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Piano Solo - Level 3 - Digital Download SKU: A0.790129 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664627. Published by Diamond S Music (A0.790129). 2-Part Invention No. 8 in F major by J.S. BACH, BWV 779 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion.  Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
2-Part Invention No. 8 in F major by J.S. BACH, BWV 779 for Solo Piano
Piano seul

$2.99 2.55 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 16 in G# Minor Phrygian
Piano seul
Brian Golden
$5.99 5.1 € Piano seul PDF SheetMusicPlus

Guitar - Intermediate - Digital Download SKU: M0.20608MEB Composed by Mike Christiansen. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20608MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20608MEB). ISBN 9781619115569. 8.75x11.75 inches.This book contains the elements necessary to learn to play authentic bossa nova and samba accompaniment patterns. The material is presented in a sequential easy-to-follow format. As well as accompaniment techniques, the book contains sections on chord voicings, common progressions, and playing bossa nova and samba solos. The student is taught how to apply the techniques to sheet music and lead sheets. All of the examples are demonstrated on the accompanying online audio.
Bossa Nova and Samba for Guitar

$14.99 12.76 € PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.744299 Arranged by Miriam Troxler. Christian,Christmas,Concert,Sacred,Spiritual. Score and parts. 14 pages. Miriam Troxler #6210829. Published by Miriam Troxler (A0.744299). Five Christmas Carols with narration. Both parts get the melody. Contains O Little Town of Bethlehem, Away in a Manger, While Shepherds Watch Their Flocks, Hark! The Herald Angels Sing and Joy to the World. Can be used in combination with the red, orange, yellow, green and blue piano sets to tell the Christmas story with students or family members at different ability levels.Video examples are available at https://miriamtroxler.com/traditional-christmas-carols-playlists/
Traditional Christmas Carols for Two String Instruments: Violin and Cello
Violon, Violoncelle (duo)

$4.99 4.25 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet

$5.00 4.26 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
Quatuor de Saxophones: 4 saxophones

$12.50 10.64 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 20 in F# MInor Aolian
Piano seul
Brian Golden
$5.99 5.1 € Piano seul PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.1487434 By Perry Como. By Al Stillman and Robert Allen. Arranged by John Fries. 20th Century,Christmas,Holiday,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #1064381. Published by John Fries (A0.1487434). TYPE JOHN FRIES IN THE SEAQRCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. (There's No Place Like) Home for the Holidays is a 1954 song commonly associated with the Christmas and holiday season. The lyrics detail the joys of being in your home community during the holidays and give examples of how some people will travel long distances to be with their loved ones. The music was composed by Robert Allen, with the lyrics written by Al Stillman. The best-known recordings of Home for the Holidays were made by Perry Como, who recorded the song twice, both times accompanied by Mitchell Ayres' Orchestra and the Ray Charles Singers. Perhaps the most iconic version of the song, other than the original Perry Como version, is the Carpenters’ recording on their 1984 LP release, An Old Fashioned Christmas.
(There's No Place Like) Home For The Holidays
Instruments en Do
Perry Como
$3.99 3.4 € Instruments en Do PDF SheetMusicPlus

String Orchestra - Digital Download SKU: AX.00-PC-0016376_VC1 Cello. Composed by Richard Meyer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016376_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016376_VC1). UPC: 038081480671.The word steampunk refers to a genre of science fiction that features steam-powered machinery. Works of fiction in this style are most often set in the 19th century British Victorian era or the American Wild West. Machines and technology found in the works of Jules Verne and H.G. Wells would be good examples of steampunk-style inventions. The piece itself follows no specific narrative, but rather is meant to capture the spirit and mood of this hearty, highly imaginative, industrial-based movement. (5:00) This title is available in SmartMusic.Concert/Contest; Festival.
Steampunk: Cello
Violoncelle (partie séparée)

