EUROPE
441 articles
USA
1792 articles
DIGITAL
3728 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
3728 partitions trouvées


Cello Solo - Level 2 - Digital Download SKU: A0.1466001 By The Beatles. By John Lennon and Paul McCartney. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1044603. Published by MP Sheet Music (A0.1466001). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.
All My Loving
Violoncelle
The Beatles
$4.99 4.25 € Violoncelle PDF SheetMusicPlus

Trumpet Solo - Level 4 - Digital Download SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music (A0.876677). I originally composed Ping-Pong for tuba solo. The following is a trumpet transcription. Although the program note relates to the tuba version, trumpet players might find the explanation of the genesis of the music helpful.When I first spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1'25, for advanced players.
Ping-Pong for Trumpet Solo
Trompette

$20.00 17.03 € Trompette PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
Prelude 10 in F Minor Phrygian
Piano seul
Brian Golden
$5.99 5.1 € Piano seul PDF SheetMusicPlus

Trombone Solo - Level 2 - Digital Download SKU: A0.1466014 By The Beatles. By John Lennon and Paul McCartney. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1044617. Published by MP Sheet Music (A0.1466014). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.
All My Loving
Trombone
The Beatles
$4.99 4.25 € Trombone PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 5 in Bb Major Lydian
Piano seul
Brian Golden
$5.99 5.1 € Piano seul PDF SheetMusicPlus

Flute Solo - Level 3 - Digital Download SKU: A0.1196871 Composed by Chris Salerno. 20th Century,Baroque,Christian,Religious,Renaissance. Individual part. 4 pages. Chris Salerno Music #796031. Published by Chris Salerno Music (A0.1196871). Program NotesConsider The Lillies is inspired by Jesus’ sermon on the mount, specifically, His explanation of the futility of worrying. He uses two illustrations from nature, birds and flowers, as examples of living in quiet contentment. In each case, Jesus admonishes us to take a moment to either look at or consider. Both actions require us to engage in contemplation. The piece is cast loosely in the Loure dance form, with long pauses interrupting each phrase portion. The piece is an illustration of taking time to consider something in a deep and meaningful way. A technically simple tune embodies the quiet life of contented trust in God and contemplation. Consider The Lillies mimics the act of hearing an idea, then pausing to consider it. Both performer and audience are given time to contemplate the musical phrase portions during the moment of silence that follows each musical idea.Performance NotesWhen performing Consider The Lillies, approach each phrase portion as a melody in and of itself. The main tempo marking at the beginning, Adagio Rubato, allows the performer to  naturally act out the process of hearing an idea, then pausing for contemplation. Executing a strict tempo is not necessary. However, each phrase should be performed without drastic tempo changes.
Consider The Lillies
Flûte traversière

$5.00 4.26 € Flûte traversière PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.902510 By Stevie Wonder. By Stevie Wonder. Arranged by Steve Burks. Pop,Soul. Score. 7 pages. Steven L. Burks #6249377. Published by Steven L. Burks (A0.902510). This inspirational R&B piece is appropriate for tenors who are comfortable with periodic chest voice above F4, or who are able to mix registers effectively when producing the pitches F#4 and G#4. Its melodic range is from E3 to G#4. You Will Know is a good programming choice when themes of inspiration, encouragement, and spirituality are fitting. Its duration is approximately 3:20, a slight abbreviation of the original recording as ad libs have been omitted.The lyrical content is appropriate for non-adult singers; though post-pubescent singers are more likely to have success performing it due to periodic work above the break. Pedagogically, this piece affords singers an opportunity to work on breath support (due to its periodic long tones), vibrato, and grace notes (which by African American performance practice, occur frequently enough that notating them would have been impractical). In general, ornamentation is a central feature of African American singing, and the best way to absorb this style is to listen to great examples. I am a member of ASCAP. You may email me at steveburks@outlook.com. Thanks for listening.
You Will Know
Piano, Voix
Stevie Wonder
$4.99 4.25 € Piano, Voix PDF SheetMusicPlus

