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Concert Band - Digital Download SKU: AX.00-PC-0014377_TB1 Tuba. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_TB1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
Broken Bow: Tuba
Orchestre d'harmonie

$3.00 2.81 € Orchestre d'harmonie PDF SheetMusicPlus

Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.877820 Composed by Deborah Johnson. Contemporary,Film/TV,Multicultural,New Age,World. 23 pages. Deborah Johnson #33177. Published by Deborah Johnson (A0.877820). Times Five instrumental solo score, written for a C instrument, violin, flute or other, offers a captivating and melodious solo skillfully arranged at a medium intermediate level. Featured in the Wayfarer’s Journey album by Deborah Johnson, this composition introduces new classically-inspired piano and instrumental solos. Reminiscent of a Bartók composition, Times Five evokes a similar musical ambiance, showcasing an intricate and dynamic melody. Tailored for special occasions and events, Times Five instrumental solo score includes a total of 23 pages, including score, separate parts and cover. Parts include: Instrumental (flute) solo; Instrumental (flute) bkg; Vocal bks (1-3 part male); Piano accompaniment. Piano accompaniment includes guitar chords. It’s characterized by its unique 5/4 time signature, belonging to the quintuple meter—rare in European concert music before the 20th century but more prevalent in various world cultures. The 5/4 time signature of Times Five embodies a division of beats as 3+2, creating a distinctive rhythmic pattern (1-2-3,1-2, with accents on the 1), characteristic of compound meters. Understanding and identifying this metrical pattern within the bars enriches the appreciation of the piece's rhythmic complexity. This unique time signature adds depth and richness to the composition, offering a captivating musical experience ideal for diverse special occasions. Spotify link for MP3 download with flute solo: https://open.spotify.com/track/4zZYeTb7O5ir5jm7ZkAC3Y Also available is the instrumental solo score version with parts, the piano solo version and full book of piano solos from Wayfarer’s Journey. Album released June 1, signed copies at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: David Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
Times Five Inst. Solo Score

$6.99 6.54 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1205869 By Brian Harris. By Wolfgang Amadeus Mozart. Arranged by Brian Harris. Classical,Traditional. Score and Parts. 10 pages. Bandroom.com Publications #804059. Published by Bandroom.com Publications (A0.1205869). ___________________________________________________ Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4) Sinfonie in g K. 183 (K.6: 173 dB)Works with Barenreiter and other editions.These transposed parts have prevalent measure numbers, but the rehearsal letters (taken from the Barenreiter Urtext) might be in different locations in other editions. These are not edited parts, but are simply transposed into F from the publisher's original printing.Recently performed in concert, the parts have been highly proofed and edited for clarity and accuracy.Comment: Having both paired parts on a single staff (1st/2nd Horn; 3rd/4th Horn) can help with balance issues by allowing certain notes to be played by only one player; this is especially true for certain high notes in the 1st/2nd parts..Original keys:Mov. 1 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 2 - Horn 1 & 2 in Es (E-flat); Horn 3 & 4 - tacetMov. 3 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 4 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in G_______________________________________________.
Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4)
Orchestre
Brian Harris
$7.00 6.55 € Orchestre PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for Oboe & Piano
Hautbois, Piano (duo)

$32.95 30.81 € Hautbois, Piano (duo) PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548475 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386527. Published by jmsgu3 (A0.548475). Traditional Christmas song arranged for Bb Clarinet & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther.   Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
Away In A Manger: for Clarinet & Piano
Clarinette et Piano
the 1880’s the cradle song was being performed in church
$24.95 23.33 € Clarinette et Piano PDF SheetMusicPlus

Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th.  Though others think it was written by the Cistercian monks.   King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.  Register for free lifetime updates and revisions at www.jamesguthrie.com
O Come All Ye Faithful for Cello & Piano
Violoncelle, Piano

$24.95 23.33 € Violoncelle, Piano PDF SheetMusicPlus

Chorus - Digital Download SKU: AX.00-PO-0001015 Over the Rainbow - SSAB, opt. a cappella. Composed by Harold Arlen. Arranged by Andy Beck. Choral. 18 pages. Alfred Music - Digital Sheet Music #00-PO-0001015. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001015). UPC: 038081398235. E. Y. Harburg.Israel Kamakawiwo'ole's Hawaiian-style Over the Rainbow has become a prevalent part of today's popular music. Performed in Glee's first season finale by Matthew Morrison and Mark Salling, the unique setting has been sung by several American Idol contestants and featured in many TV shows and movies. In this creative arrangement, a divisi choir accompanies the soloist, duet, or small group, performing a cappella or with optional piano, ukulele, or guitar.A cappella; Recorded Acc. Available.
Over the Rainbow
Chorale 3 parties

