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Large Ensemble Clarinet,Flute,Soprano voice,Trombone,Trumpet,Violin - Level 3 - Digital Download SKU: A0.844470 Composed by Adolphe-Charles Adam. Arranged by Phil Beaman. Christmas,Romantic Period,Sacred. Score and parts. 41 pages. Phil Beaman #3395635. Published by Phil Beaman (A0.844470). A setting of O Holy Night, the beloved 1847 Christmas classic. This arrangement was commissioned for a particular group which explains the slightly unusual instrumentation of 4 Violins, 1 Flute, 1 Clarinet, 1 Trumpet, and 1 Trombone. Also by request, it is in the Key of Eb for High Voice.The voice part is unchanged from the traditional versions and by common custom just uses verses 1 and 3. The instrument parts are closely based on the original accompaniment but creatively express the arc of the text. It can go from violin duet to full ensemble and everything in between depending on the mood of the current lyric. Tremelos and trills are added when drama and tension are needed, sweeping runs for climaxes, spiccato technique for he shall break the chains, and so forth. As is my trademark, there is rhythmic interplay between instruments and subtle polyrhythms.Written as an accessible piece for an Intermediate group. A perfect addition to any Christmas program because O Holy Night is a 'must have' tradition and this dramatic and expressive version will please any crowd.(21 page conductor score; parts, 1-3 pages each; 41 pages total)A temporary MIDI recording to give you a general idea of the score. A live performance would be far more expressive.
O Holy Night - Soprano, Orchestra

$19.00 16.37 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫  I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind   Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow   In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken   Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat   But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory   I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
CASSANDRA'S VISION
Violon et Piano

$5.00 4.31 € Violon et Piano PDF SheetMusicPlus

Large Ensemble Clarinet,Flute,Soprano voice,Trombone,Trumpet,Violin - Level 3 - Digital Download SKU: A0.844471 Composed by Adolphe-Charles Adam. Arranged by Phil Beaman. Christmas,Romantic Period,Sacred. Score and parts. 42 pages. Phil Beaman #3406761. Published by Phil Beaman (A0.844471). A setting of the beloved 1847 Christmas classic Cantique de Noel, originally in French, then translated to English as O Holy Night, and here presented in Spanish as Santa la Noche. This arrangement was commissioned for a particular group which explains the slightly unusual instrumentation of 4 Violins, 1 Flute, 1 Clarinet, 1 Trumpet, and 1 Trombone. Also by request, it is in the Key of Eb for High Voice.The traditional voice part has only subtle changes in rhythm to accommodate the natural flow of the Spanish text and by common custom just uses verses 1 and 3. The instrument parts are closely based on the original accompaniment but creatively express the arc of the text. It can go from violin duet to full ensemble and everything in between depending on the mood of the current lyric. Tremelos and trills are added when drama and tension are needed, sweeping runs for climaxes, spiccato technique, and so forth. As is my trademark, there is rhythmic interplay between instruments and subtle polyrhythms.Written as an accessible piece for an Intermediate group. A perfect addition to any Christmas program because Santa la Noche is a 'must have' tradition and this dramatic and expressive version will please any crowd.(21 page conductor score; parts, 1-3 pages each; 41 pages total)Temporary MIDI recording to give a general idea of the score. A live performance will be much more expressive.
Santa la Noche - solista con orquesta

$19.00 16.37 € PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download SKU: A0.1452605 Composed by Michael Davis. 21st Century,Classical. Score and part. 25 pages. Michael Davis Music #1031910. Published by Michael Davis Music (A0.1452605). Harley Moon’s Spring (2024) for flute and piano by Michael Davis.About the piece: My wife and I have the best herd of equines, and no, I am not biased. Spending time with them in their pasture during the spring when everything is blooming is like entering a magical wonderland away from the stresses of daily life. Our miniature horse, Harley (affectionately called Harley Moon), loves frolicking in the tall grass and flowers in the pasture. Harley Moon’s Spring is inspired by his daily frolic. About the composer: Michael Davis is an educator, performer, and composer specializing in classical saxophone. They earned saxophone performance degrees from the University of Iowa (BM) and the University of North Texas (MM, DMA). They are committed to collaborating with and promoting people from historically underrepresented groups, with a particular focus on LGBTQ individuals.
Harley Moon's Spring
Flûte traversière et Piano

