Erik Satie - Partitions musicales à imprimer - Mondial de la partition numérique

4636 partitions trouvées

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download

SKU: A0.1335055

Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055).

Satie: Parade - Final & Suite au PrÃ©lude de rideau rouge

Arranged wind dectet/bass (double wind quintet)

The concluding music for Erik Satie's Ballet Parade.

Other movements from Parade are available.

Background info:

Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916â€“17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the ThÃ©Ã¢tre du ChÃ¢telet in Paris, with costumes and sets designed by Pablo Picasso, choreography by LÃ©onide Massine (who danced), and the orchestra conducted by Ernest Ansermet.

The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.

The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.

The plot reproduces various elements of everyday life such as the music hall and fairground.

Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.
The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.
Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.

The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).
It is supposedthat such additions by Cocteau showed his eagerness to create a succÃ¨s de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.

Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succÃ¨s de scandale.
The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.

The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their show

I have omitted the Â percussion in my arrangement of the finale.

The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
Arranged wind dectet/bass (double wind quintet).

Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
$14.95 14.13 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download

SKU: A0.740007

Composed by Erik Satie (1866-1925). Arranged by Len Rhodes. 20th Century,Concert,Graduation. Score and parts. 12 pages. Len Rhodes Music #5200099. Published by Len Rhodes Music (A0.740007).

Satie - Trois Gnossiennes for piano transcribed, and NOW AVAILABLE for piano duet. The three pieces have been perfectly arranged for the late elementary/early intermediate pianist on the higher part (primo); and a teacher or more advanced pianist on the lower part (secundo).

In no. 1. the melodic line is shared between the hands in the upper part - the acciaccatura's are included, but these can be omitted if too challenging. The lower player has the chord progression, as Satie intended, only shared between the hands.

In no. 2, the melodic line is doubled in the upper part (hands an octave apart). The lower part has the chord progression.

In no. 3, the melodic line is again shared between the hands in the upper part - the few acciaccatura's are included, but these can be omitted if too challenging. Bar 24- 34 is an example of Satie's innovative new scales, in this case a simple six-note scale, constructed with the notes from the E minor and F# major triad chords.

Arranger's note: Erik Satie often added whimsical instructions to his music: Light as an egg, Here comes the lantern, Open your head,Muffle the sound, Work it out yourself, etc. I have included, and translated, those he applied to these pieces.

Your download is all THREE pieces.

Erik Satie - Trois Gnossiennes, for piano duet 1 Piano, 4 mains

$7.95 7.51 € 1 Piano, 4 mains PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download

SKU: A0.1293743

Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743).

Arranged wind dectet/bass (double wind quintet)

A taster of the opening music for Erik Satie's Ballet Parade.

Choral and Prelude of the red curtain

Other scores to follow.

Background info:

Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916â€“17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the ThÃ©Ã¢tre du ChÃ¢telet in Paris, with costumes and sets designed by Pablo Picasso, choreography by LÃ©onide Massine (who danced), and the orchestra conducted by Ernest Ansermet.

The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.

The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.

The plot reproduces various elements of everyday life such as the music hall and fairground.

Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.
The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.
Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.

The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).
It is supposedthat such additions by Cocteau showed his eagerness to create a succÃ¨s de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.

Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succÃ¨s de scandale.
The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.

The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their show

The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.