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Easy Piano - Level 1 - Digital Download SKU: A0.1518342 Composed by James Lord Pierpont. Arranged by Shelley Marwood. Christmas,Holiday,Traditional. Score. 2 pages. Shelley Marwood #1092441. Published by Shelley Marwood (A0.1518342). For the student not yet reading notes on the staff, this arrangement is perfect! The well-known favourite holiday song Jingle Bells is set here in an easy-to-find position, using strong fingers of both hands. The lyrics are included so they can sing along as much as they like.I have been teaching piano for decades, and I am also a professional composer. After several years of teaching I realized that students at different levels often wanted to play the same songs. But one size does not fit all when it comes to “Easy Piano,” and I did not have five versions of Jingle Bells at my fingertips!So I began arranging songs for in-studio use. Sometimes I ended up with 3 or 4 different levels of a particular song. My preferred method book is Faber’s Piano Adventures, so I used that as a guide for creating my arrangements. Every title I publish has a suggested level that roughly corresponds to books in this series.Students soon learned that they could request any song they wanted, from a holiday carol, to Mozart, to current pop or rock hits. I have now arranged many songs at more than one level of simplicity, and I am always adding more.Check out my other titles on your favourite music download site!See my website for a full list of available titles, and feel free to contact me with any suggestions for new arrangements.www.shelleymarwood.com.
Jingle Bells (chorus only) - PRE-READING
Piano Facile

$4.99 4.33 € Piano Facile PDF SheetMusicPlus

Guitar - Level 5 - Digital Download SKU: A0.925177 By Michael Jackson. By John Bettis and Steve Porcaro. Arranged by Brian Johns. Pop. Guitar Tab. 6 pages. Brian J Johns #4729477. Published by Brian J Johns (A0.925177). Here’s an arrangement for advanced solo fingerstyle guitar of Michael Jackson’s Human Nature.  Tablature and left and right hand fingerings are included.  One particular oddity is that the 6th string has to be tuned down to a low C.  This makes the bass line possible given the range of the overall instrumentation and is quite the important feature in dance/pop music. Otherwise, just a mix of familiar chord activity, bass sustain – leaving fingers down when possible, accentuated melody tones and trying to keep the rhythm steady.
Human Nature
Guitare notes et tablatures
Michael Jackson
$4.99 4.33 € Guitare notes et tablatures PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1237524 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,New Age,World. 221 pages. Pentharmonics #833039. Published by Pentharmonics (A0.1237524). Arcanum - Grade 3 - Duration 8:00 min....the secret. Every day the knowledge in the world is continuously growing. In all fields of life, new findings are attained by science and research, more and more can be explained, a well-founded understanding of the things around is going to be achieved. However, the mysterious will still persist. Every new perception leads to further questions, new secrets are rising for being explored. Moreover, someone might perceive that in relation to the entire knowledge gained by mankind, the individual is shrinking. Thus, until the end of time the world will stay mysterious - the world seems to be a persistent secret, that wants to be discovered at all times anew.The musical motif of the Question begins with the very first sound of the piece - a dissonance that is harmoniously resolved again. This motif reflects the curiosity that lies dormant in all people. The dissonance creates a tension that can be seen as an impetus for the search for answers. The resolution to a major chord describes the confidence of being able to find an answer to the question. This musical motif runs through the entire work, both in the dreamy bliss of being and in the dramatic passages in which the flood of questions seems to become frightening. In such sections, the dissonance is turning into a minor chord. At the dramatic climax, a tense dominant seventh chord leads to the resolution to major, which finally describes the euphoria after the answer of a very difficult question. After a further phase of relaxation, the gaze wanders over nature in all its glory. Until towards the end of the piece, the awareness finally sets in that every answer found raises a new question and thus the mystery remains forever.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
Arcanum
Orchestre d'harmonie

$124.99 108.53 € Orchestre d'harmonie PDF SheetMusicPlus

String Orchestra - Level 1 - Digital Download SKU: A0.527308 Composed by Michelle Taylor-Cohen. Children,Contemporary,Standards. Score and parts. 36 pages. Saturn Strings #5042473. Published by Saturn Strings (A0.527308). This little suite for beginner string orchestra aims to put into practice as many of the different technical aspects of the ABRSM Grade 1 exam as possible, whilst remaining a fun piece to play!  The cheerful first movement is in D major. There is some use of open string double stops and a chance for the 2nd violins to show off their left hand pizzicato, whilst the legato cello melody in the middle section explores the 1234 chromatic finger pattern. The short second movement, which is really no more than a brief interlude, is in A major, and provides the opportunity to focus on controlling slurs and legato bowing. 4th fingers instead of open Es in the 1st violins are desirable but not compulsory! Finally, the third Latin-inspired movement is a syncopation-filled exploration of the E minor natural scale. If you have some percussion instruments at hand please feel free to get creative and add them in wherever you like! The piece can be played without double basses, but if there are none it might be an idea for one desk of cellos to cover the bass part in the first movement middle section. 3rd violins are only necessary if there are no violas, or if violas need an extra boost!
Strings by the Sea
Orchestre à Cordes

