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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download

SKU: A0.963335

Composed by Max Reger. Arranged by Cristiano Vecchi. Contemporary,Easter,Instructional,Romantic Period,Standards. 16 pages. Cristiano Vecchi #4792755. Published by Cristiano Vecchi (A0.963335).

A charming and enigmatic piece by Max Reger, with powerful dramatic contrasts and timbrical nuances, from the original Suite for Organ, arranged for Bassoon Quintet (four Bassoons & Contrabassoon) with two easy bass parts that (joined) can be played also by a keyboard or a cello or a doublebass.
Also available for Double Reed Quintet, Clarinet Quintet, Cello Quartet, String Quartet, Flute Quintet, Clarinet & String Quartet.
SCORE AND PARTS.

Basso Ostinato Op.92 N.4 for Bassoon Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$4.99 4.73 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1324262

Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262).

In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.

Crow With No Mouth

Hearing a crow with no mouth
Cry in the deep
Darkness of the night,
I feel a longing for
My father before he was born.

In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.

In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.

This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.

The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.

In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.

Crow with no mouth
Piano, Voix

$8.00 7.59 € Piano, Voix PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download

SKU: A0.1140764

Composed by Federigo Fiorillo. Arranged by Robert W. Padgett. Classical,Contest,Festival,Instructional,Romantic Period. 6 pages. Padgett Music Llc #740999. Published by Padgett Music Llc (A0.1140764).

Fiorillo's Violin Etude No. 22 is a beautiful work reminiscent of a slow movement from a concerto or sonata rather than a parochial exercise. For this reason, I composed an original piano accompaniment to make it more suitable for recitals. I welcomed the challenge of making musical sense of some of the work's more enigmatic sections (e.g., bars 16-21 and 48-53). The accompaniment incorporates elements from the violin solo to establish an organic connection between the two parts. The violin part is meticulously annotated for ease of study and is particularly useful for private instruction.

Fiorillo's Violin Etude 22 with an original piano accompaniment
Violon et Piano

$7.99 7.58 € Violon et Piano PDF SheetMusicPlus

Solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db BAsso - Digital Download

SKU: S9.Q5949

Composed by Andre Campra. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 55 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q5949. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q5949).

Campra's sacred music includes 5 books of petits motets, the polyphonic Missa ad Majorem Dei Gloriam, the Messe de mort, and a large number of grands motets. All these works demonstrate the composer's mastery of theatrical conventions - descriptive instrumental preludes and dramatically representative scenes are not uncommon - and their style is imbued with the worldly, fashionable Italianate spirit of the time. The Messe de mort is today one of the more frequently performed of Campra's sacred works and it is also one of the most enigmatic scores of his entire output. The occasion of its commission and first performance are unknown. Montagnier, however, proposes the hypothesis that the Messe de mort was expressly composed for the memorial service for Philippe II duc d'Orléans (Campra's patron since 1697) who died at Versailles on 4 February 1723.

Messe de Mort

$4.99 4.73 € PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download

SKU: A0.1139276

Composed by Ennio Morricone. Arranged by Juan José Peláez Vilanova. 20th Century,Film/TV. Score and parts. 47 pages. John Joseph #739559. Published by John Joseph (A0.1139276).

The weight of Ennio Morriocone in the composition of film music in the second half of the s. XX is indisputable, in terms of innovation and production volume. The particular technique of treating the melodic cells will become a paradigm of his language, along with the use of innovative timbres, which were not common in the orchestral music of the time. The close collaboration with Sergio Leone during the 60s will contribute to consolidating him as a benchmark in the sound of the Western genre. After the success of the so-called Dollar Trilogy, Paramount Pictures asked Leone to repeat the formula before tackling other projects. This one, with a more generous budget, will start filming C'era una volta il West, an eclectic story in which all the characteristic elements of the genre are represented: the railroad, the gunslingers and bandits, the american pioneers, the woman of character indomitable and the enigmatic man in search of revenge. Leone again entrusted the soundtrack to Ennio Morricone, playing this one a fundamental role in the story. The present transcription incorporates the original sounds of the author, such as the harmonica, the electric and classical guitar, the harpsichord or the choir, in the ensemble of the concert band, seeking to achieve a greater sound fidelity with the score. Understanding the difficulty that having these resources can entail, the previous specific parts are of an optional nature, so that the arrangement also works without them, and also if any of the parts is incorporated independently of the rest.

Man With The Harmonica
Orchestre d'harmonie

$49.99 47.43 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download

SKU: A0.963517

Composed by Giuseppe Verdi. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Standards. 28 pages. Cristiano Vecchi #6051295. Published by Cristiano Vecchi (A0.963517).