$15.00 12.93 € Flûte traversière et Piano PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.938021 Composed by Liz Nedela. 20th Century,Children,Contest,Festival,Instructional. Score. 8 pages. Liz Nedela #6479505. Published by Liz Nedela (A0.938021). This Piano Solo was requested by 6 year old Lucas, who is in Level 2 piano. He loves anything and everything to do with Ninjas! His hobbies are Minecraft, Lego, Ninjago, Chima, How to be a Ninja, and Pokemon. Lucas has two favorite chords: F# major and minor, and he likes to play both hands together. He also likes to play fast, and to have dynamics like forte-piano-forte. This piece is built on F# major and minor, with added diminished. This is part of a collaboration between composers and students. It is a project of the Oregon Music Teachers Association and the Cascadia Composers chapter of NACUSA (National Association of Composers USA). The annual concert, titled In Good Hands, features original compositions that are chosen by OMTA teachers for their students. In 2021, the project includes individualized collaboration where composers wrote for specific students. The composers met with the students, and together they decided on a composition written according to the requests of the student. 
Battle of the Overlord
Piano seul

$5.50 4.74 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1164828 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Thomas Gunther. Film/TV,Jazz,Standards. Score. 3 pages. Thomas Gunther Music Productions #765152. Published by Thomas Gunther Music Productions (A0.1164828). This is my (Thomas Gunther’s) Solo Piano Arrangement of Over The Rainbow. (Also see PopJazzKeys.com/Over-The-Rainbow).I believe the arrangement is suited for intermediate to advanced players. There are different technically demanding elements to it, from polyphony (which require great finger independence), to the techniques associated with the Romantic period (like the ability to work the sustain pedal, arpeggios, and playing thick chords). The video below shows me performing it (with close-up of hands and sheet music), followed by important practice tips!) WHO IS IT FOR?I think classical and jazz pianists will both love it for different reasons. Classical musicians might like to play something more contemporary with a jazzy touch. And jazz musicians might like to studying it for inspiration, or to improve their sight reading and technical skills, or simply because they love it.ABOUT THE SONG Over The Rainbow is one of my favorite classic jazz standards. Most of you might know it from the classic movie The Wizard Of Oz, for which it was actually composed (and sung by Judy Garland).I love everything about this song, it’s melody (which is so cleverly based on a descending diatonic stepwise motion during the [A] section), the harmony, and of course the lyrics that inspire us to believe there might actually be more to life than what we are experiencing day in and day out, well worth dreaming about and searching for.ABOUT THE IMPORTANCE OF LYRICSTo me it is important to study the lyrics of a song before I start arranging it. The lyrics guide me in my search for how I want the arrangement to impact the listener emotionally. 
Over The Rainbow
Piano seul
Judy Garland
$4.99 4.3 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871). 2017 Holiday Contest EntryASK AT WIND OF ME   If it will touch you The breeze of summer that It ends and goes away And leave it inside you Melancholy Ask at wind of me Ask at wind of me     If you will walk Between the anonymous crowd of this city And you seem to notice me You'll miss a beat Ask the wind if you want Remember us   Ask him where I live and if I keep my smile Ask the wind if I understand everything I've lost Of the open-air nights Pray and hope for the best for you Ask at wind of me the   Ask at  wind if I could make peace with the past Ask him if I realized that my dream so wrapped up He will talk about time When I looked so much like you You will listen to it And you will understand   Even mud does not hide the glow Of bright stars It does not cover the flare Remember your name is sun rising and as a phoenix you have a thousand resources   It was January, but there was sun, and it was Sunday, special day That's why you were born with the fire inside To melt the ice, it's your sixth sense   Crow that flies, bad  omen We in our body, an eternal discomfort You look in the mirror and you find yourself beautiful You are how I see you, there is light shining   If you do not find the person who looks like you in the world And you will only fool yourself In unnecessary research Because you're unique Do not let them ever change Awesome as you are   And you do not have to be satisfied The semblance of a love You're a ray of sunshine Always look for his heat If no one can understand That thin sorrow Look for me Ask at wind of me   Reminding me hurt you Try to forget If my name makes you suffer Try to let me go But if in a corner of the heart Allow  me to  stay I'll be with you in the wind ...   I'm the wind that laughs It wraps you up until the summer returns ...                                                                                                 Monica Bergo
Chiedi al vento di me
Piano seul