$45.00 39.07 € Orchestre à Cordes PDF SheetMusicPlus

Small Ensemble Cello,High Voice,Horn,Oboe,Violin - Digital Download SKU: A0.724831 Composed by Renato Tagliabue. Contemporary. Score and parts. 4 pages. Renato Tagliabue #6442851. Published by Renato Tagliabue (A0.724831). COME FARFALLA - Lirycs by Evelina FerrariCi sei, ma ancora nessuno può vederele belle tue ali coi loro colori;nascosta tra le foglie spuntate sul ramo,aspetti il tuo momento per volare in libertà.Sì, ti aprirai e ti mostrerai,tu così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Il tuo mondo finir dovrà,ma nuovo e più bello, tu sai , comincia già .Chiusa la mente, non trova la via;il cuore è triste e pace non ha,ma Il bruco sa che poi lui rinascerà e,come una farfalla, finalmente volar potrà.Sì, ti aprirai e ti mostreraitu, così bella e come un soffio, leggerissimacerchi la luce lassù nel cielo che è sempre più blu.Tutto cambia ed anche per tequalcosa di nuovo e più bello comincia già.-----------------------------Like ButterflyYou are there, but still no one can seeyour beautiful wings with their colors;hidden among the leaves sprouted on the branch,wait for your moment to fly freely.Yes, you will open up and show yourself,you so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Your world will have to end,but new and more beautiful, you know, it already begins.Closed the mind, it does not find the way;the heart is sad and has no peace,but the caterpillar knows that then he will be reborn and,like a butterfly, it will finally fly.Yes, you will open up and show yourselfyou, so beautiful and like a breath, very lightlook for the light up there in the sky which is always bluer.Everything changes and for you toosomething new and more beautiful is already beginning.
COME FARFALLA - Like butterfly - for Soprano (or Tenor) and mixed quintet

$12.90 11.2 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 29 pages. ViolinVagabond Music #5739335. Published by ViolinVagabond Music (A0.845979). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this chart in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.**This score is also available with Rhythm Section Parts for guitar, bass & drum set, which your ensemble can use to perform with a full band. Visit https://www.sheetmusicplus.com/title/21765313?aff_id=655189 for more details**Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
Better Days
Quatuor à cordes: 2 violons, alto, violoncelle
OneRepublic
$19.99 17.36 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - Digital Download SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 56 pages. ViolinVagabond Music #5739325. Published by ViolinVagabond Music (A0.845978). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this arrangement in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. To be clear, you do not have to perform this chart with bass and drums. I have gone to great pains to ensure that, with proper preparation, a string quartet performance will sound every bit as groovy as a full 7-piece band. So if you try to play this without a drummer and it doesn't go well, I don't want to hear about it. Go practice.Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
Better Days
OneRepublic
$24.99 21.7 € PDF SheetMusicPlus

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1417824 By Queen. By Freddie Mercury. Arranged by Matt Finch. Pop. 14 pages. Matt FINCH #999365. Published by Matt FINCH (A0.1417824). This absolute banger of a Queen Classic is a part of the under an hour set of pop music arranged by Matt Finch.  The melody moves from the Basses, into the Altos and then fianlly into the Sopranos.  Once you have learnt the verse and chorus - it's jjust a copy and paste so really easy to learn.  Get the audience waving their arms and swaying as you belt out this classic.This PDF comes in two halves:1) A piano and SAB score2) SAB Score (for choir members and saves on photocopying bill!)A backing track is available from matt@finchmusic.co.uk.
We Are The Champions
Chorale 3 parties
Queen
$2.99 2.6 € Chorale 3 parties PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1001575 Composed by Isabelle Ryder. 20th Century,Contemporary,Instructional. Score. 7 pages. Isabelle Ryder #6261369. Published by Isabelle Ryder (A0.1001575). This piano etude evokes the evanescent shimmering of the Northern Lights. For the right hand, the piece is an exercise in filigree finger-work, while for the left hand, the main technique is stride. Fingering should be worked out carefully in the right hand (and creative fingering may be the best option in places!).Aurora Etude was released (as Aurora) on the composer's 2020 album COSMOS, and was a finalist in the 2019 worldwide Fidelio Piano Composing Competition.Duration: 2:11Composer website: https://isabellerydermusic.weebly.com.
Aurora Etude (Solo Piano)
Piano seul

