Piano Solo - Level 2 - Digital Download SKU: A0.1411184 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #993520. Published by Damien Gauci (A0.1411184). In 'Afternoon,' I strive to encapsulate the laid-back ambiance of a lazy afternoon while maintaining a sense of continual movement throughout the piece. The harmonies and chords gracefully ebb and flow, mirroring the relaxed yet ever-changing nature of the afternoon. Opening with a gentle Oom-pah rhythm in the left hand, the melody unfolds leisurely above, creating a serene atmosphere. Harmonically, I utilise cyclical progressions, adding to the music's fluidity and sense of perpetual motion.Structurally, the composition unfolds gradually, beginning with a peaceful introduction that sets the tone for the rest of the piece. As the melody evolves slowly over time, listeners are invited to immerse themselves in the tranquil scene, savouring each moment of the afternoon's tranquillity.

Interactive Download SKU: HX.453677 Composed by Phillip Keveren. This edition: Interactive Download. Classical. Piano Solo. 1 pages. Published by Hal Leonard - Digital (HX.453677).

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.

Harp - Level 2 - Digital Download SKU: A0.779574 Composed by Traditional. Arranged by Kim Kirkman. Concert,World. Score. 2 pages. Kim Kirkman #5330705. Published by Kim Kirkman (A0.779574). Carnival of Venice, a traditional Venetian melody, arranged for solo harpIn C major (no levers required)I was inspired to do an arrangement after watching the amazing harpist Xavier de Maistre play his (really difficult) version of this piece.Has chords.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.566025 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Timothy Allen. Film/TV,Rock. Octavo. 9 pages. Timothy Allen Music Ltd #175426. Published by Timothy Allen Music Ltd (A0.566025). After spending a record-breaking 16 weeks at Number 1 in the UK music charts, this song is surely well-known by anyone around in the early 90s. This arrangement for SATB choir has proved a real hit too, even converting some singers who were definitely not a fan of the original to liking the song. It's a beautiful, well-crafted love song, and this arrangement has lots of moments that feature each voice part in the choir. Starting with just the basses, every part gets their moment in the spotlight! The backing track and rehearsal tracks are available - contact the arranger via www.timothyallenmusic.co.uk.

String Orchestra - Level 1 - Digital Download SKU: A0.1080097 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Matt Arnett. Pop. Score and parts. 10 pages. Matt Arnett Music #684309. Published by Matt Arnett Music (A0.1080097). This is a heavily simplified arrangement of this song that is doable at the end of the first year. Even with simplification, the melody - which everyone plays unison at the beginning - will be the most difficult part. Take time with it, break it down, and help them get used to those rests. After that, there are three sections that I have labeled in the score that are either harmony or melody. Each instrument plays each of these parts at some point in the piece, but not at the same time. This makes rehearsing and learning the harmony together easy! Obviously, you should put the title of some other piece in your program and Rick Roll your audience - I introduced this piece as Symphony in G by Mozart. This is a really fun way to open a concert.

String Orchestra - Level 3 - Digital Download SKU: A0.908691 Composed by Mark D Hettle. Romantic Period. Score and parts. 10 pages. Goomba Publishing Company (GPC) #6307317. Published by Goomba Publishing Company (GPC) (A0.908691). Chanson For a Gloomy Afternoon is a slow (mm-60) melancholy composition written for an intermediate string orchestra. Written in the key of B minor, a somewhat somber mood is achieved. Care must be taken to articulate the eighth note triplets, and the sixteenth notes accurately. However, at the slow tempo indicated they should not pose a problem. I hope you enjoy rehearsing and performing my composition. Thank you!

Easy Piano - Level 2 - Digital Download SKU: A0.914297 Composed by Laurie Jeanne Crockett. 20th Century,Concert,New Age. Score. 1 pages. Laurie Crockett #6535021. Published by Laurie Crockett (A0.914297). Sunday Afternoon Drive - Ambient Piano SoloTender and relaxing, this original ambient piano solo is composed at the early intermediate level to make it as relaxing to play as it is to listen to.Laurie Jeanne (ASCAP) is the two time recipient of the Individual Artist Grant, awarded by the Central New York Arts Council, and is a regular contributor to the online music library Pond5. She can also be heard on Spotify where you can check out her relaxing piano CD A Simple Life and her Christmas CD, Christmas Past Christmas Present, an arrangement for piano and voice of traditional European carols such as Sans Day Carol and Coventry Carol, including several original Christmas songs. Sheet music is also available on SMP for all titles on both albums.To learn more about Laurie Jeanne and her music, please visit her website, lauriejeanne.com or her YouYube channel, Lauriejeanne Composer.You can also follow her on Spotify under the artist Laurie Jeanne.

