Piano Solo - Level 3 - Digital Download SKU: A0.1305306 By Eva Behrens. By Eva Behrens. 19th Century,Classical,New Age,Romantic Period,Wedding. Score. 2 pages. Eva Behrens #894745. Published by Eva Behrens (A0.1305306). Beyond the Sky is part 2 in the Dance of the Fairy Bells Series; It is a solo piano composition that gently envelops the listener in a tranquil embrace. The delicate, cascading melodies evoke a sense of weightlessness, as if floating in a serene dreamscape. The seamless progression of soft, resonant chords creates a soothing atmosphere, gently soothing the mind and inviting a profound sense of peace. With its graceful, unhurried tempo and gentle arpeggios, the music delicately weaves a tapestry of calming, reflective moments, inviting the listener to embark on a meditative journey through a realm of ethereal tranquility.

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56)                  Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15)                 Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.

Guitar (electric) - Beginning - Digital Download SKU: M0.21031EB Composed by John LeVan. Rock. FAQ. All styles. E-book. Mel Bay Publications - Digital Sheet Music #21031EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21031EB). ISBN 9781609742102. 8.75x11.75 inches.Setting up and taking care of your electric guitar has never been easier. This FAQ books shows you how to properly clean and care for your guitar. Also covered are adjusting the action and intonation as well as working with bridges, saddles and nuts. Many photographs, diagrams and illustrations are used to help you keep your guitar in top condition. Shows you how to properly clean and care for your guitar. Covers adjusting the action and intonation as well as working with bridges, saddles and nuts. Includes Many photographs, diagrams and illustrations are used to help you keep your guitar in top condition.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.880206 Composed by Craig Wedren and Theodore Shapiro. Arranged by Luke Furman. Contemporary. Octavo. 9 pages. Furman Musical Arrangements #5217915. Published by Furman Musical Arrangements (A0.880206). From the 2015 film Spy, Who Can You Trust is a wonderful homage to Bond theme songs, driven by Ivy Levan's powerful lead vocals.  This arrangement adapts the song for intermediate-level SATB choir, and cuts a few sections to tighten up the pacing.  Most of the choral writing is in 2-3 parts, with occasional splits to 4-6 parts.  Makes a great addition to a spy- or detective-themed show.  Duration: about 3:15.

Composed by Apostolos Paraskevas (1964-). 21st Century, Contemporary Classical, Post-Romantic, Neo- Classical, World. Score. 11 pages. Published by Silver Sickle Publications

Composed by Apostolos Paraskevas (1964-). 20th Century, Contemporary, World. Score and parts. 7 pages. Silver Sickle Publications #4780575. Published by Silver Sickle Publications

Guitar - Digital Download SKU: A0.1070393 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz. Full Performance. Duration 335. Silver Sickle Publications #6103013. Published by Silver Sickle Publications (A0.1070393). Dream Not of Today is a lullaby and a night storytelling fable with heroes, challenges and romances. It's a lullaby for the brave kids and for those adults full of emotions, who want to sleep at the end of it and only after all the good guys have already won.  It is written in a jazzier and continuing motivic development style as almost a Theme and Variations. It was composed in 2013 and commissioned by and dedicated to Laura Young.

Composed by Apostolos Paraskevas (1964-). 20th Century, Contemporary, World. Score. 62 pages. Silver Sickle Publications #5026121. Published by Silver Sickle Publications

Digital Download SKU: A0.942109 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Multicultural,World. 135 pages. Silver Sickle Publications #6493885. Published by Silver Sickle Publications (A0.942109). Two songs on text by Pablo Neruda from Sonetos de Amor.

Guitar - Digital Download SKU: A0.1070385 Composed by Isaac Albeniz. Arranged by Apostolos Paraskevas. Concert,Standards,World. Full Performance. Duration 412. Silver Sickle Publications #5041833. Published by Silver Sickle Publications (A0.1070385). Asturias, original title Preludio, also called Asturias-Leyenda is a solo piano piece written in the early 1890s by Catalan composer and pianist Isaac Albéniz using rolled chords that effectively evoke the strumming of a guitar. In fact, the version usually played is a transcription of the original piano piece for guitar. Despite being called Asturias-which is the name of a northern region of Spain the piece powerfully evokes the distinctive flamenco, or gypsy, music of Andalusia, the southernmost region of the country.  Written while he was living outside his homeland, it was intended to conjure the Alhambra, the palace and fortress of the Moorish, monarchs of Granada. The composition has two main melodies. First comes a determined, driving theme that builds in energy. A more melancholy middle section follows. After the contemplative middle section, the opening melody returns and brings the piece to its conclusion.