Cello Solo - Level 2 - Digital Download SKU: A0.845220 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6372005. Published by Phil Beaman (A0.845220). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques.  Or (even for more advanced players) just for individual fun!

Easy Piano - Digital Download SKU: A0.984764 Composed by John M. Honeycutt. Children,Instructional. Score. 10 pages. Music Innovators Workshop #4612853. Published by Music Innovators Workshop (A0.984764). Key Maps make extensive use of functional color in various ways. This article explains these uses and illustrates them with a number of musical examples.

Piano Solo - Level 4 - Digital Download SKU: A0.1211356 By Dizzy Gillespie, Sonny Stitt, Sonny Rollins. By Dorothy Fields and Jimmy McHugh. Arranged by Satoko Tanaka. 20th Century,Broadway,Jazz,Musical/Show. Score. 6 pages. Satoko Tanaka #809022. Published by Satoko Tanaka (A0.1211356). Arranged for solo piano in a fun atmosphere. For the right hand Ad. Lib.,I wrote the left hand basiclly keeping quarter notes style.As an appendix,score with the right hand blank, and another version of the Intro&Ending examples are included for your fun.I hope you can refer to YouTube Link.Thank you.

Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784332 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288655. Published by Slide Ride (A0.784332). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Woodwind Ensemble,Woodwind Trio Bassoon,Oboe - Level 3 - Digital Download SKU: A0.837934 Composed by William Boyce. Arranged by Spence Bundy. Baroque,Concert. 25 pages. Spencer Bundy #6425455. Published by Spencer Bundy (A0.837934). From a set of twelve trio sonatas Boyce composed in the 'Italian' style. They were very popular on first publication in 1747 and will still be enjoyed today as beautiful examples of the type.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1025084 Composed by Shawn Roney. Arranged by Phyllis Hopper. 20th Century,Contemporary,Jewish,Sacred,Spiritual. Score and parts. 8 pages. Gregory Shawn Roney #5740109. Published by Gregory Shawn Roney (A0.1025084). For a Synagogue In Pittsburgh, In C Minor will touch your heart.Dedicated to the victims of the Tree of Life Synagogue tragedy of 2018, this mood piece is best suited for Jewish religious events; however, because it is an instrumental, it also is effective as a prelude piece for Christian liturgical services. A piano solo version of this was performed Oct. 27, 2019, at St. Luke's Episcopal Church in Excelsior Springs, Missouri, by the music collective Sacred & Secular before the start of the service. One congregation member, who also is a member of Sacred & Secular, was moved to tears. In terms of technical proficiency, For a Synagogue In Pittsburgh is an excellent fit for intermediate students/players and would fit best in recitals and/or concerts that include two or three other introspective-sounding pieces. More famous examples would include Debussy's Clair de Lune and Beethoven's Moonlight Sonata.Plans are underway to expand this ensemble arrangement (string quartet, offered with score and parts) to include an SATB vocal arrangement and make it available on Mo-Mutt Music's Sheet Music Plus page.

Full Orchestra Bass Clarinet Solo - Level 2 - Digital Download SKU: A0.845211 Composed by Phil Beaman. Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6371747. Published by Phil Beaman (A0.845211). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques.  Or (even for more advanced players) just for individual fun!

Solo Guitar - Level 2 - Digital Download SKU: A0.1472193 By The Beatles. By John Lennon and Paul McCartney. Arranged by Artur Freire. Country,Folk,Pop,Rock,Wedding. Individual part. 2 pages. MP Sheet Music #1049894. Published by MP Sheet Music (A0.1472193). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.