Piano Solo - Level 4 - Digital Download SKU: A0.1171939 By Carlo Moldez. By Carlo Moldez. Arranged by Carlo Moldez. Classical,Contemporary,Film/TV,Religious,Romantic Period. Score. 8 pages. Carlo Moldez #772222. Published by Carlo Moldez (A0.1171939). Dapit Hapon (Late Afternoon) is a piano solo original composition that paints a scenery of a certain place during late afternoon. A melancholic tune. It is technically challenging yet rewarding. It is guaranteed that every serious pianist or piano enthusiast will surely enjoy.

Ob. Pft. - Intermediate - Digital Download SKU: F2.FM534 Composed by Cormac Dorrian. Oboe and Piano. Score and Part. 11 pages. Forton Music - Digital #FM534. Published by Forton Music - Digital (F2.FM534). ISBN 9790570484331.A lovely, melodic tune over rich, tonal chords opens this piece. The central section becomes a little more agitated, before the opening tunes return to bring the piece to a calm conclusion. This piece was written for my partner and myself to play. The reason I titled it 'Next Sunday Afternoon' was that her response every time I suggested we play something together was 'Not right now - how about next Sunday afternoon?'. For obvious reasons, this is dedicated to her.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767239 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3103791. Published by Lyons Music Services (A0.767239). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.Era l'anima mia It was my soul, taken at last is another song about separating after love-making.

Small Ensemble Bass Guitar,Piano - Level 2 - Digital Download SKU: A0.809389 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Unimusic Group. Dance,Disco. Score and parts. 10 pages. Unimusic Academy (Academia Unimusica) #5776705. Published by Unimusic Academy (Academia Unimusica) (A0.809389). How Deep Is Your Love is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 (becoming the first of six consecutive US number-one hits), ended the 10-week reign of Debby Boone's You Light Up My Life and stayed in the Top 10 for a then-record 17 weeks. This record would hold for fifteen years, until it was broken by End of the Road by Boyz II Men. This song spent 19 weeks in the top-ten after the introduction of Nielsen Soundscan in 1991 allowed singles to achieve longer runs on the charts. How Deep Is Your Love is the Bee Gees' signature song. It spent six weeks atop the US adult contemporary chart. It is listed at number 22 on the 55th anniversary edition of Billboard's All Time Top 100.[1] Alongside Stayin' Alive and Night Fever, it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching number-one on the UK Singles Chart for three weeks.[2]

Harp - Digital Download SKU: A0.1058936 Composed by Cindy Blevins. Contemporary,Instructional. Full Performance. Duration 56. Cindy Blevins #3124889. Published by Cindy Blevins (A0.1058936). This mp3 was recorded playing my Blevins harp. This song is from my book 50 Progressive Short Solos (for lever or pedal harp). You can purchase the eBook here on Sheet Music Plus, Item No. S0.246505. The 50 songs are not available separately as sheet music, just as recordings.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.730182 Composed by James Nathaniel Holland. 20th Century,A Cappella,Concert,Contemporary,Romantic Period. Octavo. 5 pages. James Nathaniel Holland #119373. Published by James Nathaniel Holland (A0.730182). Late in the Afternoon Madrigal for SATB Choir Taken from the song cycle, A Tale in the Day of Heartbreak Words and Music by James Nathaniel Holland Duration: 1' 43 Acceptance of love that never really was is the theme of this melancholy, beautiful piece for a cappella SATB. Piano reduction for rehearsal included.

C Instrument - Level 3 - Digital Download SKU: A0.1303235 By James Ingram. By David Babyface Foster, Jeremy Michael Lubbock, and Paul Gordon. Arranged by Popnroll 1976. 20th Century,Pop. Lead Sheet / Fake Book. 2 pages. Popnroll 1976 #892835. Published by Popnroll 1976 (A0.1303235). Whatever We Imagine - David Foster (Lead Sheet/Rhodes Intro)This is a lead sheet (with electric piano intro) for Whatever We Imagine, the opening instrumental from the 1985 leader album by the great American producer David Foster.PDF format, 2 pages.Composed by David Foster, Paul Gordon and Jeremy Lubbock[Song description].The introduction is a Rhodes electronic piano solo by Jeremy Lubbock, which is a perfect and chic introduction to the song.After the drums begin to fade in, the piano theme appears.In the chorus part, the synthesizer and brass are in unison, and the latter half of the song is modulated to minor third degree (Ab to B), and it is slowly carried to the ending with a sense of exuberance.The original sound source fades out, but this score ends with a Bmaj7 whole note at the end.The bass playing pattern is based on quarter note + eighth note + quarter note + eighth note throughout the entire piece.