Lever Harp - Level 1 - Digital Download SKU: A0.1319575 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 248 pages. A work by Alessandro Palazzani #908133. Published by A work by Alessandro Palazzani (A0.1319575). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp VOL. 1 BASIC LEVELOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.

Lever Harp - Level 5 - Digital Download SKU: A0.1319584 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 276 pages. A work by Alessandro Palazzani #908143. Published by A work by Alessandro Palazzani (A0.1319584). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp VOL. 3 ADVANCED LEVELOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.

Digital Download SKU: HX.42485 Arranged by Phillip Keveren, Scott Krippayne, Steve Siler, Steve Siler, Tony Wood, and Tony Wood. Concert,Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #112745. Published by Hal Leonard - Digital (HX.42485).

Brass Ensemble - Level 3 - Digital Download SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3218703. Published by Lyons Music Services (A0.767281). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. There is another set of 6 forming a substantial scena which Monteverdi labelled Sestina. No 11 is a stand-alone song describing a young man, Alceo, unwilling to leave his lover (Lydia) to go on a long journey. This is much more in the character of a solo song for the tenor, with interjections from the 'chorus'. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

Marching band Aux Percussion - Level 3 - Digital Download SKU: HX.288851 By Cascada and Maggie Reilly. Arranged by Matt Conaway. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.288851).

Brass Ensemble - Level 3 - Digital Download SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons Music Services #3218673. Published by Lyons Music Services (A0.767270). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first of these is Lasciatemi morire which translates as Let me die or, perhaps, Leave me to die. There is almost a conversation between two groups of voices, with the tenor leading one group and the Cantus leading the other. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons Music Services #3218731. Published by Lyons Music Services (A0.767283). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first song is Lasciatemi morire - Let me die. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).

Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767280 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons Music Services #3218709. Published by Lyons Music Services (A0.767280). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna and there is a second named group Sestina. This song, No 12, translates as Betty, who cried, was imprisoned by Chloris the shepherd while he hunted a deer. Needless to say, it was for romantic reasons! As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218691. Published by Lyons Music Services (A0.767276). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song immediately precedes Sestina and is another wooing song to a girl named Florida. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons Music Services #3218685. Published by Lyons Music Services (A0.767274). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Song number 5 sits between Lamento della Ninfa and Sestina as a stand-alone song. Zephyrs turn and bring good weather A zephyr is a kind of fickle wind that can bring clouds or sunshine. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.

By The Airborne Toxic Event. Arranged by Paul Trapkus. Score, Set of Parts. 40 pages. Published by Paul Trapkus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1405388 By The Beatles. By John Lennon and Paul McCartney. Arranged by Danut Muresan. Contemporary,Pop,Singer/Songwriter,Standards,Wedding. 2 pages. Sunset Strings, Inc. #988434. Published by Sunset Strings, Inc. (A0.1405388). Introducing Here, There, Everywhere – A Versatile Masterpiece for String Quartet and BeyondElevate your repertoire with Here, There, Everywhere, a sublime arrangement exclusively crafted for string quartet, yet ingeniously adaptable for trio, duo, and solo violin performances. This piece is a quintessence of versatility and beauty, designed for professional musicians aiming to enrich their offerings for weddings and special events.Key Features:Compact and Intuitive: Streamlined for ease of sight-reading, this arrangement ensures a seamless integration into your performance schedule, making it perfect for events with tight preparation timelines.Flexible Configuration: Whether you're performing as a quartet, trio, duo, or solo violinist, Here, There, Everywhere transitions smoothly between formats, maintaining its captivating essence across all variations.Wedding and Event Ready: Tailored to the nuanced demands of weddings and special occasions, this piece adds a touch of elegance and sophistication, resonating with audiences and creating memorable moments.Engaging for All Music Lovers: Crafted to appeal to a broad spectrum of musical tastes, this arrangement promises to enchant not only the musicians who play it but also the diverse audiences who hear it.Professionally Crafted for Professional Use:Meticulously arranged with the professional musician in mind, Here, There, Everywhere balances artistic depth with practicality, ensuring an enriching experience for both performer and listener. Its adaptability across different ensemble sizes without compromising on musical integrity makes it a unique addition to any music lover's collection.Bring Here, There, Everywhere to Your Next Event:Whether it's the magical ambiance of a wedding, the formal elegance of a corporate event, or the intimate setting of a private gathering, Here, There, Everywhere promises to be a piece that musicians will return to time and again.Dive into the beauty and versatility of Here, There, Everywhere – a piece where every note speaks of love, joy, and the timeless journey of music. Available now on arrangeme.com for string quartets and adaptable ensembles, ready to enrich your musical voyage and captivate any audience.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3218681. Published by Lyons Music Services (A0.767272). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This third song of Arianna's Lament is about a loss of belief or trust in one's lover. (TBH, I wouldn't trust him either!) As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.