$6.99 6.07 € Piano seul PDF SheetMusicPlus

Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746678 Composed by Johan Fridolf Hagfors. Arranged by Music for all Occasions. Patriotic,World. 9 pages. Keith Terrett #2613291. Published by Keith Terrett (A0.746678). An arrangement of the Ã…land Islands National Song (Song of the Ã…lander - Ã…länningens sÃ¥ng)  for Brass Quintet.Ã…länningens sÃ¥ng (English: Song of the Ã…lander; Finnish: Ahvenanmaalaisten laulu), is the official anthem of the Ã…land Islands, an autonomous Swedish-speaking province of Finland. Adopted in 1922, the anthem's words are by John Grandell and the music was composed by Johan Fridolf Hagfors. The song was first performed during the song festival in Mariehamn 1922. In Ã…land the song is mostly sung on Midsummer's Eve and on the National day of Ã…land in June 9th. The song originally had four verses, but the third verse is omitted for a long time when the song is sung and often when it appears in print.Johan Fridolf Hagfors (11 March 1857–18 August 1931) was a Swedish newspaper publisher, music critic and composer, most known for having composed the two songs ModersmÃ¥lets sÃ¥ng (The mother tongue's song) and Ã…länningens sÃ¥ng (Song of the Ã…lender).Born in Orimattila, he got a Cand.phil degree in 1881. In 1883 he became publicist of the small Ã…bo paper Turun Lehti which was published in Finnish but at the same time Svecoman; it became the only newspaper with that combination to reach a wide readership. He also worked as a teacher in Ã…bo.He composed several songs for male quartets. ModersmÃ¥lets sÃ¥ng was first performed in 1989 and is today considered an unofficial hymn for the Swedish-speaking population of Finland. Ã…länningens sÃ¥ng, for which he composed the melody, was first performed during the song festival in Mariehamn in 1922 and is today the regional hymn for the Ã…land islands.In 1912 he became a member of the Royal Swedish Academy of Music.Due to stiff competition, Turun Lehti ceased publication in 1919. Hagfors subsequently moved to Stockholm and obtained Swedish citizenship. He died in 1931. Fellow composer Erik August Hagfors was his half-brother.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast?  They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com  
Åland Islands National Song (Song of the Ålander - Ålänningens sång) for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$8.99 7.81 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1214004 By Keith Terrett. By Johan Fridolf Hagfors. Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 9 pages. Keith Terrett #811201. Published by Keith Terrett (A0.1214004). Arranged for Brass Quintet, Ålänningens sång (Finnish: Ahvenanmaalaisten laulu; English: Song of the Ålander) is the official anthem of Åland, an autonomous Swedish-speaking province of Finland. Adopted in 1922, the anthem's words are by John Grandell, and the music was composed by Johan Fridolf Hagfors. The song was first performed during the song festival in Mariehamn 1922. In Åland, the song is mostly sung on Midsummer's Eve and on the national day of Åland on 9 June. The song originally had four verses, but the third verse has been omitted for a long time when the song is sung and often when it appears in print.Johan Fridolf Hagfors (11 March 1857–18 August 1931) was a Swedish newspaper publisher, music critic and composer, most known for having composed the two songs Modersmålets sång (The mother tongue's song) and Ålänningens sång (Song of the Ålender).Born in Orimattila, he got a Cand.phil degree in 1881. In 1883 he became publicist of the small Åbo paper Turun Lehti which was published in Finnish but at the same time Svecoman; it became the only newspaper with that combination to reach a wide readership. He also worked as a teacher in Åbo.He composed several songs for male quartets. Modersmålets sång was first performed in 1989 and is today considered an unofficial hymn for the Swedish-speaking population of Finland. Ålänningens sång, for which he composed the melody, was first performed during the song festival in Mariehamn in 1922 and is today the regional hymn for Åland.In 1912 he became a member of the Royal Swedish Academy of Music.Due to stiff competition, Turun Lehti ceased publication in 1919. Hagfors subsequently moved to Stockholm and obtained Swedish citizenship. He died in 1931. Fellow composer Erik August Hagfors was his half-brother.
Ålandic Islands National Song for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Keith Terrett
$8.99 7.81 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together.  This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™­) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major).  In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.  
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
Wynwood Walls

$33.95 29.48 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB

$30.00 26.05 € Chorale SATB PDF SheetMusicPlus






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