$2.25 2.1 € Chorale 3 parties PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1306695 By GRIGORY SOKOLOV. By J. P. Rameau. Baroque. Score. 3 pages. Polly #896024. Published by Polly (A0.1306695). Les Sauvages is a famous harpsichord piece composed by the French composer Jean-Philippe Rameau. It is part of Rameau's suite of keyboard pieces titled Nouvelles Suites de Pièces de Clavecin (New Suites of Harpsichord Pieces), which he composed in the early 18th century. Les Sauvages is the closing piece of the suite titled Suite in G major.This composition is renowned for its lively and spirited character. It reflects the fascination with the exotic and the savage that was a prevalent theme in European art and music during the 18th century. Les Sauvages is known for its energetic and rhythmic qualities, featuring rapid and repetitive musical figures that evoke a sense of wild and primal dancing.Rameau's Les Sauvages remains a popular and frequently performed piece in the harpsichord and classical music repertoire. Its lively and exuberant character makes it a favorite choice for harpsichordists and audiences alike, and it provides a glimpse into the musical tastes and styles of the Baroque era.
J. P. RAMEAU - "LES SAUVAGES"
Piano seul
GRIGORY SOKOLOV
$1.99 1.86 € Piano seul PDF SheetMusicPlus

Steel Pan - Level 4 - Digital Download SKU: A0.1231170 Composed by Johann Sebastian Bach. Arranged by Michelle Rudder. Classical,Contemporary,Multicultural,World. 88 pages. Michelle Rudder #826716. Published by Michelle Rudder (A0.1231170). This arrangement of J.S. Bach's Orchestral Suite in D Major: Air (Air on a G String) for steel orchestra (steelband) has been entitled “Wine Bach,†a play on the term “wine back†that refers to a form of dancing native to Trinidad and Tobago called wining. The wine is danced to calypso and soca music and is very prevalent during the Carnival festivities. The term to “wine back†is to perform this dance with one’s back to one’s dance partner. The name “Wine Bach†celebrates the blend of Bach’s music with calypso rhythms played by the steel orchestra, in a way that people could dance on the streets at Carnival.
Wine Bach ("Air on a G String" arrangement for Steel Orchestra, Steelband)

$60.00 56.11 € PDF SheetMusicPlus

Brass Quintet - Level 5 - Digital Download SKU: A0.1489492 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Contest,Festival,Multicultural,World. 37 pages. Https://gildedmusicpress.com/ #1066356. Published by https://gildedmusicpress.com/ (A0.1489492). Dragon’s Breath, Op. 139 for brass quintet began as a short brass quintet fanfare as a gift to celebrate Giddings Mouthpieces 20th anniversary of making stainless steel mouthpieces, on which I played for much of my Air Force career.  Ivan, the owner of Giddings Mouthpieces, was pleased with the gesture, but with the feedback that the low brass needed to have more fun.  With that feedback and some encouraging words from Esteban Batallán, the principal trumpeter of the Chicago Symphony Orchestra (CSO), I went to work on this fiery piece.The evocative title Dragon’s Breath comes from a heat treatment that Ivan Giddings uses on some of his mouthpieces.  It is a title fitting of a fiery piece!  Especially in light of my family moving to Japan during the compositional process, the title is also autobiographical with dragons being a prevalent theme throughout many Asian countries.Although trumpet parts in both B-flat and C are provided, the trumpet parts lay much more comfortably on C trumpets than on B-flat.  The technical requirements of all five parts present delightful challenges and weave a complex furor throughout the piece, even when underlying the lyrical, albeit turbulent, melodies.  Story line and imagery are left to the hearer’s imagination based on everything the title may invoke.
Dragon's Breath, Op. 139
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 23.33 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378).      The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part.     The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work.        This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.         On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
On Jordan's Stormy Banks - Flex Orchestra
Orchestre à Cordes
having one or more instruments play the melody part, and then add any other instrument on their ensemble part


    The melody part is overall the easiest or simplest part
$9.99 9.34 € Orchestre à Cordes PDF SheetMusicPlus






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