String Orchestra - Digital Download SKU: AX.00-PR-0004614 Score. Composed by Richard Meyer. Instructional. Score. 23 pages. Alfred Music - Digital Sheet Music #00-PR-0004614. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004614). UPC: 038081480671.The word steampunk refers to a genre of science fiction that features steam-powered machinery. Works of fiction in this style are most often set in the 19th century British Victorian era or the American Wild West. Machines and technology found in the works of Jules Verne and H.G. Wells would be good examples of steampunk-style inventions. The piece itself follows no specific narrative, but rather is meant to capture the spirit and mood of this hearty, highly imaginative, industrial-based movement. (5:00) This title is available in SmartMusic.Concert/Contest; Festival.

Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Trombone - Level 4 - Digital Download SKU: A0.811036 Composed by Marcello, Benedetto. Arranged by Hall, Mike. Baroque,Classical. Score and parts. 62 pages. Gordon Cherry #4729063. Published by Gordon Cherry (A0.811036). Marcello's Six Sonatas have become a mainstay of the Trombone literature. This masterful critical edition of Sonatas 4, 5 & 6 by Professor Mike Hall of Old Dominion University, includes a descriptive booklet of his own suggestions for Baroque ornamenation based on his studies of the period.  This usually dry area is brought alive by Professor Hall, with easy to use written out examples of trills, embellishments, etc.  The actual Trombone part includes an extra blank staff for the soloist's own ornamentation markings based on Professor Hall's instructions. This edition is a must for the serious performer.

Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden    The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Piano Solo - Level 1 - Digital Download SKU: A0.744290 Arranged by Miriam Troxler. Christian,Christmas,Sacred. Score. 11 pages. Miriam Troxler #6208005. Published by Miriam Troxler (A0.744290). Five Christmas Carols with narration for performance. Contains O Little Town of Bethlehem, Away in a Manger, While Shepherds Watch Their Flocks, Hark! The Herald Angels Sing and Joy to the World. Easy piano version, melody in both hands. Can be used in combination with the orange, yellow, green and blue sets to tell the Christmas story with students or family members at different ability levels. Duets available for more advanced partner at the piano. Video examples are available at https://miriamtroxler.com/traditional-christmas-carols-playlists/

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Saxophone SKU: HL.4470200 A Follow Up Course for Individual or Like-Instrument Class Instruction. Edited by Joseph E. Skornicka. Concert Band Method. Hal Leonard Instrumental Methods. Learn To Play. Instructional book. With instructional text, musical examples, standard notation and pull-out fingering chart. 48 pages. Rubank Publications #RUBL68. Published by Rubank Publications (HL.4470200). ISBN 9781423444213. UPC: 073999702002. 9x12 inches. Edited by Joseph E. Skornicka.One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.

Banjo - Beginning - Digital Download SKU: M0.93930EB Bluegrass. E-book. Mel Bay Publications - Digital Sheet Music #93930EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93930EB). ISBN 9781513455426. 8.75 x 11.75 inches.Banjo Workshop was written with four important areas of the 5-string banjo technical and artistic development in mind: picking technique, personal style, creativity, and awareness of the instrument's key and tuning potential. Picking technique-Studies in Section 1 will equip you to dissolve the inhibiting notion that some songs are unplayable on the 5-string banjo. Any song is playable if the necessary technique has been learned and developed to accommodate it. Personal style-In Section 2 you will first explore several popular 3-finger sub-styles, seeing how each evolved and how they are all often intermixed within a given performer's own personal style. Through subsequent examples you will be made aware of style potential and the artistic necessity of developing your own personal style. Creativity-Through style development and improvisational skills taught in Section 3 you will begin to think and perform less like a mechanical follower and more like an artistic ground breaker. You will learn to modify arrangements; further, you will learn to create your own arrangements. Exploration of Non-G Keys and Tunings-In Section 4 you will find that playing in keys and tunings other than G are no less fun and no more difficult than playing the familiar G (bluegrass) tuning. Six non-G tunings will be explored, involving ten solos, including major, minor and modal tunings. The overall effort is to make you aware that you don't have to be a technical whiz nor a speed king in order to be a musical artist. If you can add something new and different, something enjoyable to listen to, you are an artist even if you are not yet an advanced-level player.