EUROPE
243 articles
USA
385 articles
DIGITAL
859 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
859 partitions trouvées

1 ....211 226 241 256 271 ....856

Flute,Piano - Digital Download

SKU: A0.816699

Composed by Guy Bunce. 20th Century,Concert,Contemporary,Romantic Period. Score and part. 12 pages. Enigma Music #4890503. Published by Enigma Music (A0.816699).

Gratias Ago Thank you was written on the 14th/15th June 1998 as a thank you to Louise Bunce (nee Taylor) for page turning at a concert on the 13th, in which I played my Etude Fantasia and Gershwin's `An American in Paris`. The opening theme acts as a nucleus to the whole piece. A bridge back to the main theme is in the form of a flute cadenza which contains quotes from 'Etude Fantasia' and 'An American in Paris.'

(flute part included in purchase)

The romantic harmony and lyrical melody would make Gratias Ago an ideal piece for a concert.


Gratias Ago
Flûte traversière et Piano

$3.99 3.78 € Flûte traversière et Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download

SKU: A0.533506

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506).

Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he
converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On
March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.



Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
Saxophone Alto et Piano

$10.35 9.79 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano,Violin - Digital Download

SKU: A0.1381224

By Escala. By Rob Dougan. Arranged by Midnight Symphony. 20th Century,21st Century,Film/TV,Multicultural,New Age,World. 5 pages. Midnight Symphony #965928. Published by Midnight Symphony (A0.1381224).

Unleash the haunting beauty and enigmatic energy of Rob Dougan's Clubbed to Death in this captivating arrangement for violin and piano.
This reimagining delves into the song's iconic soundscape, weaving together (describe key features of your arrangement, e.g., ethereal violin melodies that echo the original theme, dynamic piano textures that build suspense, subtle tempo shifts that enhance the emotional journey). Whether you're seasoned professionals or aspiring musicians drawn to dark electronica, this duet will challenge and mesmerize you, inviting you to explore the depths of a timeless electronic masterpiece.

Highlights:

  • Faithfully captures the essence of Clubbed to Death while offering a fresh perspective.
  • Features expressive violin lines that intertwine with evocative piano textures.
  • Offers dynamic shifts and tempo changes that build tension and release.
  • Provides opportunities for technical growth and artistic interpretation.

[Contact]
- www.midnightsymphony.com

[Youtube]
- youtube.midnightsymphony.com

[Music Sheets]
- sheet.midnightsymphony.com

Clubbed To Death
Violon et Piano
Escala
$9.99 9.45 € Violon et Piano PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.963516

Composed by Giuseppe Verdi. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Standards. Score and parts. 22 pages. Cristiano Vecchi #6050609. Published by Cristiano Vecchi (A0.963516).

Composed by Giuseppe Verdi and published in the Four Sacred Pieces (1898), this Ave Maria, built on the enigmatic scale proposed by Adolfo Crescentini, combines a religious mysteriousness with the vocal pleasantness of the Italian Maestro. Here the original choir work has been transposed in G Major to better fit the range of strings.
SCORE and PARTS, including: Part 1 (Violin 1, Viola), Part 2 (Violin 2, Viola) , Part 3 (Viola, Violin, Cello), Part 4 (Cello, Viola). Among the possible ensembles: Vl Vl Vla Vlc - Vla Vla Vla Vla - Vla Vla Vlc Vlc - Vln Vln Vln Vla - Vln Vln Vln Vlc - Vla Vla Vla Vlc.
MP3 also available on this website (duration: 3'43).
My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.

Ave Maria in G Major for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$5.33 5.04 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download

SKU: A0.533505

Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505).

The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.

One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he
converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
Saxophone Alto et Piano

$12.95 12.25 € Saxophone Alto et Piano PDF SheetMusicPlus

Instrumental Solo - Level 5 - Digital Download

SKU: A0.1091262

Composed by Adrian Gagiu. Classical,Contemporary. Individual part. 28 pages. Adrian Gagiu #695427. Published by Adrian Gagiu (A0.1091262).

Piano sonata in Neoclassical style, developing the themes briefly tried out by Beethoven in the slow introduction to the Finale of his Sonata No. 29 op. 106 (1818). This first movement (Allegro moderato) utilizes the first two of those melodic and textural scraps as the two themes of a sonata form in a mostly delicate, fantasia-like manner, with time signature ambiguity and alternance. The second movement (Allegro) utilizes the next two of those melodic and textural scraps as the two themes of an agitated 'scherzo' in G sharp minor, with allusions to Bach's Prelude in C minor from the second book of 'The Well-Tempered Clavier' and to Beethoven's Bagatelle in G minor, op. 126 no. 2. The Finale (Largo - Allegro ma non troppo) utilizes first the searching sections of that Introduction, as an enigmatic preparation of the big surprise in the Finale proper: a set of nine, mostly powerful variations on a tone row, yet treated not entirely with the twelve-tone technique, but in extended tonality context. Variations 2-5 allude to motifs from the themes of the previous movements. The mp3 is a self-made recording of the first movement using a Graf 1826 fortepiano sampled by Modartt's Pianoteq. Performing Rights Organization: SOCAN. Total duration: 19 min.

Piano Sonata No. 5, op. 81
Piano seul

$12.99 12.29 € Piano seul PDF SheetMusicPlus

Bass Guitar,Bass Voice - Level 3 - Digital Download

SKU: A0.1453115

By Florence. By Florence. Arranged by Florence. 21st Century,Rock. Full Performance. Duration 240. Florence #1032349. Published by Florence (A0.1453115).

