Flute Choir - Advanced Intermediate - Digital Download Composed by Unknown. Arranged by DB Williams. Jewish. Score, Set of Parts. 19 pages. Published by DB Music

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817178 Composed by Heinrich Schutz. Arranged by Richard Decker. Baroque,Chamber,Historic,Multicultural,Renaissance,World. 64 pages. Charles Decker Music Press #6689647. Published by Charles Decker Music Press (A0.817178). Revered as one of the greatest German composers of the 17th century, Heinrich Schütz embraced his early studies with Giovanni Gabrieli and developed his own dramatic style of antiphonal music for voices and instruments.  Originally written for the centenary of the Reformation in 1617 to honor then Emperor Matthias and his family, this engaging composition translated as Praise the Lord for He is Kind was published in his Psalmen Davids (Op. 2) in 1619 and translates well four centuries later, giving today's brass choirs the opportunity to recreate those glorious antiphonal choir sounds of the early Baroque period.  Beyond brass ensemble concerts, consider adding some musical fireworks to your next band or orchestra concerts with this impressive and memorable showcase for your brass section.  Trumpet parts in B-flat and alternate C trumpet are provided. A recording of the entire transcription is included.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series� in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1222069 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. Score and Parts. 15 pages. Regis Bookshar #818353. Published by Regis Bookshar (A0.1222069). La Rejouissance (from Heroic Music) - Georg Philipp Telemann - Brass Choir - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728 and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Booksgar to be played by Trumpet Quintets or Brass Quinets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public peformances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Rejouissance (from Heroic Music), is arranged for a Brass Choir, with parts for 3 Bb Trumpets, 1 French Horn, 1 Trombone, 1 Euphonium and 1 Tuba, and is associated with the heroic quality of Joy. There is also a version which includes a Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (15 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1017565 Composed by Alice Hawthorne aka Septimus Winner. Arranged by Bryan Guarnuccio. Praise & Worship,Sacred,Spiritual,Traditional. 32 pages. Bryan Guarnuccio #6248615. Published by Bryan Guarnuccio (A0.1017565). This flexible arrangement is perfect for intermediate flute choirs, church flute groups, or more advanced flute ensembles to include as a lyrical piece on a program. The basic arrangement calls for Piccolo, 3 C Flutes, Alto, and Bass Flutes. However, if the ensemble does not have a Bass Flute, a second Alto Flute part has been transposed to cover this and a C flute may be used in place of the original Alto Part. Additionally, there is a bass clef version of the Bass Flute part, which may be played on cello, bassoon, or string bass ad lib. There is even an alternate flute part to cover the piccolo part, if necessary. 

Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1392228 By EnsembleSheetMusic. By Jan Dismas Zelenka. Arranged by Sjoerd van der Veen. Baroque,Christian,Easter,Religious,Sacred. 9 pages. Sjoerd van der Veen #959777. Published by Sjoerd van der Veen (A0.1392228). This beautiful choral is part of the Responsoria pro Hebdomada Sancta (Sacred Work pro Holy Saturday). It was originally written for 4-part choir, but also sounds very beautiful for clarinet ensemble, or clarinet quintet.Voices: clarinets in B flat 1,2,3 | alto clarinet or basset horn | bass clarinet

Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.792113 Composed by Jacob Handl. Arranged by Ralph Sauer. Renaissance,Sacred. Score and parts. 16 pages. Gordon Cherry #3464561. Published by Gordon Cherry (A0.792113). A beautiful vocal work of about 2 1/2 to 3 minutes in length transcribed for 8-part antiphonal trombone choir by Ralph Sauer, L.A. Philharmonic Principal Trombone. Handl's Pater Noster is not too difficult and would be appropriate for almost any level group including high school level. The range is conservative with an occasional high B-flat.  Jacob Handl was an Austrian composer of Slovene descent, born in Ljubljana. Choirmaster to the Bishop of Olmutz 1579-1585, he lived thereafter in Prague as an organist.

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817175 Composed by Johann Hermann Schein. Arranged by Richard Decker. Baroque,Early Music,Multicultural,Renaissance,World. 69 pages. Charles Decker Music Press #6662589. Published by Charles Decker Music Press (A0.817175). For those who find the antiphonal brass music of Gabrieli exciting, this triple quartet antiphonal setting of Schein’s music will be a welcomed addition to the large ensemble brass choir repertoire. This masterpiece celebrates the glorious  antiphonal style of the early Baroque period and allows for the full-throated spectacular brass ensemble sounds of today.   A contemporary of Giovanni Gabrieli and Heinrich Schütz, Schein's vocal showpiece translates perfectly to an orchestral brass section and works as an outstanding concert addition for brass ensembles from school groups to professionals. Magnificently scored, this triple antiphonal quartet transcription can be an impressive and memorable showcase for your band or orchestra brass section at your next concert. Alternate C trumpet parts and Horn substitute parts for two of the trombone parts are included. A recording of the entire transcription is included. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series� in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Brass Ensemble,Trombone Ensemble Bass Trombone - Level 5 - Digital Download SKU: A0.1496009 Composed by Gioachino Rossini. Arranged by P. F. Strohm. 19th Century,Classical,Contest,Festival,Romantic Period. 104 pages. Pete Strohm Music #1072536. Published by Pete Strohm Music (A0.1496009). This is a transcription for trombone ensemble of the complete William Tell Overture, written by Gioacchino Rossini, dedicated to the Szeged Trombone Ensemble (SETREN) and further arranged for the Eastman Trombone Choir. In reimagining the work for trombone octet, American composer P. F. Strohm has kept the piece in the original orchestral keys, and retained all the flourish and drama of the original work. The opening Dawn and Storm, the lovely Pastorale, and the touchstone Finale are all there. This tour de force work comes in two different versions, one for eight players (as arranged for SETREN), and this one for large ensembles of 16 or more players (as arranged for the Eastman Trombone Choir). Both  versions have eight parts, and are intended for trombone ensembles with the highest levels of technique and musicianship.  Advanced level of difficulty, with a performance time of 11:45. Member, ASCAP.

