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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1314757 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Chamber,Patriotic. 8 pages. RayThompsonMusic #903534. Published by RayThompsonMusic (A0.1314757). Arranged  wind quintet.I Vow to Thee, My Country is a British patriotic hymn, created in 1921, when music by Gustav Holst had a poem by Sir Cecil Spring Rice set to it. The music originated as a wordless melody, which Holst later named Thaxted, taken from the Jupiter movement of Holst's 1917 suite The Planets. The tune is used forWorld in Union – the anthem with lyrics by Charlie Skarbek, introduced at the 1991 Rugby World Cup.It has been used for many other Christian Hymns.Notable examples are:O God Beyond All Praising – Michael Perry, 1982.We Praise You and Acknowledge You, O God – a paraphrase of the Te Deum Laudamus by Stephen P. Starke in the 2006 Lutheran Service BookThe Answer – song with lyrics by Corrinne May, which appears on her fourth album, The Gift.For the Splendor of Creation – a hymn sung at Harvard Universitycommencement ceremonies.Building the Kingdom – a recessional hymn sung at St Aloysius College.O Spirit All-Embracing – Delores Dufner, 1995.This is my arrangement for wind quintet of Gustav Holst's orchestral arrangement.It has an opening section, before the melody begins.Check out my other Holst arrangements.
Holst: I Vow to Thee my Country (Thaxted) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$9.95 8.46 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.744304 Arranged by Miriam Troxler. Christian,Christmas,Concert,Sacred,Spiritual. Individual part. 12 pages. Miriam Troxler #6210961. Published by Miriam Troxler (A0.744304). Five Christmas Carols with narration. Suitable for special music in the service or recitals. Contains O Little Town of Bethlehem, Away in a Manger, While Shepherds Watch Their Flocks, Hark! The Herald Angels Sing and Joy to the World. Can be used in combination with the red, orange, yellow, green and blue piano sets to tell the Christmas story with students or family members at different ability levels. Video examples are available at https://miriamtroxler.com/traditional-christmas-carols-playlists/
Traditional Christmas Carols for Solo Cello
Violoncelle

$5.99 5.09 € Violoncelle PDF SheetMusicPlus

Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Flûte traversière et Piano

$11.55 9.82 € Flûte traversière et Piano PDF SheetMusicPlus

Violin Solo - Level 2 - Digital Download SKU: A0.845221 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. 1 pages. Phil Beaman #6372021. Published by Phil Beaman (A0.845221). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques.  Or (even for more advanced players) just for individual fun!
A Lulu of a Lullaby-violin solo
Violon

$3.99 3.39 € Violon PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.988431 Composed by Traditionals. Arranged by KlavarScore. Folk,Multicultural,World. Score. 13 pages. KlavarScore #6323855. Published by KlavarScore (A0.988431). Four Traditional Airs from Ireland and Scotland transcribed to KlavarScore. This music can be played from a tablet or e-book reader, but it is also possible to print two pages on one Letter/A4 sheet in landscape orientation. Links are in this book for free download of a version of this book in Standard Notation (for soloists), Scrolling KlavarScore files and audio examples. The Scrolling KlavarScore files can be used on a cellphone or tablet with an appropriate app. For more information about KlavarScore and Scrolling KlavarScore see http://www.klavarscore.org.
The Last Rose of Summer, Loch Lomond, Annie Laurie, Bluebells of Scotland - KlavarScore notation
Piano, Voix

$2.49 2.12 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1421754 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Funk,Jazz,Rock. Score. 2 pages. A.D.G. Productions #1003099. Published by A.D.G. Productions (A0.1421754). I have created this 12 Bar Blues progression that is one of a 100 intermediate/advanced studies in many different Blues styles having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin. These examples are from the piano instructional book 100 Ultimate 12 Bar Blues Progressions that I have authored. I have authored over 140 music books, you can check the books out at the publishers website. http://www.adgproductions.com I teach contemporary music styles with an emphasis on the blues, rock and jazz to students all over the world via skype or facetime. I can be reached at musiclessons@adgproductions.com.
12 Bar Blues Progression Exercise 3
Piano seul
Andrew D Gordon
$2.99 2.54 € Piano seul PDF SheetMusicPlus

Electric bass guitar - Beginning-Intermediate - Digital Download SKU: M0.98090BCDEB Composed by Chris Matheos. Rock & Blues. E-book and online audio. Mel Bay Publications - Digital Sheet Music #98090BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.98090BCDEB). ISBN 9781610656450. 8.75x11.75 inches.Focuses on the two most popular topics in the bass world today: slap bass and multiple-stringed basses. Covers a wide variety of slap techniques including triple pops, double pops, and individual string control. Also focuses on the music theory behind slap bass such as intervals, chords, scales, and their application. Written in standard bass clef and tablature; all examples included on the online audio      .
Slap Bass for Five & Six-String Bass
Basse electrique

$14.99 12.74 € Basse electrique PDF SheetMusicPlus

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.949150 Composed by John Maynard. Arranged by Ian D. Crew. Christmas,Classical,Concert,Renaissance,Standards. 2 pages. Grumpy Mule Music #6058745. Published by Grumpy Mule Music (A0.949150). The pastourelle/pastorale, depending on your language, harks back to the compound time folk music for bagpipes that we now associate with shepherds and the Nativity. (Two very famous examples are the 'Pifa' section in Handel's 'Messiah' and the final movement of Corelli's 'Christmas Concerto'.)  This duet in the pastoral style, based on a dance tune by the little known English composer John Maynard (c.1577 - c.1633), will enhance any Christmas worship or recital. Here is the version in G major for treble (alto) and bass recorders.
Pastourelle on 'Maynard's Almain'

$3.99 3.39 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.790136 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664649. Published by Diamond S Music (A0.790136). 2-Part Invention No. 14 in Bb major by J.S. BACH, BWV 785 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion.  Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
2-Part Invention No. 14 in Bb major by J.S. BACH, BWV 785 for Solo Piano
Piano seul

$2.99 2.54 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.984709 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Romantic Period. Score. 10 pages. Music Innovators Workshop #4357661. Published by Music Innovators Workshop (A0.984709). The great piece is notated on a key map tablature.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
Beethoven - The Smaller Rondo in C Major - (Key Map Tablature)
Piano seul

$2.00 1.7 € Piano seul PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
Orchestre de chambre
Johann Sebastian Bach
$14.99 12.74 € Orchestre de chambre PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden    The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 2 in A Minor Aolian
Piano seul
Brian Golden
$5.99 5.09 € Piano seul PDF SheetMusicPlus

Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
Ben Hur Chariot Race March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano This was to become one of many marches and parlour piano compositions by 'E
$12.00 10.2 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet

$5.00 4.25 € PDF SheetMusicPlus






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