Brass Ensemble Euphonium,Horn,Trumpet - Level 3 - Digital Download SKU: A0.933722 Composed by Josh Rogan. Contemporary,Instructional. Score and parts. 66 pages. Josh Rogan #6519923. Published by Josh Rogan (A0.933722). Playing in the High Register is a book for anyone who is struggling to play into and above the stave on trumpet. It is intended for classical style players who want to build consistency in the upper register and sound great without struggling.Each exercise has a detailed description of the purpose of the exercise, how you should approach playing it, and detailed notes to inform any reader how to make these exercises successful.If you are looking to play into the extreme high register (far above high C), then this book probably won’t be what you’re looking for. If you want to be able to sound great playing in the full range of the classical trumpet, and not be worried by a high entrance or getting fatigued, then this is exactly why I wrote this book.Work on your high register by working on your fundamentals. Learn how to listen for signs of poor technique, and understand how to engage your body in the best way to play in the high register with a healthy, confident approach.

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947275 Composed by John Philips. Jazz,Latin. Score and parts. 30 pages. John Philips Music Service #3867663. Published by John Philips Music Service (A0.947275). This a very real Latin in the style of Perez Perado. It is in mambo style and like all Latin it must have a claves playerfull time or is is not Latin. It is not difficult but requires good intonation and a drummer that plays the correct rhythm--not the usual heavy on 3 rock.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Instrumental Duet Bassoon,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.981384 Composed by Johann Sebastian Bach. Arranged by Bruno Cavalcante. Baroque,Concert,Instructional,World. Score and parts. 6 pages. Bruno Cavalcante #5749367. Published by Bruno Cavalcante (A0.981384). In Baroque music, the key of B minor had a melancholy quality. Bach reserved it for a few of his most impressive works, such as the Kyrie in the Mass in B minor. Bach composed his ‘French’ suites as a young man of thirty, when he was working at the court of Köthen. However, the suites have nothing to do with the court. Bach wrote them for teaching purposes in his own private circle. The first five appear in their original form in the little music book he compiled in 1722 for his second wife Anna Magdalena, possibly as a wedding present. But Bach continued to rework the pieces. The later versions, with the addition of a sixth suite, have survived thanks to the many copies made by his pupils. They are rewarding practice pieces that despite a certain compositional complexity (it is Bach, after all), do not make extreme demands on the player.

Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1196456 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Wedding. Score and parts. 17 pages. Jireh J. #795614. Published by Jireh J. (A0.1196456). This arrangement was made for Viola Duo and Piano. Contains chords.

Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1196453 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Wedding. Score and parts. 17 pages. Jireh J. #795611. Published by Jireh J. (A0.1196453). This arrangement was made for Trumpet in B-flat Duo and Piano. Contains chords.

Clarinet in Bb and piano - intermediate - Digital Download SKU: S9.Q43016 Composed by Alexander Rosenblatt. This edition: Sheet music. Downloadable. Schott Music - Digital #Q43016. Published by Schott Music - Digital (S9.Q43016). The pianist and composer Alexander Rosenblatt (*1956) from Moscow loves to cross frontiers, trying to overcome in his piano and chamber music works the rigid barriers between classical and jazz music. It was precisely in this spirit that he wrote his Tango for clarinet and piano. It is a virtuoso, exciting and quite effective piece which deliberately puts the possibilities of performance and sound to the extreme. Both players and listeners are going to enjoy themselves.

Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1196434 By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Jireh J. Rock,Wedding. Score and parts. 17 pages. Jireh J. #795591. Published by Jireh J. (A0.1196434). This arrangement was made for Alto Saxophone Duo and Piano. Contains chords.

Woodwind Ensemble,Woodwind Quintet Flute - Level 2 - Digital Download SKU: A0.1127944 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 16 pages. Woods Only, Arrangements #728555. Published by Woods Only, Arrangements (A0.1127944). This adaptation was intended for a small group of flute quintet, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.

Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1142126 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. 11 pages. Woods Only, Arrangements #742504. Published by Woods Only, Arrangements (A0.1142126). This adaptation was intended for a small group of alto sax trio, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.

Baritone Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.1154907 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Individual part. 7 pages. Woods Only, Arrangements #755183. Published by Woods Only, Arrangements (A0.1154907). This adaptation was intended for a small group of bass recorder and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.

Easy Piano - Level 1 - Digital Download SKU: A0.985117 Composed by Marko Stev. 20th Century,Instructional. Score. 2 pages. Marko Stevanovic #6017611. Published by Marko Stevanovic (A0.985117). Keep yourself or your students motivated for piano practicing with emotionally rich but technically reachable music. Technique focus: playing in extreme registers. .