Composed by Giuseppe Verdi and published in the Four Sacred Pieces (1898), this Ave Maria, built on the enigmatic scale proposed by Adolfo Crescentini, combines a religious mysteriousness with the vocal pleasantness of the Italian Maestro. Here the original choir work has been transposed in D Major to better fit the range of flutes.
SCORE and PARTS, including: Part 1 (Piccolo), Part 2 (Flute / Oboe, Clar. in Bb / Soprano Sax, Clar. in A) , Part 3 (Flute / Oboe, Clar. in Bb / Soprano Sax, Clar. in A), Part 4 (Alto Flute, Bass Flute, En. Horn , Clar. in Bb / Soprano Sax, Clar. in A)
MP3 also available on this website (duration: 3'42).
My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.

Ave Maria in D Major for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$3.33 3.16 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 4 - Digital Download

SKU: A0.533501

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501).

The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.

One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection
known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.




Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
Saxophone Soprano et Piano

$19.95 18.93 € Saxophone Soprano et Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download

SKU: A0.1303076

Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. 37 pages. Thomas Oboe Lee #892666. Published by Thomas Oboe Lee (A0.1303076).

I recently discovered Tamsin Waley-Cohen's recording of the complete CPE Bach sonatas for violin and piano. I was enthralled by her playing and CPE's music!!! 

Confession: I have been a fan of CPE for decades!!! 

My next project is a sonata for violin and piano. I thought I should try my hand at incorporating CPE's style into TOLmusic. Why not??? This will be my fifth sonata for violin and piano. The work is in seven movements. 

NB: I accidentally found some enigmatic titles in CPE's Petites Pièces per il Cembalo Solo. These are so amusing and funny compared to the usual Adagio, Allegro,Presto, etc. I see as titles in CPE's music that I decided to steal a few of them for my own work. 

I. La Stahl ... Largo 
II. La Gabriel ... Allegretto 
III. L'Auguste ... Adagio 
IV. La Boehmer ... Presto TRIO 
V. La Complaisante ... Andante 
VI. La Gleim ... Moderato grazioso 
VII. La Xenophon ... Allegro marcato 
VIII. La Caroline ... Largo
credits.

C.P.E. (2023) piano part
Violon et Piano

$9.99 9.48 € Violon et Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download

SKU: A0.533353

Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353).

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in
1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of
music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.

While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in
London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave
mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began
touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the
«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through
China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was
during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He
subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages
were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known
as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.

Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he
performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial
Family. After 1865, nothing more is known about him.

This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.

Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
Saxophone Alto et Piano

$16.95 16.08 € Saxophone Alto et Piano PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.1234320

Composed by Dulcie Sybil Holland. Arranged by John Holland. 20th Century,Classical,Contemporary,Contest,Festival. Score and Parts. 43 pages. John Ivor Holland #829861. Published by John Ivor Holland (A0.1234320).

Dulcie Sybil Holland (5 January 1913 – 21 May 2000) was an Australian composer and music educator, regarded by some critics as one of the more significant composers of her generation. In 1936, she travelled to London to study composition at the Royal College of Music with John Ireland, winning the Blumenthal Scholarship for composition - she returned to Australia at the outbreak of World War Two in 1939. During the 1940s, alongside her composing she wrote a number of children's books and began a 25 year association with the North Shore Symphony Orchestra. 'Aria' was composed in 1954 for alto saxophone and string orchestra, dedicated to Clive Amadie. This arrangement for concert band has been produced using the piano reduction, bringing a symphonic sound to an enigmatic and soulful piece, suitable for all levels of player.

Aria For Alto Saxophone And String Orchestra
Orchestre d'harmonie

$59.99 56.92 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download

SKU: A0.553105

Composed by Erik Satie. Arranged by Scott Camp. 20th Century,Concert,Contemporary,Standards,Wedding. Score. 3 pages. Scott Camp #4625347. Published by Scott Camp (A0.553105).

Beautiful.
Iconic.
Enigmatic.

I suppose this piece by Erik Satie has always touched the heartstrings of listeners. The harmonic language anticipates many sonorities that have become essential to later popular and jazz piano.  

Is this an example of a one hit wonder?  It is undeniably famous, as evidenced by its continued use as background music for television ads of high end luxury goods.

I often wonder what Satie eventually thought of this piece. This Gymnopedie is obviously his best known work, so I wonder if it also stands out as having generated the most revenue for Satie. If so, why didn't he replicate its success? Did he understand what he himself had created?  

So many questions... I guess I'll have to ask Alexa.

Gymnopedie No. 1 (Satie)
Piano seul

$1.99 1.89 € Piano seul PDF SheetMusicPlus


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