Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.553712 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century. 24 pages. RayThompsonMusic #3540881. Published by RayThompsonMusic (A0.553712). The First Suite in E♭ for Military Band, Op. 28, No. 1, by the British composer Gustav Holst is considered one of the cornerstone masterworks in the concert band repertoire. Officially premiered in 1920 at the Royal Military School of Music, the manuscript was originally completed in 1909. Along with the subsequent Second Suite in F for Military Band, written in 1911 and premiered in 1922, the First Suite was the catalysing force that convinced many other prominent composers that serious music could be written specifically for the combination of woodwinds, percussion and brass.  Works such as the English Folk Song Suite (1923) of Ralph Vaughan Williams and the William Byrd Suite (1923) of Gordon Jacob are leading examples. This is my arrangement of the second movement Intermezzo It is arranged for wind dectet/double wind quintet and bass.

Piano Solo - Level 3 - Digital Download SKU: A0.790122 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664605. Published by Diamond S Music (A0.790122). 2-Part Invention No. 1 in C major by J.S. BACH, BWV 772 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion.  Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Easy Piano - Level 3 - Digital Download SKU: A0.984698 Composed by Various. Arranged by John M. Honeycutt. Baroque,Classical,Romantic Period. Score. 10 pages. Music Innovators Workshop #4356973. Published by Music Innovators Workshop (A0.984698). These are easy to play themes from 7 great symphonic works. The themes are placed on key map tablatures that notate the melodies and chords, and provide standard chord symbols as well. Series 5FC - To make fingering of melodies easy to follow, each 5-finger group begins with a finger number and colored notes. Then successive fingered groups are identified with contrasting colored notes. Notes not belonging in a 5-fingered group are white.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)

Drum Set,Drums - Digital Download SKU: A0.481448 By James Sharp. By James Sharp. Arranged by James Sharp. Jazz. Score. 2 pages. Published by James D Sharp (A0.481448). 8 exercises giving options on pushed 16th note phrases in swing time. Video examples of all exercises are included.

Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Horn,Marimba,Trombone,Tuba - Level 2 - Digital Download SKU: A0.871351 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Clara Obsidian. Pop,R & B. Score and parts. 4 pages. Clara Obsidian #5720623. Published by Clara Obsidian (A0.871351). When I Was Your Man is a song by American singer/songwriter Bruno Mars for his second studio album, Unorthodox Jukebox (2012). When I Was Your Man was written by Mars, Philip Lawrence, Ari Levine and Andrew Wyatt.The track was inspired by the time Mars was worried about losing his girlfriend, Jessica Caban.Arranged for instruments that uses the bass clefExamples and not limited to:Cello, Bass, Bass GuitarTrombone, Tuba, EuphoniumBassoon, Baritone RecorderMarimba, Baritone SaxophoneFull Score

Piano Solo - Level 4 - Digital Download SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #736279. Published by Flavio Regis Cunha (A0.1136271). Bach: Erbarme dich mein Gott - Matthäuspassion - (for Piano Solo).This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano Solo. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Advanced Intermediate.Format: Concert 9 x 12 inches.12 Pages.

Piano Solo - Level 3 - Digital Download SKU: A0.790136 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664649. Published by Diamond S Music (A0.790136). 2-Part Invention No. 14 in Bb major by J.S. BACH, BWV 785 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion.  Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Choral Choir (TTBB) - Digital Download SKU: A0.993930 Composed by Addie Akin. Instructional. Octavo. 8 pages. Addie Akin #4321493. Published by Addie Akin (A0.993930). A continuation of Book 1, this packet covers augmented intervals, complex time signatures, common musical terms, and more difficult sight-singing examples.

Woodwind Ensemble,Woodwind Trio Bassoon,Oboe - Level 3 - Digital Download SKU: A0.837931 Composed by William Boyce. Arranged by Spence Bundy. Baroque,Concert. 28 pages. Spencer Bundy #6425035. Published by Spencer Bundy (A0.837931). From a set of twelve trio sonatas Boyce composed in the 'Italian' style. They proved to be very popular on first publication in 1747 and will still be enjoyed today as beautiful examples of the type.

Piano - advanced - Digital Download SKU: S9.Q5812 Early Piano Music. Composed by Richard Strauss. This edition: Sheet music. 19th century - piano - tonal language. Downloadable. Op. 2. Schott Music - Digital #Q5812. Published by Schott Music - Digital (S9.Q5812). The tonal language of the young Richard Strauss is still characterized by the traditions of the 19th Century; indeed, the musical content of the composer’s early piano works is determined to a large extent by his response to the examples of Schubert, Mendelssohn and Schumann. These previously unpublished piano pieces appear for the first time in this edition. The “Sonatinas� in several movements and a “Fantasie� from the year 1874 - whose level of difficulty is comparable with the Sonatinas by Kuhlau and Clementi and with early pieces by Mozart - are versatile pieces suitable for teaching purposes.

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.949150 Composed by John Maynard. Arranged by Ian D. Crew. Christmas,Classical,Concert,Renaissance,Standards. 2 pages. Grumpy Mule Music #6058745. Published by Grumpy Mule Music (A0.949150). The pastourelle/pastorale, depending on your language, harks back to the compound time folk music for bagpipes that we now associate with shepherds and the Nativity. (Two very famous examples are the 'Pifa' section in Handel's 'Messiah' and the final movement of Corelli's 'Christmas Concerto'.)  This duet in the pastoral style, based on a dance tune by the little known English composer John Maynard (c.1577 - c.1633), will enhance any Christmas worship or recital. Here is the version in G major for treble (alto) and bass recorders.

Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.837848 Composed by William Boyce. Arranged by Spence Bundy. Baroque,Concert. Score and parts. 20 pages. Spencer Bundy #6328497. Published by Spencer Bundy (A0.837848). From a set of twelve sonatas written in the 'Italian' style, they were very popular on first publication in 1747. They can still be enjoyed today as beautiful examples of the time and are a joy for the players and audience.

Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1134097 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Wedding. Score and individual part. 12 pages. Flavio Regis Cunha #734195. Published by Flavio Regis Cunha (A0.1134097). Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment) Optional: Flute, Oboe and Violin. This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for C instruments and Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha.

Treble recorder and piano - Digital Download SKU: S9.Q577800 Downloadable, Teacher's edition. Op Vol. 1 + 2. Schott Music - Digital #Q577800. Published by Schott Music - Digital (S9.Q577800). English.“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standart treble repertoire - Bach, Barsanti, Corelli, Händel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.