strings was created in the form of a musical epitaph on the occasion of the 125th anniversary of the death of the Bavarian King Ludwig II shrouded in legend. Quotations from works of the King's favourite composer, Richard Wagner, can be heard. At the same time, the picturesque motif of a romantically enigmatic Castle of the Grail, as created by Ludwig II with Neuschwanstein, is reflected in the musical make. In the arrangement for chamber music duo, the work can be performed in concert with cor anglais and piano only. The version for cor anglais, bassoon and strings can be performed with both soloistic string instruments and in groups, for example as part of a school orchestra project.

Ein ewig Rätsel will ich bleiben...

$23.99 22.87 € PDF SheetMusicPlus


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