Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528409 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 5 pages. Diego Marani #5983279. Published by Diego Marani (A0.528409). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Soprano Sax with Piano Accompaniment reflects faithfully the original.

Cello,Piano - Level 3 - Digital Download SKU: A0.528415 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #5983829. Published by Diego Marani (A0.528415). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Cello with Piano Accompaniment reflects faithfully the original.

Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488256 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 57 pages. Artaria Editions #1065143. Published by Artaria Editions (A0.1488256). Artaria Editions AE383In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.

Clarinet,Piano - Level 3 - Digital Download SKU: A0.528408 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #5983205. Published by Diego Marani (A0.528408). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Bb Clarinet with Piano Accompaniment reflects faithfully the original.

Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488252 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 39 pages. Artaria Editions #1065139. Published by Artaria Editions (A0.1488252). Artaria Editions AE381In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.

Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488255 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 40 pages. Artaria Editions #1065142. Published by Artaria Editions (A0.1488255). Artaria Editions AE382In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.

Piano,Violin - Level 3 - Digital Download SKU: A0.528413 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 10 pages. Diego Marani #5983695. Published by Diego Marani (A0.528413). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Violin with Piano Accompaniment reflects faithfully the original and includes two different keys: D Major and Eb Major.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528407 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #5982561. Published by Diego Marani (A0.528407). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Alto Sax with Piano Accompaniment reflects faithfully the original.

Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488239 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 53 pages. Artaria Editions #1065127. Published by Artaria Editions (A0.1488239). Artaria Editions AE380 In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd

Oboe,Piano - Level 3 - Digital Download SKU: A0.528411 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #5983659. Published by Diego Marani (A0.528411). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Oboe with Piano Accompaniment reflects faithfully the original.

Piano,Viola - Level 3 - Digital Download SKU: A0.528414 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #5983707. Published by Diego Marani (A0.528414). Chopin composed his best-known Nocturne in E-flat major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills.This arrangement for Viola with Piano Accompaniment reflects faithfully the original and includes two different keys: D Major and Eb Major.

Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488834 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065688. Published by Artaria Editions (A0.1488834). Artaria Editions AE379In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets.Paul Bryan, Uwe Grodd.

Easy Piano - Level 1 - Digital Download SKU: A0.562210 Composed by Lidie H. Edmunds, Norwegian Folk Melody. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Score. 1 pages. SamuelStokesMusic.com #5334491. Published by SamuelStokesMusic.com (A0.562210). This is an arrangement of My Faith has Found a Resting Place (No Other Plea) for easy piano in C major.  Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com

Easy Piano - Level 1 - Digital Download SKU: A0.1304819 Composed by Robert E. Benton, Jr. Christian,Instructional,Praise & Worship,Spiritual. Score. 5 pages. Robert E. Benton, Jr. #894242. Published by Robert E. Benton, Jr. (A0.1304819). This hymn’s refrain recounts the LORDs testimony of Himself during Moses’ Exodus 34 encounter in the Cleft of the Rock and views it in the context of Paul’s letters to the Corinthians. The LORD’s name means that He Is Who He Is -- and He proclaims himself merciful and gracious, patient, slow to anger, rich in loving-kindness, faithfulness. He Is Who He Is!The composer has arranged this version of hymn for elementary piano with an optional teacher’s duet. Full lyrics are available as a benefit to the entire family.For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1021645 Composed by Robert E. Benton, Jr. A Cappella,Praise & Worship,Sacred. Score. 2 pages. Robert E. Benton, Jr. #6136447. Published by Robert E. Benton, Jr. (A0.1021645). This hymn’s refrain recounts the LORDs testimony of Himself during Moses’ Exodus 34 encounter in the Cleft of the Rock and views it in the context of Paul’s letters to the Corinthians. The LORD’s name means that He Is Who He Is -- and He proclaims himself merciful and gracious, patient, slow to anger, rich in lovingkindness, faithfulness.  He Is Who He Is!      The hymn is in SATB piano score (hymn) format for congregational singing, choral singing, ensemble, or solo; whether acapella, or with piano accompaniment.   For more information… Website: https://TRUSTHYMN.wordpress.com     Email: TRUSTHYMN@yahoo.com Facebook: https://www.facebook.com/TrustHymn Instagram: https://www.instagram.com/trust_hymn/