Running This Realm is a high-energy song that celebrates individuality, resilience, and unapologetic self-expression. With a blend of confidence and defiance, the lyrics paint a vivid picture of a protagonist who refuses to conform to societal norms. Here’s what makes this song stand out:

Unapologetic Attitude: The verses introduce a character who rolls into the beat with ice-cold confidence. They’re unafraid of the spotlight, and their rebellious spirit sets them apart. The lyrics emphasize self-reliance and a refusal to compromise.
Rule Breaker: The chorus serves as a rallying cry. The protagonist claims ownership of their world, asserting that they dictate the terms. The use of “punks” and “fools” highlights their disdain for those who question their authority.
Mystery and Intrigue: In the second verse, we learn about the protagonist’s MVP status. Their enigmatic persona keeps listeners guessing—what’s their backstory? The reference to “mining my own gold” hints at hidden depths and untold stories.
Wild Energy: The bridge amplifies the intensity. The protagonist defies haters, flaunting their bling and grinding relentlessly. The song’s energy mirrors a wildfire, untamed and unstoppable.
Empowerment: Overall, “Rebel Anthem” empowers listeners to embrace their uniqueness, rise above adversity, and create their own path. It’s a sonic declaration of independence.

Running This Realm
Florence
$15.00 14.19 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1295710

Composed by Donald Ashwander. Ragtime. Score. 7 pages. The Donald Ashwander Estate #886009. Published by The Donald Ashwander Estate (A0.1295710).

Mobile Carnival Rag-Tango is a captivating solo piano composition by the versatile composer Donald Ashwander. This dynamic piece takes listeners on a thrilling and unexpected musical journey through the colorful and enigmatic world of Mardi Gras, offering a unique blend of ragtime and tango styles.

The story behind Mobile Carnival Rag-Tango reveals the fascinating evolution of a composer's creative process. Initially conceived as a reflection of the exuberant and joyous atmosphere of Mardi Gras, Donald Ashwander set out to capture the frantic gaiety that characterizes this celebrated event. However, as he began to compose, the music took an unexpected turn, veering into darker and more mysterious territory.

Rather than resisting this creative detour, Donald chose to embrace it. He allowed the music to lead him on an uncharted path, surrendering to the muse's guidance. The result is a composition that defies conventional expectations and leads the listener into a realm that is completely unpremeditated, a place where light and shadow dance together in a mesmerizing musical tapestry.

The final page of the sheet music contains special program notes by Donald Ashwander.

Mobile Carnival Rag-Tango
Piano seul

$5.95 5.63 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download

SKU: A0.553105

Composed by Erik Satie. Arranged by Scott Camp. 20th Century,Concert,Contemporary,Standards,Wedding. Score. 3 pages. Scott Camp #4625347. Published by Scott Camp (A0.553105).

Beautiful.
Iconic.
Enigmatic.

I suppose this piece by Erik Satie has always touched the heartstrings of listeners. The harmonic language anticipates many sonorities that have become essential to later popular and jazz piano.  

Is this an example of a one hit wonder?  It is undeniably famous, as evidenced by its continued use as background music for television ads of high end luxury goods.

I often wonder what Satie eventually thought of this piece. This Gymnopedie is obviously his best known work, so I wonder if it also stands out as having generated the most revenue for Satie. If so, why didn't he replicate its success? Did he understand what he himself had created?  

So many questions... I guess I'll have to ask Alexa.

Gymnopedie No. 1 (Satie)
Piano seul

$1.99 1.88 € Piano seul PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.803664

Composed by Bill Sherman and Christine M Ferraro. Arranged by Damien Clift. Contemporary. Score. 9 pages. Damien Clift #4310035. Published by Damien Clift (A0.803664).

This funky Sesame Street song featuring the enigmatic Janelle Monae is all about keeping an open mind and maintaining commitment towards your goals. It's the perfect song to align with any growth mindset curriculum in schools. It's an up-tempo foot tapper in the style of James Brown. Staves for Lead Vocal, Backing Vocals and an accompaniment piano part (consisting of the bass guitar and simplified horn parts, as well as chord symbols) are included in this arrangement.


The Power Of Yet
Piano, Voix et Guitare

$4.99 4.72 € Piano, Voix et Guitare PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download

SKU: A0.963517

Composed by Giuseppe Verdi. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Standards. 28 pages. Cristiano Vecchi #6051295. Published by Cristiano Vecchi (A0.963517).

Composed by Giuseppe Verdi and published in the Four Sacred Pieces (1898), this Ave Maria, built on the enigmatic scale proposed by Adolfo Crescentini, combines a religious mysteriousness with the vocal pleasantness of the Italian Maestro. Here the original choir work has been transposed in D Major to better fit the range of flutes.
SCORE and PARTS, including: Part 1 (Piccolo), Part 2 (Flute / Oboe, Clar. in Bb / Soprano Sax, Clar. in A) , Part 3 (Flute / Oboe, Clar. in Bb / Soprano Sax, Clar. in A), Part 4 (Alto Flute, Bass Flute, En. Horn , Clar. in Bb / Soprano Sax, Clar. in A)
MP3 also available on this website (duration: 3'42).
My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.

Ave Maria in D Major for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$3.33 3.15 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.800379

Composed by Sarah Wallin Huff. Classical,Contemporary. Score and Parts. 25 pages. Novel Soundtrax #3073541. Published by Novel Soundtrax (A0.800379).

“We See Through A Glass Darkly…â€
The Dark Glass Sinfonia is Wallin-Huff’s 2017 composition for symphony orchestra. Built upon an integrated set of hexachordal formulae – blending the concepts of free atonality with modal harmony – this work represents the enigmatic and ongoing, emotional flux of the Soul.

â€Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra.†(PARMA Recordings).

The Dark Glass Sinfonia (Score)
Orchestre

$32.00 30.28 € Orchestre PDF SheetMusicPlus


1 ....211 226 241 256 271 ....856




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale