Solo Guitar - Level 5 - Digital Download SKU: A0.775916 Composed by Jonathan David Barlow. Contemporary. Individual part. 16 pages. Musik Fabrik Music Publishing #2026809. Published by Musik Fabrik Music Publishing (A0.775916). The term idioglossia is used to describe invented languages and often refers to speech patterns developed by twins. Barlow’s piece is inspired by this phenomenon. The musical ideas repeat, lengthen, self-reference, and develop freely representing the composer’s perception of idioglossia from his observations of recorded examples and live exposure. This three movement concert piece includes fast passage work, interesting textures, and beautiful melodies. Although challenging, it is composed to sit well on the instrument and fingerings are included to aid the performer. Alternation between dissonant pitch clusters and lydian material is common throughout. Indeed, a general dissonant-consonant-dissonant structure is represented in each movement and across the piece as a whole. 1st movement Uproot winner in the Colorado Composers Competition.

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.631463 Composed by Lanny Wolfe. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred. 8 pages. Exultet Music #6610291. Published by Exultet Music (A0.631463). This is an alternate version for those people that have very little rehearsal time and want to sing some harmony with a song and is not complicated. The tender Christian hymn by Lanny Wolfe has been freshly arranged for two solo voices with Piano accompaniment. This arrangement is the only version that contains all of the verses and the different refrains ever used for this piece. Accessible and appropriate for any church or concert setting. Can be used on multiple occasions throughout the liturgical year. Thanksgiving and anything pertaining to the Holy Spirit are prime examples.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)

Woodwind Ensemble,Woodwind Trio Bassoon,Oboe - Level 4 - Digital Download SKU: A0.837929 Composed by William Boyce. Arranged by Spence Bundy. Baroque,Concert. 29 pages. Spencer Bundy #6424671. Published by Spencer Bundy (A0.837929). From a set of twelve trio sonatas Boyce composed in the 'Italian' style. They proved to be very popular on first publication in 1747 and will still be enjoyed today, they are beautiful examples of their type.

Trombone Solo - Level 2 - Digital Download SKU: A0.845213 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6371825. Published by Phil Beaman (A0.845213). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques.  Or (even for more advanced players) just for individual fun!

Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1083147 By Spencer Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque. 15 pages. Spencer Bundy #687375. Published by Spencer Bundy (A0.1083147). This piece is from Corelli's second set of twelve sonatas for string trio & organ. These lovely pieces are lperfect examples of their time and will be enjoyed by both the players and the audience.

Guitar (rock and blues) - Beginning-Intermediate - Digital Download SKU: M0.97821MEB Composed by Felix Schell. Blues. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97821MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97821MEB). ISBN 9781619116948. 8.75x11.75 inches.Fingerpicking Blues and Rock Guitar by Felix Schell is designed for the beginning to intermediate fingerpicking guitarist. The book has three main chapters. The first chapter depicts 12-bar blues accompaniments in different styles such as country-blues, rock, Latin, minor-blues, RandB and jazz. Also included are sections on improvising scales and intros and endings. In the 2nd chapter the student can find some original fingerpicking blues solos and in the 3rd there are rock blues solos. This material is great for guitar teachers and their students, but is also for the self-instructed guitarist who would like to become familiar with the fingerpicking blues and rock style. All examples and tunes are written in standard notation and tab and they are recorded on the companion audio. Includes access to online audio.

Woodwind Ensemble,Woodwind Trio Bassoon,Oboe - Level 3 - Digital Download SKU: A0.837930 Composed by William Boyce. Arranged by Spence Bundy. Baroque,Concert. 20 pages. Spencer Bundy #6424643. Published by Spencer Bundy (A0.837930). From a set of twelve trio sonatas Boyce composed in the 'Italian' style. They were very popular on first publication in 1747 and can still be enjoyed today as beautiful examples of their type.

Violin - Digital Download SKU: S9.Q47527 Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Schott Archive. Downloadable. Op. 12. Schott Music - Digital #Q47527. Published by Schott Music - Digital (S9.Q47527). These studies have been revised after the original editions. The author's indications of tempo or nuances are placed in parenthesis. Certain of these studies are preceded by examples demonstrating different ways of playing them. The professeur may choose amongst these the most appropriate for the work of each pupil, who should endeavour to produce in the study all the variety of tone possible. It is almost useless to say that the bowings, detached, martelé, smooth, staccato, may be executed in all parts of the bow, in employing a large of very small portion of it. Also only the most essential bowings are shown. It is quite evident that the metronomic movement indicated is at fault if the pupil executes the passage in a slower or more accelerated tempo, or again, with a different nuance. The pupil will remember also that if the little notes, dumb notes, are applied in the preparatory work, they must be perceptible only in the bar indicated by the expression of the melody. As an aid to expression, they should disappear entirely in the quick passages.

Piano Solo - Level 3 - Digital Download SKU: A0.790130 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664623. Published by Diamond S Music (A0.790130). 2-Part Invention No. 7 in E minor by J.S. BACH, BWV 778 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion.  Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

String Ensemble,String Trio Violin - Level 4 - Digital Download SKU: A0.1166348 Composed by Srirangan Iyer. Classical,Multicultural,World. Score and parts. 11 pages. Srirangan Iyer #766726. Published by Srirangan Iyer (A0.1166348). A violin trio written using inspiration from the ragas, or scales. of the South Indian Carnatic music tradition. Each new ragam is marked in the music (look for Hamsadwani, Amrithavarshini, or Harikamboji) so that the performers can look up other examples and get used to what the sound they are trying to achieve is. An Intermediate to Advanced level piece, it incorporates mixed meter, shifting, and counter-point based figures. Exploring tonalities unique to a non-Western tradition is a great way to introduce skills necessary in playing non-familiar music. This piece is a great way to start down the path of exploring the rich musical traditions from around the globe in a familiar setting for Western Classical violinists.

Cello Solo - Level 2 - Digital Download SKU: A0.1466001 By The Beatles. By John Lennon and Paul McCartney. Arranged by Leo Silva. Pop,Rock. Individual part. 2 pages. MP Sheet Music #1044603. Published by MP Sheet Music (A0.1466001). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.

Cello Duet Cello - Level 3 - Digital Download SKU: A0.532473 Composed by Traditional. Arranged by Klas Krantz. Classical,Folk. Score. 2 pages. Amadeus Music #6077517. Published by Amadeus Music (A0.532473). The origin of the tune was for a long time somewhat mysterious, as no other collector of folk tunes encountered it, and all known examples are descended from Ms. Ross’ submission to Petrie’s collection (1855). The title of the air comes from the name of the county located in Northern Ireland. The air was collected by Jane Ross of Limavady, County Londonderry, who heard it played by an itinerant piper or fiddler. The descendants of blind fiddler Jimmy McCurry assert that he is the musician from whom she transcribed the tune but there is no historical evidence to support this speculation. The tune was listed as an anonymous air, with a note attributing its collection to Jane Ross of Londonderry. This led to the descriptive title Londonderry Air being used for the piece

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 30 pages. RayThompsonMusic #729243. Published by RayThompsonMusic (A0.1128641). Arranged wind dectet/bass (double wind quintet) Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by Antonín Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.