Cello Solo - Level 4 - Digital Download SKU: A0.685494 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Fernando Britto. Contemporary,Film/TV,Pop,Wedding. Individual part. 1 pages. Minhas Partituras #6371189. Published by Minhas Partituras (A0.685494). Love Me Like You Do from Fifty Shades of Grey (from Fifty Shades of Grey) for Cello Solo with Chords.

Trombone Solo - Level 4 - Digital Download SKU: A0.685491 By Ellie Goulding. By Ali Payami, Ilya, Max Martin, Savan Kotecha, and Tove Lo. Arranged by Fernando Britto. Contemporary,Film/TV,Pop,Wedding. Individual part. 1 pages. Minhas Partituras #6371089. Published by Minhas Partituras (A0.685491). Love Me Like You Do from Fifty Shades of Grey (from Fifty Shades of Grey) for Trombone Solo with Chords.

C Instrument - Level 2 - Digital Download SKU: A0.1219794 By Beyonce Featuring Jay-Z. By Beyonce Knowles, Eugene Record, Rich Harrison, and Sean Carter. Arranged by Mina Yu. Broadway,Film/TV,Hip-Hop,Musical/Show,Pop,R & B,Rock. Lead Sheet / Fake Book. 1 pages. Mina Yu #816163. Published by Mina Yu (A0.1219794). Crazy in Love - Fifty Shades of Grey remix version. Here is the lead sheet for the Fifty Shades of Grey remix version of Crazy in Love. The chord changes are quite simple, but there are some odd bar numbers, sudden drops, and dynamic changes, which are all marked on the lead sheet. The attached YouTube recordings are exactly the same as the lead sheet. With this lead sheet, the band will be able to play the song within three seconds.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.989230 Composed by Mary Ann Joyce. Concert,Contemporary. Score. 4 pages. Mary Ann Joyce-Walter #6207637. Published by Mary Ann Joyce-Walter (A0.989230). Housman’s poem is about the nature of life, here represented by the cherry tree. The poet feels he does not have enough time to appreciate this beautiful world, because, like all living things, he will die.  The first stanza is a description of the cherry tree in its spring-time splendor. It is as 'wearing white for Eastertide as if it is celebrating a religious festival. In the second stanza, the mood shifts from the tree to the poet himself, as he thinks about the inevitability of death. He, a twenty-year old, estimates that he has about fifty years left to live. The final stanza expresses the poet's feeling that fifty more years does not give him enough time to enjoy the beauties of nature. He decides that he will look at the cherry tree not only when it is hung with bloom, but also in winter when it is hung with snow.  The poet thus celebrates the beauties of nature in all seasons, but also poignantly laments the inevitable passage from youth to old age and death, the seasons of his own life.I composed this setting of Loveliest of Trees to celebrate the 86th birthday of Joyce Hope Suskind, beloved friend, brilliant musician and composer par excellence.

Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html

Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.958470 Composed by Joseph Dillon Ford. 20th Century. 7 pages. David Warin Solomons2 #3691569. Published by David Warin Solomons2 (A0.958470). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.

Clarinet Solo - Level 4 - Digital Download SKU: A0.1013162 Composed by Frederic Glesser. Contemporary. Individual part. 5 pages. Frederic Glesser #6058729. Published by Frederic Glesser (A0.1013162). Wait For Me was composed for Italian clarinetist Arianna Tieghi (Rovigo, Italy) upon her request for a short composition by an American composer from each of the fifty U.S. states.

Brass Ensemble - Level 3 - Digital Download SKU: A0.872450 Composed by William H. Doane. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 8 pages. James K. Taylor #1911375. Published by James K. Taylor (A0.872450). This is a public domain hymn named PASS ME NOT composed by Doane. I have arranged it for HORN QUARTET using the FINALE music software, and the audio is actually produced by the FINALE program. I am on a quest to arrange fifty old hymns as horn quartets. These quartets are also on YOUTUBE. Just do a youtube search for James K. Taylor. Please enjoy.

By Frank Zappa. Pop; Rock. Guitar TAB. 15 pages. Published by Hal Leonard - Digital Sheet Music

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-38E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-38E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-38E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Easy Piano - Level 2 - Digital Download SKU: A0.963923 Composed by Pamela Grant. Concert,Ragtime,Traditional. Score. 3 pages. Pamela Grant #6609309. Published by Pamela Grant (A0.963923). With an unconditionally giving and cheerful personality, classical pianist Pam Grant has given inspiration to a wide audience, ...with a soaring lyrical tone backed with a fine reserve of power, her performance was a guaranteed success and was, both aesthetically and technically satisfying. Her career consists of everything from performance to instruction and has led her to succeed in an entrepreneurial lifestyle for over forty fifty years.  Since 1967, Pam Grant has maintained a successful career as a teacher, performer, arranger and composer. She has not only shared her artistic talents with the world, but has also given back to the community by instilling the importance of musical education.Her dedication to musical growth is illustrated in the countless hours she has spent writing method books, music theory series, chording methods, teaching aids, original solos, and arrangements for duets and duos.  Her creative and precise instruction has helped launch many of her students into the music industry and who have become professional musicians.  By perpetuating creativity and musical expression, Pam Grant ensures that communication through music will help foster a better tomorrow.