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Brass Ensemble - Level 3 - Digital Download SKU: A0.810940 Composed by Felix Bartholdy Mendelssohn. Arranged by Bergler, Geoffrey. Romantic Period,Sacred. Score and parts. 28 pages. Gordon Cherry #3916909. Published by Gordon Cherry (A0.810940). Two beautiful Choruses by transcribed by Seattle Symphony Trumpeter, Geoffrey Bergler. The music is of intermediate level and have great sonorous qualities, wonderful for the middle of a Brass Ensemble concert. The first movement, Beati Mortui is slow and sustained and the second movement, Periti Autem is an Allegro movement more in a declamatory style. Instrumentation is for 3 Trumpets in Bb, 2 Horns, 3 Trombones and Tuba.
Two Sacred Choruses, Op. 115 for 9-part Brass Ensemble
Ensemble de cuivres

$25.00 21.42 € Ensemble de cuivres PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.740260 Composed by Melchior Franck. Arranged by Craig Garner. Renaissance,Sacred. Score and parts. 40 pages. Dorm 40 Music #2967783. Published by Dorm 40 Music (A0.740260). Franck (c.1579-1639) was a popular and prolific composer of Protestant church music, especially motets. This motet is in the Venetian-style, except that there is no separation of the choirs: antiphonal parts are all within the group. Suitable for a church service or any concert. Scored for 3 Trumpets (alternate B-flat Picc. and E-flat parts for Trumpet 1), 2 Horns, 2 Trombones, 1 Bass Trombone (or Euphonium TC or BC), 1 Tuba. Published by Dorm 40 Music, www.dorm40music.com. Performance tine: 5:30.
Audi Domine hymnum (9-part Brass Ensemble)
Ensemble de cuivres

$10.00 8.57 € Ensemble de cuivres PDF SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement  Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcíaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions

$50.00 42.83 € Ensemble de Percussions PDF SheetMusicPlus

Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.792066 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque. Score and parts. 50 pages. Gordon Cherry #3075963. Published by Gordon Cherry (A0.792066). Bach's Toccata and Fugue in D minor BWV 565 is possibly the most famous work in the organ repertoire. It was written as early as 1704 while the composer was in his teens, which could explain some of its unusual features. It first appeared in publication in 1833 by way of Felix Mendelssohn. The first appearance of this work as a transcription and recording for brass came in 1979 by Frederick Mills and the Canadian Brass, becoming an iconic work in the ensemble's repertoire. Ralph Sauer has had a great deal of success with his transcriptions of Bach's works. This work of about 9 minutes in length for 8-part Trombone Ensemble of advanced performers is brilliantly thought out and can be the cornerstone of a concert program.
Toccata & Fugue in D minor BWV 565 for 8-part Trombone Ensemble
Ensemble de Trombones

$40.00 34.27 € Ensemble de Trombones PDF SheetMusicPlus

Percussion Ensemble - Level 1 - Digital Download SKU: A0.797629 Composed by Jeremy Barnet. 20th Century,Concert,Contemporary,Instructional,World. Score and parts. 15 pages. Jeremy Barnett #3455015. Published by Jeremy Barnett (A0.797629). Meditation for 9 percussionistsA slow, dramatic piece for beginner percussion ensemble, 'Meditation' offers the chance to focus on sound quality, delicacy, and detailed ensemble playing, within a piece that is both simple and profound. This is an opportunity for younger player to experience a type of music making usually reserved for more experienced and mature musicians.  Using standard band/orchestral percussion instruments, 'Meditation' is a welcome addition to any percussion concert program.
Meditation (for Percussion Ensemble)
Ensemble de Percussions

$14.00 11.99 € Ensemble de Percussions PDF SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Jeff Tincher (A0.584697). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
Quartet #9
Ensemble de Percussions

$12.99 11.13 € Ensemble de Percussions PDF SheetMusicPlus






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