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Instrumental Duet,Piano Euphonium,Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.722392 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score and parts. 5 pages. Music-Scores.com #6458585. Published by Music-Scores.com (A0.722392). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for Euphonium and Piano/Organ.Duration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com.
Nina - Euphonium and Piano/Organ (D minor)

$4.95 4.3 € PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1100271 Composed by Kenneth. Chamber,Classical,Contemporary,Contest,Festival. 11 pages. Kenneth Baird Music #704145. Published by Kenneth Baird Music (A0.1100271). Beginning with a bold unison fanfare, Fanfare a 5 (for 3!) is a rousing brass trio in which the trombone (or euphonium) plays a strong melodic role. This is a reworking of the composer's work for Brass Quintet (Fanfare a 5). Although playable by average third year players, this trio is musically strong enough to be performed by high school players and the quintet version has even been performed by professional quintets. Written for standard Brass Trio, Bb trumpet, horn in F, and trombone (or Euphonium), a Baritone T.C. part is also provided as an alternative to the trombone part.
Fanfare a 5 (for 3!)

$6.95 6.04 € PDF SheetMusicPlus

B-Flat trombone,Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.717231 Composed by Traditional. Arranged by Tim Curd. Blues,Jazz,Sacred,Spiritual. Score and individual part. 5 pages. Tim Curd #5989989. Published by Tim Curd (A0.717231). Amazing Grace in Blue for Trombone/Euphonium in Bb (treble clef) and Piano.Amazing Grace is one of the most popular songs of all time with a thoughtful melody and sentiment. This gospel version of the famous spiritual becomes more bluesy at it progresses. A backing track is available here:https://www.sheetmusicplus.com/title/amazing-grace-in-blue-for-trombone-euphonium-in-bb-treble-clef-...This solo will be fun to play and will be suitable for school concerts and church etc.Solo and piano part included.
Amazing Grace in Blue for Trombone/Euphonium in Bb (treble clef) and Piano

$3.99 3.47 € PDF SheetMusicPlus

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.812996 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultural,Renaissance,Standards,World. Score and parts. 27 pages. Regis Bookshar #5996885. Published by Regis Bookshar (A0.812996). Euphonium Quintet (Bass Clef) - Intermediate - Digital Download. This selection, Hodie Christus Natus Est (Today Christ is Born), was originally a vocal motet written by Jan P. Sweelinck and has been arranged for a Euphonium Quintet by Regis Bookshar. It is perfect for Christmas concerts or church services but could also be performed for other festive occasions as well and is suitable for high school and college students. Included is a score and a complete set of parts, written in Bass Clef (27 pages). Also available, if you prefer, is a version written in Treble Clef. Also available are other settings of this motet for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that your students will enjoy playing this arrangement.
Hodie Christus Natus Est (Euphonium Quintet - Bass Clef)

$24.00 20.85 € PDF SheetMusicPlus

B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano

$15.99 13.89 € PDF SheetMusicPlus

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.812997 Composed by Jan P. Sweelinck. Arranged by Regis Bookshar. Christmas,Multicultural,Renaissance,Standards,World. Score and parts. 27 pages. Regis Bookshar #5996895. Published by Regis Bookshar (A0.812997). Euphonium Quintet (Treble Clef) - Intermediate - Digital Download. This selection, Hodie Christus Natus Est (Today Christ is Born), was originally a vocal motet written by Jan P. Sweelinck and has been arranged for a Euphonium Quintet. It is perfect for Christmas concerts or church services but could also be performed for other festive occasions as well and is suitable for high school and college students. Included is a score and a complete set of parts, written in Treble Clef (27 pages). Also available, if you prefer, is a version written in Bass Clef. Also available are other settings of this motet for a variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that your students will enjoy playing this arrangement.
Hodie Christus Natus Est (Euphonium Quintet - Treble Clef)

$24.00 20.85 € PDF SheetMusicPlus

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813036 Composed by Traditional English Christmas Carol. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Sacred,Standards. Score and parts. 7 pages. Regis Bookshar #6063343. Published by Regis Bookshar (A0.813036). Euphonium Quartet (Treble Clef) - Intermediate - Digital Download. This Traditional English Christmas Carol has been arranged for a Euphonium Quartet by Regis Bookshar. It is perfect for Christmas concerts and church services and is suitable for high school and college students. Included is a score, with two Verses and a short Interlude, and a complete set of parts, written in Treble Clef  (7 pages). Also available, if you prefer, is a version written in Bass Clef. Also available are other arrangements of this Traditional English Christmas carol for a wide variety of instrumental ensembles as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
A Virgin Most Pure (Euphonium Quartet - Treble Clef)

$8.00 6.95 € PDF SheetMusicPlus

B-Flat trombone,Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.716978 Composed by Traditional. Arranged by Tim Curd. Latin,Multicultural,World. Score and individual part. 3 pages. Tim Curd #5041301. Published by Tim Curd (A0.716978). The Banana Boat Song.For Solo Trombone/Euphonium in Bb (treble clef) and Piano.Also known as Day O this traditional Jamaican work song was covered by Harry Belafonte in 1956.This calypso classic would make a fun upbeat concert item.About ABRSM grade 1 to 2 standard.There is a backing track available to purchase so you can practise playing along to the piano.https://www.sheetmusicplus.com/title/the-banana-boat-song-for-solo-trombone-euphonium-in-bb-treble-c...
The Banana Boat Song. For Solo Trombone/Euphonium in Bb (treble clef) and Piano

$3.99 3.47 € PDF SheetMusicPlus

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)

$15.00 13.03 € PDF SheetMusicPlus

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)

$15.00 13.03 € PDF SheetMusicPlus






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