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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1312627 Composed by Aaron Gage. 21st Century,A Cappella,Latin,Renaissance. 8 pages. Aaron Gage #901478. Published by Aaron Gage (A0.1312627). Written for SSAATTBB Choir.I have long been fascinated with setting old Latin texts to music; particularly ones outside of the traditional sacred poetry found in the various requiems that have been composed throughout the centuries. Rather, I was particularly drawn to a poem written by the Roman poet Catullus. Simple in nature, the poem is only 3 phrases yet delivers a strong message of the turmoil found in the human psyche. “Odi et Amo†translates to “I hate and I loveâ€. The poem embellishes the poets struggle to balance the extremes of the human emotion and how torturous it can be to navigate 2 of our strongest emotions. The call of the opening “Odi et Amo†is repeated numerous times throughout the piece to drive home the 2 emotions of Hate and Love. The work commands exceptional precision of intonation between the 8 parts. While slow in nature though its tempo, the piece has numerous harmonic classes of 2nds to create not only tension, but a longing passion desperate for resolution. -Aaron Gage.
Odi et Amo
Chorale SATB

$2.50 2.16 € Chorale SATB PDF SheetMusicPlus

Concert Band - Grade 2 - Digital Download SKU: B0.PDF-BAND-FRA-219 Composed by Traditional. Arranged by Bill Simon. Multicultural. Score and Parts. 29 pages. PDF Band Music #PDF-BAND-FRA-219. Published by PDF Band Music (B0.PDF-BAND-FRA-219). 8.5 x 11 inches.Emerald Isle Melody is based on an Irish folk tune. The most popular version of this tune is the hymn Be Thou My Vision, but it is also the foundation for Lord of All Hopefulness and Make Us True Servants. This arrangement gives the young band a chance to work on phrasing and tone without going to extremes with ranges - clarinets stay below the break and brass are comfortable. Even a young band will be able to project a lot of emotion with this piece giving careful attention to dynamics, tempo and phrasing. .
Emerald Isle Melody
Orchestre d'harmonie

$42.00 36.31 € Orchestre d'harmonie PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
Fastnet Rock
Flûte traversière et Piano

$2.99 2.58 € Flûte traversière et Piano PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$12.95 11.19 € PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.844847 Composed by Felix Alexandre Guilmant. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 16 pages. Phil Beaman #5741599. Published by Phil Beaman (A0.844847). Alexandre Guilmant (1837-1911) was a Parisian organist, performer, and composer. This Marche was originally written for organ in his pedagogical books. I have arranged it for Instrumental Quartet in typical Romantic Symphonic style and I have filled it with expressive markings to bring out the incredible drama of this piece. There is a Trio style section in the sub-dominant key which I treat as an instrumental duet. The piece is Advanced Intermediate realizing that it pushes many of the instruments to both extremes of their ranges. It is furthering challenging due to the plethora of romantic accidentals including double sharps and double flats and constant dynamic changes. This piece amply rewards you in the end with a very impressive and dramatic repertoire performance piece.  
Marche-Guilmant-brass quartet
Quatuor de Cuivres: 2 trompettes, Cor, trombone

$11.75 10.16 € Quatuor de Cuivres: 2 trompettes, Cor, trombone PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$12.95 11.19 € PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.921656 Composed by Chris Bandy. Contemporary. Score. 9 pages. Chris Bandy #3010947. Published by Chris Bandy (A0.921656). Entropy is a series of anti-climactic etudes for solo piano. Movement I, which is about three minutes in length, features technical extremes, a wide range of timbres, and descending odd time signatures that provide a sense of gradual disorganization. The main theme is a simple step-wise melody that is repeated within a vast number of keys, and often in the inner voices of modern harmonies. After a meandering bridge that disregards the barlines, the theme returns in a terrifying climax, only to be quickly shattered by dissonance and flung lifelessly to the deep end of the instrument.
Entropy
Piano seul

$4.99 4.31 € Piano seul PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$12.95 11.19 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.844851 Composed by Felix Alexandre Guilmant. Arranged by Phil Beaman. Romantic Period,Standards. 16 pages. Phil Beaman #5741649. Published by Phil Beaman (A0.844851). Alexandre Guilmant (1837-1911) was a Parisian organist, performer, and composer. This Marche was originally written for organ in his pedagogical books. I have arranged it for Instrumental Quartet in typical Romantic Symphonic style and I have filled it with expressive markings to bring out the incredible drama of this piece. There is a Trio style section in the sub-dominant key which I treat as an instrumental duet. The piece is Advanced Intermediate realizing that it pushes many of the instruments to both extremes of their ranges. It is furthering challenging due to the plethora of romantic accidentals including double sharps and double flats and constant dynamic changes. This piece amply rewards you in the end with a very impressive and dramatic repertoire performance piece.  
Marche-Guilmant-woodwind quartet
Flûte, Hautbois, Clarinette, Basson

$11.75 10.16 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$12.95 11.19 € PDF SheetMusicPlus

Trombone Solo - Level 5 - Digital Download SKU: A0.792200 Composed by Marsteller, Robert. 20th Century,Instructional. Individual part. 8 pages. Gordon Cherry #4625555. Published by Gordon Cherry (A0.792200). Robert Marsteller had an illustrious career as a performing artist and a pedagogue, influencing hundreds of musicians in a major way. His Six Etudes most likely were written while studying at the Eastman School of Music in the late 1930's and are dedicated to his teacher Emory Remington. The etudes are one page each, very challenging technically, cover the four major clefs, explore the extremes in range and are very satisfying musically to perform. If practiced correctly, these etudes will surely be a help to aspiring performers.
Six Etudes for Trombone
Trombone

$17.50 15.13 € Trombone PDF SheetMusicPlus






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