$3.99 3.44 € Piano seul PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.890617 Composed by Traditional. Arranged by Stan Swim. Christmas,Concert,Instructional. Score. 2 pages. Stanford Swim #5373029. Published by Stanford Swim (A0.890617). My kids love Deck the Halls, and this duet was written for one of my sons when he had taken a few months of lessons, and  he wanted something fun to play for Christmas.  The top part is a basic octave pattern and uses the regular melody for everything except the ending.  The bottom part is built on C-major scales and Hanon-syle technique figures.  For the ending, the top part player descends the keyboard (and slides down the bench) while the bottom part gets up and moves to the top of the bench.  It's simple to learn and a lot of fun to play!
Deck the Halls (Easy Piano Duet)
Piano Facile

$2.95 2.54 € Piano Facile PDF SheetMusicPlus

Xylophone Solo - Level 3 - Digital Download SKU: A0.596588 Composed by Juan María Solare. 20th Century,Contemporary,Graduation. 7 pages. Juan Maria Solare #5719151. Published by Juan Maria Solare (A0.596588). Juan María Solare: Post this and neo that  a meta-toccata for solo xylophone    Post this and neo that means, in this piece, the coexistence of different musical languages and techniques, such as toccata, blues, baroque or atonal (twelve-tone harmonic fields) – and everything with a tango nuevo flair.  Sometimes, this term is slightly pejorative and usually heard when conservative concert-goers and true-music lovers grumble about the proliferation of superfluous aesthetic movements with prefixes such as post- or neo-, or suffixes such as -ism or -ologie. Choosing this expression as title is actually an irony at both (conservatism and pluralism) and as such mainly a general mockery at the urge of putting labels (possibly in order to sell better).  If you analyze carefully, you will find styles and devices such as post-Prokofiev, meta-tango, neo-renaissance, nano-variations, turbo-harmony, ultra-melodism and hyper-rhythmic in this piece of crypto-music. If you analyze even more carefully you will find nearly everything. And if you omni-analyze it, you will find the supra-truth.  Anyway, what I found is eight times the same structure: A A B A (whereby B is an integrated contrast); the macro form also follows this idea of two similar statements, one quite different, reappearance of the first statement varied but recognizable.  Post this and neo that for xylophone was composed in Bremen (Germany) on February 5th and 6th, 2014, encouraged by a call for works made by Samuel Stokes. The piece was selected on that call for works (6 pieces among 33), recorded by Samuel Stokes and offered at his homepage: http://www.samuelstokesmusic.com/xylophone.html  Juan María Solare   www.JuanMariaSolare.com     Alternative spelling: Post-this and neo-that Official title in German: Post dies und Neo das Official title in Spanish: Post esto y neo aquello     ISWC (International Standard Musical Work Code): T-803.342.175-0 Datenbankwerknummer (GEMA): 14269626
Post this and neo that [xylophone solo]
Xylophone

$3.50 3.02 € Xylophone PDF SheetMusicPlus


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