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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1378093 By Elton John. By Elton John and Tim Rice. Arranged by Cassy Gress. Broadway,Film/TV,Musical/Show. 10 pages. Cassy Gress #962714. Published by Cassy Gress (A0.1378093). This SATB arrangement of Circle of Life forgoes the traditional Lebo M opening for a more metaphorical sunrise, and shortly thereafter the sopranos and altos are the mother cooing to her newborn child, the ingonyama. The familiar chant does not appear until partway through the instrumental break, and continues euphorically through the modulation to the thundering finale. There are opportunities for ambitious sopranos and basses to reach the extremes of their range, and three-way divisi for the altos.
Circle Of Life
Chorale SATB
Elton John
$2.99 2.62 € Chorale SATB PDF SheetMusicPlus

Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.781985 By The Cyrkle. By Bruce Woodley and Paul Simon. Arranged by Aaron Hettinga. 20th Century,Contemporary,Folk,Pop,Rock. 16 pages. Aaron Hettinga #6029401. Published by Aaron Hettinga (A0.781985). This oldie but goodie by Cyrkle and Simon & Garfunkel is presented here in an arrangement for Clarinet Ensemble. All of the parts should be relatively accessible to players of even moderate ability as there are no major range challenges that are taxing to the extremes of any instrument other than a few low notes. The technical challenges may come about if taken at a particularly brisk tempo, but even a slightly slower interpretation will sound great.
Red Rubber Ball
Quintette de Clarinettes: 5 clarinettes
The Cyrkle
$14.99 13.14 € Quintette de Clarinettes: 5 clarinettes PDF SheetMusicPlus

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488286 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. 55 pages. Artaria Editions #1065174. Published by Artaria Editions (A0.1488286). Artaria Editions AE407-2Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyels career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyels productivity as a composer dropped sharply and he ceased composing around 1805. Among the authentic chamber works the duos occupy a particularly interesting place. Pleyel composed duos of varying technical difficulty in order to appeal to the widest possible market and he clearly intended that players progress from easy works, signalled by titles such as Duo Facile or Petit Duo, to more ambitious works. The present works, composed ca 1788, lie between these two extremes: they require players with well-developed techniques but do not present exceptional difficulties to the performer. They are graceful, attractive works and their great popularity in Pleyels lifetime comes as no surprise to the modern performer.
Three Violin Duos (Benton 507-511-512)
2 Violons (duo)

$53.00 46.47 € 2 Violons (duo) PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published by Studio at the Post (A0.1365113). Parts only (see A879420 for Score). Duration: 18 - 19 min., 5 ensemble parts and 5 solo parts, average 9 pp each. Description: Triptych for String Orchestra sets up three contrasting musical tableaux in as many different genres. Though this approach is often called post-modern, the composer prefers to see it as an indulgence of the many types of music he enjoys. The work opens with a free form improvisatory movement whose sour romanticism comes from its rich chromatic palette. The second movement is in many ways the opposite of the first. It is a very tightly constrained serial work where the parameters of rhythm, inflection, and dynamics, not just pitch, get a full serial workout of permutations. The third and finale movement, then can be seen as a happy medium between the two extremes of the previous movements. It's in the form of an episodic Dionysian romp that alternates between expositions of an ever more shrill theme with puckish episodes of varied quasi-ad lib solos embedded in coloristic texture. There are three movements, Chroma - The Academy - Rock.
Triptych for String Orchestra (Parts only)
Orchestre à Cordes

$5.02 4.4 € Orchestre à Cordes PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$12.95 11.36 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
EP!C!!!
Orchestre

$40.00 35.08 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1397074 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 25 pages. Sean A Moore #980408. Published by Sean A Moore (A0.1397074). GILT-EDGE†is a piano sonata in three movements. The sonata features dissonance, clusters, irregular rhythmic patterns and meters, syncopation, and extremes in textures and dynamics. The work is mostly intervallically/motivically based with the entire keyboard being utilized as a sort of sonic canvas as diverse as the world itself. The first movement, “GILT-EDGEâ€, has the same name as the title of the composition. The movement is emotionally intense, beginning loudly with a forearm cluster crash at the low end of the instrument and with a fast tempo. However, the first movement of the sonata ends slowly, quietly and sometimes dreamlike all while expressing a very dark mood. “Hopewellâ€, the second and somewhat more melodic movement, has a more meditative quality. This movement is inspired by the image of a quiet country road and an uncomplicated way of living that sometimes isn’t always what it seems. The final movement, “Antiochâ€, written on three staves, returns the listener back to the emotional complexities of the first movement. However, this movement does not end quietly. In this short explosive last movement, the sonata reaches its dramatic conclusion.
Sonata for Piano No. 5 "GILT-EDGE"
Piano seul
Sean A Moore
$12.99 11.39 € Piano seul PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.734340 Composed by John Henry Hopkins Jr. Arranged by Dennis Ruello. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score and parts. 13 pages. Chicory Music #2951949. Published by Chicory Music (A0.734340). We Three Kings, also known as We Three Kings of Orient Are or The Quest of the Magi, is a Christmas carol that was written by John Henry Hopkins, Jr. in 1857. At the time of composing the carol, Hopkins served as the rector of Christ Episcopal Church in Williamsport, Pennsylvania, and he wrote the carol for a Christmas pageant in New York City. Many versions of this song have been composed and it remains a popular Christmas carol. This intermediate level arrangement can be used for string quartet or string orchestra. It is in the string friendly key of e minor with no extremes in range or technique. Useful for performances at schools, churches or recitals. Performance time: approx.1 min. 55 sec.
WE THREE KINGS - String Orchestra or Quartet - Intermediate
Orchestre à Cordes

$9.99 8.76 € Orchestre à Cordes PDF SheetMusicPlus

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON
Ensemble Music for Church and School

$12.95 11.36 € PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
Fastnet Rock
Flûte traversière et Piano

$2.99 2.62 € Flûte traversière et Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.784652 Composed by P.F. Tillen. Christian,Christmas,Contemporary,Sacred. Octavo. 13 pages. PFTMusic #3227487. Published by PFTMusic (A0.784652). Regnum Pacis... The Reign of PeaceA choral setting of the Isaiah 11 text: There shall come forth a shoot from the stock of Jesse, and a branch shall grow out of his roots... Then shall the lion dwell with the lamb, then the leopard shall lie down with the kid, the wolf and the lion cub together, with a little child to lead them... Contemplative, with rich harmonies, quiet, but ultimately hopeful, as the season of Advent itself. You will find this this piece fits perfectly in worship services of lessons and carols, as well as Advent, and Christmas season services and concerts. Accessible to a good high school, college/university, or church mixed choir. The piano part is challenging, but not difficult. Soprano splits occasionally, otherwise, solid four part writing; lyrical melodies, lush harmonies, but no extremes in range. Please check for more piano music, sacred and secular choral and vocal selections at pftmusic.com.
Regnum Pacis... The Reign of Peace
Chorale SATB

$24.99 21.91 € Chorale SATB PDF SheetMusicPlus






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