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Brass Ensemble Trombone,Tuba - Level 4 - Digital Download SKU: A0.1039200 Composed by Hayden Woods. Contemporary. Score and parts. 20 pages. Hayden Lee Woods #644151. Published by Hayden Lee Woods (A0.1039200). This piece is the mindset of an individual who, after being sheltered amidst the justified fears of a global pandemic, begins to feel the effects of not being able to actively work or be around others. This causes the individual to hallucinate extremes of the new “normal†that comes after. The tempo of the piece is ranged because the most optimal effect is a bending of tempos (in an agreed upon setting of individual ensembles and their leaders), which also is reflected in dramatic trombone bends. The melody jumps in segments, with each part becoming one of the many voices haunting the crazed individual. The middle of this piece moves into D major, where the individual starts to make sense of the voices and begins escaping the reality they are in. Of course, euphoria comes in waves, so the individual is pulled back into their shelter and has to accept this reality yet another day. Rinse and repeat, rinse and repeat, rinse and repeat, rinse and repeat......
Cabin Fever

$14.99 12.98 € PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$12.95 11.21 € PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$18.95 16.41 € PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.796688 By Kelly Clarkson. By Lukasz Gottwald and Max Martin. Arranged by Gary D. Belshaw (ASCAP). Pop. Score and parts. 21 pages. DR GARY D BELSHAW #3549293. Published by DR GARY D BELSHAW (A0.796688). 2018 New ArrangeMe Song Contest Entry.Another Kelly Clarkson Mega-hit, this one arranged for advanced String Quartet. 21 pages. Duration 3 minutes. The audio excerpt begins at Rehearsal D.A visceral extravaganza; visually arresting for your audience - will have them on the edge of their seats! Extremes of dynamics and range, a fully-chromatic harmonization of second verse, and cheesy tag will draw them into your whole aesthetic. A fantastic showpiece for recruiting tours, or to close any concert or recital. It will need to be well-rehearsed, but it is one Konzertstück your audience will embrace immediately and whole-heartedly.Thank you for considering this work; your reviews of my work are really important. Follow Gary D. Belshaw Music on Facebook and Twitter (@GaryDBelshawMus). My catalog is at https://garybelshaw.myportfolio.com. My website is: www.garydbelshawmusic.com. Take pride in your copy of this work.   1. Avoid cheap 20-lb office supply paper. Invest a couple extra bucks in some 22- or 24-lb. paper.   2. Avoid bright white sheets: look for beige, tan, or natural paper.   3. Always use a smooth finish product.
Since U Been Gone
Quatuor à cordes: 2 violons, alto, violoncelle
Kelly Clarkson
$14.99 12.98 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488286 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 55 pages. Artaria Editions #1065174. Published by Artaria Editions (A0.1488286). Artaria Editions AE407-2Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyels career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyels productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place. Pleyel composed duos of varying technical difficulty in order to appeal to the widest possible market and he clearly intended that players progress from easy works, signalled by titles such as Duo Facile or Petit Duo, to more ambitious works. The present works, composed ca 1788, lie between these two extremes: they require players with well-developed techniques but do not present exceptional difficulties to the performer. They are graceful, attractive works and their great popularity in Pleyels lifetime comes as no surprise to the modern performer.
Three Violin Duos (Benton 507-511-512)
2 Violons (duo)

$53.00 45.89 € 2 Violons (duo) PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$12.95 11.21 € PDF SheetMusicPlus

Flute solo - Difficult - Digital Download SKU: MQ.1.3371-E Composed by Christina Jennings and George Rochberg. 24 pages. Galaxy Music Corporation - Digital #1.3371-E. Published by Galaxy Music Corporation - Digital (MQ.1.3371-E). The arranger's transcription includes 20 of the original 51 caprices. She chose to include those best suited to the flute while representing the enormous stylistic range of Rochberg's entire set. Her goal in the transcriptions was to use the flute to its fullest capacity, challenging the player with dynamic, technical, and stylistic extremes: the range of these variations goes from a B1 to an E4 and from pppp to ffz! She made minimal breathing and metronome suggestions, adding these only when they seemed most important. In George Rochberg's Afterword to the Performer, he permits omitting some of the repeats and variations to suit the length and artistic discretion of the performer. However, he advocates for balance in preserving the stylistic spread which is a fundamental premise of this work. c. 27:00.
Caprice Variations (Downloadable)
Flûte traversière

$18.40 15.93 € Flûte traversière PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.734365 Composed by Traditional Trinidad Carol. Arranged by Dennis Ruello. Christian,Christmas,Folk,Holiday,Sacred. 10 pages. Chicory Music #3408325. Published by Chicory Music (A0.734365). The Virgin Mary Had A Baby for Clarinet Quartet. This is a West Indian carol that probably originated in Trinidad. It became popular when Harry Belafonte recorded it in 1958. This arrangement, written in the clarinet friendly key of F concert at the Intermediate level, has no extremes in range for any part. Parts included are: Full Score, 1st Clarinet, 2nd Clarinet, 3rd Clarinet, Alto Clarinet (Opt. in place of 3rd Clar.), Bass Clarinet Performance Time: Approx. 2 minutes 17 seconds
The Virgin Mary Had A Baby Boy - Clarinet Quartet - Intermediate
Quatuor de Clarinettes: 4 clarinettes

$9.99 8.65 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1350627 Composed by Henry John Gauntlett. Arranged by Carolyn Kelley. Christian,Christmas,Praise & Worship,Sacred,Traditional. Score. 2 pages. Carolyn Kelley #935448. Published by Carolyn Kelley (A0.1350627). Reflect peacefully on the Christmas story while you enjoy this duet with a flute-playing friend! This duet is calm and peaceful, using the lower extremes of the instrument.This work is designed for advanced high school students and more advanced players; there are challenges in range and intonation present.NOTE: This work appears in a larger collection of 8 duets, named Christmas With Our Savior. This collection also features well-known songs like Silent Night. Find this collection here: https://www.sheetmusicdirect.com/en-US/se/ID_No/1449490/Product.aspx.
Once in Royal David's City (Hymn Tune: IRBY, Flute Duet)
2 Flûtes traversières (duo)

$3.99 3.45 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$12.95 11.21 € PDF SheetMusicPlus


1 ....91 106 121 136 151 ....2386




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