Instrumental Solo - Level 4 - Digital Download SKU: A0.1134110 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Individual part. 12 pages. FRC Music #734208. Published by FRC Music (A0.1134110). Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment) Optional: Flute, Oboe and Violin. This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for C instruments and Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.  advanced IntermediateFormat: Concert, 9 x 12 inches.12 pages.
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
Accompagnement Piano
Johann Sebastian Bach
$4.99 4.25 € Accompagnement Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.790130 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664623. Published by Diamond S Music (A0.790130). 2-Part Invention No. 7 in E minor by J.S. BACH, BWV 778 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion.  Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
2-Part Invention No. 7 in E minor by J.S. BACH, BWV 778 for Solo Piano
Piano seul

$2.99 2.55 € Piano seul PDF SheetMusicPlus

E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.551171 Composed by Wilhelm Friedemann Bach. Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. 24 pages. Jmsgu3 #5002643. Published by jmsgu3 (A0.551171). Duet No. 1 - F.54 Duration ca. 11:15 Contents: I. Allegro II. Larghetto III. VivaceThe history of W. F. Bach's Duets F. 54 is rooted in the 18th century and is part of a collection of six duets for two flutes, including F. 55–59. These duets are considered among the finest examples of the genre from the 18th century and are significant as they showcase the composer's talent and contribution to chamber music. The exact dates of composition for these duets are not definitively known, but there is strong evidence that the last two duets, including F. 54, were composed in the last decade of W.F. Bach's life when he lived in Berlin. The duets are characterized by refined nuances, interwoven two-part writing, and rapid outer movements, demonstrating a range of musical expression and technical proficiency. Wilhelm Friedemann Bach (1710–1784) was a German composer, organist, harpsichordist, and Johann Sebastian Bach's eldest son.
WF Bach: Duet No. 1 for Alto Clarinet Duo
2 Clarinettes (duo)

$24.95 21.24 € 2 Clarinettes (duo) PDF SheetMusicPlus

Digital Download SKU: H1.8174DP Creative Use Series, What if your art is part of a bigger picture, part of a daily grace God has in mind for someone else? -Emily P. Freeman. Creative Use Series, Congregation. General Worship. Book. 68 pages. Hope Publishing - Digital #8174DP. Published by Hope Publishing - Digital (H1.8174DP). Hal H. Hopson.Guide to improving congregational hymn singing The congregation plays an integral part in the worship service and this book from the pen of Hal Hopson, will help you encourage and improve their participation in hymnsinging. The congregation plays an integral part in the worship service and this book from the pen of Hal Hopson, will help you encourage and improve their participation in hymnsinging. Perfect for musicians, choir directors, pastors, and worship or music committees, it is a practical guide of ideas and examples. Similar to the Creative Use... series, areas covered in this book include: nurturing the congregation, selection of hymns, the use of hymns in worship services, children and hymns, and the use of: choir, organ, instruments and handbells in hymnsinging. It's an invaluable resource that should be in every church library!.
100+ Ways to Improve Hymnsinging-Digital Download

$26.95 22.95 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.845588 Composed by Sir Arthur Seymour Sullivan. Arranged by Robert Newth. Broadway,Film/TV,Musical/Show,Opera. 16 pages. Robert Newth #3519261. Published by Robert Newth (A0.845588). It Really Doesn't Matter, or 'The Matter Trio', from Gilbert and Sullivan's comic opera Ruddigore, is one of the classic examples of patter songs, where the singer almost 'speaks' the complicated words out at incredible pace. This song was also featured in the movie version of The Pirates of Penzance, although it does not feature in the original show.This arrangement for woodwind quintet features Clarinet in A, to save the player from having to read in six sharps! The PDF download includes a full score and all five parts: Flute, Oboe, Clarinet in A, Horn in F, and Bassoon.https://www.youtube.com/watch?v=GjXzCd_TiSc
It Really Doesn't Matter (from Gilbert & Sullivan's Ruddigore) for Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$8.99 7.65 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale