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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1004878 Composed by Ernest Markham Lee. Arranged by Colin W Bridge. 20th Century,Romantic Period. 29 pages. Colin W Bridge #6444361. Published by Colin W Bridge (A0.1004878). This trio arrangement for two clarinets and bass clarinet consists of six short movements originally for piano. E Markham Lee was an English composer, organist, lecturer and author born in Cambridge in 1874. He wrote for piano, organ, voice and orchestra, in a light romantic style with English folksong associations. These pieces are expressive and tuneful and useful for concerts, incidental music and the development of ensemble.
Morland and Torland (1916) by Ernest Markham Lee for Clarinet Trio (2 Bb & Bass)
3 Clarinettes (trio)

$3.99 3.68 € 3 Clarinettes (trio) PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1291870 By Sharon Wilson. By Ernest W. Shurtleff and Henry Smart. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Easter,Sacred,Traditional. Score. 5 pages. Sharon Wilson #882480. Published by Sharon Wilson (A0.1291870). Here is a bright and energetic piano solo arrangement of the familiar hymn tune LANCASHIRE by Henry Thomas Smart and is associated with two sets of lyrics.  For the Easter season, St. John of Damascus penned the lyrics titled The Day of Resurrection.  Alternate lyrics by Ernest W. Shurtleff are equally well known and titled Lead On, O King Eternal. Upbeat and bright throughout, this arrangement makes an excellent postlude. Duration 2:20.This arrangement is one of the 12 songs in the collection On Our Way Rejoicing: Benedictions and Postludes (A Collection of 12 Piano Solo Combinations). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com.
Lead On, O King Eternal
Piano seul
Sharon Wilson
$4.99 4.6 € Piano seul PDF SheetMusicPlus

Brass Quintet - Grade 3 - Digital Download SKU: DX.145521 Composed by Ernest W. Shurtleff. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Traditional. Score and parts. 12 pages. David E. Smith - Digital Sheet Music #145521. Published by David E. Smith - Digital Sheet Music (DX.145521). A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The introduction uses extraneous material where it leads in the first theme by the trombone until the theme is passed around in fragments until the them is taken over by the trumpets, and the trombones. A modulation takes place where the theme is in the trombones with flourishes in the trumpets. The trumpets now take the theme with flourishes in the middle voices until the piece ends with a declamatory statement.
Lead On O King Eternal
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$10.00 9.22 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre ŕ Cordes

$9.99 9.21 € Orchestre ŕ Cordes PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.5853 Composed by Ernest Hogan & Billy Kersands. Arranged by Geo. W. Hetzel. African Americans, Dialects, Crimes, Symbols, Heaven. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5853). What am You Gwine to Tell Massa Peter When You Meet Him at de Gate? Song and Chorus. Words and Music by Ernest Hogan and Billy Kersands. Arranged by Geo. W. Hetzel. Published 1893 by Broder & Schlam, 26, 28, 30 O'Farrell St. in San Francisco. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include African Americans, Dialects, Crimes, Symbols, Heaven. First line reads Come all you colored people, who have got a soul to save..
What am You Gwine to Tell Massa Peter When You Meet Him at de Gate? Song and Chorus
Piano, Voix

$5.99 5.52 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.20155 Composed by James Ernest Perring. Authors, Poets, Literature, Courtship & love, Deceit. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20155). Beware! Cavatina. Words by H.W. Longfellow. Composed by James Ernest Perring. Published 1864 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of sectional with piano and voice instrumentation. Subject headings for this piece include Authors, Poets, Literature, Courtship & love, Deceit. First line reads I know a maiden fair to see! take care! take care! take care!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Beware! Cavatina
Piano, Voix

$5.99 5.52 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1320989 By Liberace. By Ernesto De Curtis. Arranged by Timothy Stapay. Film/TV,Folk,Multicultural,Singer/Songwriter,Standards,World. Score. 6 pages. Timothy Stapay #909434. Published by Timothy Stapay (A0.1320989). Come Back To Sorrento is arranged as played by piano artist, Liberace.  This arrangement has all of the sparkle and fireworks that Liberace was known for.  Now you can learn to play this traditional Italian folk song, in the same sensational style as the world-famous pianist, Liberace.A Neapolitan song composed in 1894 by Italian musician Ernesto De Curtis to words by his brother, the poet and painter Giambattista De Curtis. The song was copyrighted officially in 1905, and has become one of the most popular of this traditional genre.Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  He was born in Wisconsin to parents of Italian and Polish origin and enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
Come Back To Sorrento
Piano seul
Liberace
$8.99 8.29 € Piano seul PDF SheetMusicPlus






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