Brass Ensemble - Level 4 - Digital Download SKU: A0.872456 Composed by Traditional. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 9 pages. James K. Taylor #1921017. Published by James K. Taylor (A0.872456). This is a public domain hymn (COME, CHRISTIANS, LET US SING) a traditional Spanish melody. I have arranged it for HORN QUARTET using the FINALE music software, and the audio horn tone is actually produced by the FINALE program. I am on a quest to arrange fifty old hymns as horn quartets. Please enjoy.

Piano Solo - Digital Download SKU: A0.1028073 Composed by Renji Mao. Contemporary. Score. 6 pages. The Letter Wynn #6052595. Published by The Letter Wynn (A0.1028073). The first in a series of Romances to be compiled into one opus in the future. This waltz-style Romance can be described by the quote below:When I see a potential love interest, sometimes I wonder what it'd be like to dance with them. In a world where the lines between fantasy and reality blur, it's hard not to reminisce on a dance that never actually happened, as if we had been happily married for fifty years or so and are thinking back to when we first met. Eventually, I wake from the dream, get up, have my morning coffee, then go about my day, wondering if I'll ever meet her in my dreams again.Duration: approx. 10 minutesListen to it here: https://soundcloud.com/scarlet_nocturne/slow-motion-waltz

Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.956024 Composed by Teresa O'Connell (BMI). Broadway,Contemporary. 9 pages. Teresa O'Connell (BMI) #5711245. Published by Teresa O'Connell (BMI) (A0.956024). Falling Apart- A Cabaret Song is a comedic song for the male or female over fifty singer. With proven audience appeal, relatable lyrics, and a catchy melody, Falling Apart- A Cabaret Song  is the perfect addition to your cabaret show.  Need a different key? Contact Teresa O'Connell directly at teresa@tjomusicsongs.com. A piano backing track is available for purchase on sheetmusicplus.com (item #767953).I'm falling apart, but not like you think...no lover lost, no sad farewell. Instead, I am sad because my youth is no more...just a thing of the past...So I buy expensive wrinkle cream and secretly try Botox. I'll save up for some Lipo, or get COOL SCULPTED! Try Zumba, and Yoga, and that boxing where you Kick. I'll eat less and move more, not accept time's cruel trick...But we'll fall apart together, my friends and me. We're sexy and grateful and free.  We're falling apart, my friends and me. This is a guaranteed winner!

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-45E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-45E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-45E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1486035 Composed by Charles Wesley. Arranged by Grace Joy Reid. Christian,Early Music,Easter,Praise & Worship,Sacred. Score. 2 pages. Creating Music Joy #1063091. Published by Creating Music Joy (A0.1486035). Christ the Lord is Risen Today - an Easter HymnIn 1739, Charles and John Wesley, both brothers, published 139 hymns titled, Hymns and Sacred Poems.  All fifty of these original hymns were written by Charles Wesley.  He wrote this hymn for the first service for the original Wesleyan Chapel in London.  The year was 1739.  The joyful allelujas at the end of each line were added by Lyra Davidica in 1708.  

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-08E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.532626 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical,Wedding. 5 pages. Amadeus Music #6630885. Published by Amadeus Music (A0.532626). Ornamented cello part included.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-11E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-11E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-11E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Piano solo - Digital Download SKU: IZ.PMW142 Composed by Richard Sorce. Score. 50 pages. Imagine Music - Digital #PMW142. Published by Imagine Music - Digital (IZ.PMW142). 9 x 12 in inches.The pieces in this group comprising Notebook for Piano were composed over many years, and were selected from a collection of approximately fifty works at this level . They are accessible to most students who have studied piano diligently for at least three to four years. Contained in these pieces are challenging techniques in rhythm, harmony, articulation, dynamics, notation, and even a challenge to hear and understand music that is not exclusively key based. However, more so than any other compositional facet, melody is always a primary concern in these pieces.Many of the pieces in Notebook for Piano have been performed by intermediate level students and by college music majors. I hope you find this collection satisfying.

Cello Duet Cello - Level 2 - Digital Download SKU: A0.1516440 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Score. 265 pages. Ben Dockery #1090607. Published by Ben Dockery (A0.1516440). These fifty classic hymns have been arranged for two cellos with piano accompaniment. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. Includes both scores and individual parts.A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous Cross.

Piano Solo - Level 2 - Digital Download SKU: A0.1156154 Composed by Pam Grant. Classical,Instructional. Score. 2 pages. Pamela Grant #756470. Published by Pamela Grant (A0.1156154). With an unconditionally giving and cheerful personality, classical pianist Pam Grant has given inspiration to a wide audience, ...with a soaring lyrical tone backed with a fine reserve of power, her performance was a guaranteed success and was, both aesthetically and technically satisfying. Her career consists of everything from performance to instruction and has led her to succeed in an entrepreneurial lifestyle for over forty fifty years. Since 1967, Pam Grant has maintained a successful career as a teacher, performer, arranger and composer. She has not only shared her artistic talents with the world, but has also given back to the community by instilling the importance of musical education. Her dedication to musical growth is illustrated in the countless hours she has spent writing method books, music theory series, chording methods, teaching aids, original solos, and arrangements for duets and duos. Her creative and precise instruction has helped launch many of her students into the music industry and who have become professional musicians. By perpetuating creativity and musical expression, Pam Grant ensures that communication through music will help foster a better tomorrow.