Horn Ensemble Horn - Level 4 - Digital Download SKU: A0.1297115 Composed by Anton Bruckner. Arranged by Richard Decker. 19th Century,Chamber,Christian,Multicultural,Praise & Worship,World. 26 pages. Charles Decker Music Press #887214. Published by Charles Decker Music Press (A0.1297115). Bruckner's Kyrie from his first Mass in E minor completed early in his career in 1866 foreshadowed his lifelong use of expressive harmonic and contrapuntal elements in his compositions which when combined with his devout religious poignancy creates this powerful opening Mass movement that fits well with the sound of the horn choir.  This elegant and dramatic arrangement for horn octet can be a memorable featured work on brass ensemble programs guaranteed to impress audiences and inspire the performers. The recording is of the entire edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.

Bass Clarinet - Digital Download SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #4718277. Published by Visionary Quest Records (A0.1070240). E Flat Clarinet Solo, 5 B Flat Clarinets, 2 A Clarinets, 2 Bass Clarinets. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 78 pages. Duration: 6:25. Digital Download PRO: BMI (ISRC: QZDA81912907) Original Sound Recording produced by Visionary Quest Records (www.visionaryquestrecords.com)Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now Tears from My Eyes: Mourning in the Rain (for Clarinet Choir).Tears from My Eyes music collection is very suitable and moving for funerals, memorials, church, or contemplative settings. Helpful hints: In addition to getting the counts down, even more important is to practice feeling the music collectively together because rigid counting takes away from the flowing emotive nature of the piece. There are actually 3 smaller ensembles within this piece that all three subgroups must musically move together in harmony, rhythm, and balance. When that is achieved, the music and harmonic overtones will be exquisite. The instrumentation is also so important because of the timbre that each instrument contributes to the ensemble. Musicality is key to this piece.This song is the title song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451

Piccolo Trumpet - Level 5 - Digital Download SKU: A0.817119 Composed by Sergei Rachmaninoff. Arranged by Charles Decker. Instructional,Romantic Period,Standards. 59 pages. Charles Decker Music Press #3544115. Published by Charles Decker Music Press (A0.817119). This is a spectacular and challenging abridged arrangement for ambitious trumpet ensembles of the finale movement to Rachmaninov's youthful First Symphony of 1896. From his dramatic opening twenty-four measure fanfare to the concluding measures this arrangement is guaranteed to impress audiences and challenge the performers. Trumpets 1 and 2 double on piccolo trumpet in B-flat or A piccolo parts. Trumpet parts 3-6 and 8-10 each have optional C parts. Beyond brass ensemble programs and special events consider featuring your trumpet section with this impressive work on your next band concert. The audio file is an actual trumpet ensemble performance and not a computer playback of the score.Check out more than 50+ homogeneous horn, trumpet and trombone ensemble works for inexperienced to advanced musicians with Charles Decker Music Press at Sheet Music Plus as well as 70 more Charles Decker Music Press publications for mixed brass ensembles with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include B-flat and alternate C trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also the Music of Black Composers Series for mixed brass ensembles with Charles Decker Music Press at Sheet Music Plus with arrangements of music ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. For more Charles Decker trumpet ensemble arrangements use this link to Kendor Music for listings of arrangements of music by Bach, Handel, and Renaissance composers Gervaise and Susato.

Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.796432 Composed by F.W. Meacham's. Arranged by Monty Adams. 20th Century,Folk,Holiday,Patriotic,World. 13 pages. Adams Magnificent Music #3486675. Published by Adams Magnificent Music (A0.796432). A wonderful lively version of F.W. Meacham's American Patrol.  An excellent version for young flute choirs as well as mature flute choirs that are looking for a good crowd pleaser.

Brass Ensemble - Level 2 - Digital Download SKU: A0.964587 Composed by Sergei Rachmaninoff. Arranged by Betsy Bright. Sacred. Score and parts. 22 pages. Bright Music Company #6400935. Published by Bright Music Company (A0.964587). This beloved Ave Maria by Rachmaninoff has been arranged for 12-part brass choir.  This is suitable for any brass ensemble, ranging from early intermediate all the way to professional.  There is an abundance of rest for every voice during this rich, beautiful piece.  Even the most advanced ensembles will appreciate the opportunity to highlight their sounds while giving them a rest during a full program.  Early intermediate ensembles will have some nice concentration challenges in counting occasional measures of 6/4 as well as working on intonation and balance. Duration:  2 minutes