$5.99 5.1 € Violoncelle (partie séparée) PDF SheetMusicPlus

Piano,Trombone - Level 4 - Digital Download SKU: A0.1131518 Composed by Reynaldo Hahn. Arranged by Graham Boag. 20th Century,Chamber,Classical,Latin. Score and part. 22 pages. Graham Boag #731734. Published by Graham Boag (A0.1131518). Reynaldo Hahn (1874 – 1947) was a Venezuelan-born French composer, conductor, music critic, and singer. He is best known for his songs – mélodies – of which he wrote more than 100, mostly composed in a thirty-year period from 1888 to the end of the First World War. Following the War demand for songs with piano accompaniment diminished and he turned to other forms, composing five operas with another unfinished.        We have three examples of Hahn’s melodies spanning his career, ‘Si me vers avaient des alles’ composed in 1888 aged just14. ‘A Chloris’ (1913) and ‘Je me souviens’ (1947) which was part of his final set of ‘9 Mélodies retrouvées’. These are all lyrical and highlight Hahn' musical voice. He had great respect for both Massenet and Faure whom he considered as the master of the mélodie and both are reflected in his writing especially his earlier songs.      In this YouTube link Michael Massong plays 'A Chloris'.
Three Hahn Songs for Trombone & Piano
Trombone et Piano

$15.99 13.62 € Trombone et Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.790122 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664605. Published by Diamond S Music (A0.790122). 2-Part Invention No. 1 in C major by J.S. BACH, BWV 772 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion.  Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
2-Part Invention No. 1 in C major by J.S. BACH, BWV 772 for Solo Piano
Piano seul

$2.99 2.55 € Piano seul PDF SheetMusicPlus

Guitar (rock & blues) - Beginning-Intermediate - Digital Download SKU: M0.30701MEB Composed by Sven Nier. Dirt Simple. Rock. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30701MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30701MEB). ISBN 9781619118225. 8.75x11.75 inches.This guitar method focuses on playing engaging rhythmic themes entirely on open strings. What seems at first to be a simple task quickly becomes a real challenge, requiring a high level of accuracy and an excellent sense of rhythm. While the picking hand can only play what the other hand has prepared, nothing musical will happen unless you pluck the right string. Sven Nier’s exercises and tunes offer motivating, effective training to facilitate hitting the correct string with precision, winning half the coordination battle. While the audio examples are recorded on an electric instrument, guitar teachers and beginning students in all styles will appreciate this innovative book. Includes access to outstanding play-along online audio with and without the solo part.
Dirt Simple Electric Guitar Solos on Open Strings

$9.99 8.51 € PDF SheetMusicPlus

Guitar - Beginning - Digital Download SKU: M0.21382MEB Composed by Steve Adelson. Other String Acoustic, Style. Rock & Blues. E-book and online video. Mel Bay Publications - Digital Sheet Music #21382MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21382MEB). ISBN 9781619115422. 8.75x11.75 inches.A comprehensive exploration of revolutionary Chapman Stick and it's accompanying tap techniques. A primer on theory will explain all the musical logistics enabling the student to fully gasp the concepts in this book. Mr. Chapman's unique approach to his 12 string invention will be explained by Steve Adelson in respect to chords, melody, improvisations, rhythmic capabilities, counterpoint and bass lines. Novel and standard techniques enabling the player maximum creativity will be outlined in detail with many examples in the text. All levels of playing will be considered and will be helpful for beginner, intermediate as well as advanced playing. This book will bring all these elements together, presenting a thorough study of this very new and exciting instrument. Includes access to online video.
Stickology: A Guide to Playing The Chapman Stick

$24.99 21.28 € PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.499186 Composed by James W. Knox. 20th Century,Contemporary. Octavo. 52 pages. James Knox #112657. Published by James Knox (A0.499186). Nature, in the broadest sense, is the natural, physical, material world and the universe. The word nature derived from the Latin word natura or naturae, and dates to ancient times and literally means “birthâ€. When describing nature, we often think of words such as breathtaking, majestic, beautiful, or inherent objects can leave the impression of complexion, oddly peculiar with emotions. The thoughts and images associated with nature events inspired me to create reflective choral pieces called Naturae (wild by nature). Each movement provides the listener with different moods and thoughts of isolated musical examples of untamed elements of our natural world on earth.
Naturae, Reflective Choral Pieces
Chorale SATB

$12.00 10.22 € Chorale SATB PDF SheetMusicPlus






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