Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.736040 Composed by Georg Philipp Telemann. Arranged by Andrew Middleton. Baroque. Score. 9 pages. Andrew Middleton #6114597. Published by Andrew Middleton (A0.736040). From Telemann's First Dozen Fantasias, this Fantasia in D minor has been arranged for oboe duet.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber

Bass Trombone,Clarinet,Euphonium,Trumpet - Level 3 - Digital Download SKU: A0.1013431 Composed by Thomas Lupo. Arranged by R. Nhomi. Baroque. 9 pages. R. Nhomi #6206865. Published by R. Nhomi (A0.1013431). Wind quartet arrangement of Fantasia #9 For 4 Viols by Thomas Lupo. Arranged for Bb Clarinet, Bb Trumpet, Tenor Trombone (or Euphonium), Bass Trombone. Sixth in a collection of 13 pieces for 4 Viols (7 Fantasias, 6 Arias).

Bass Trombone,Clarinet,Euphonium,Trumpet - Level 4 - Digital Download SKU: A0.1013432 Composed by Thomas Lupo. Arranged by R. Nhomi. Baroque. 14 pages. R. Nhomi #6206867. Published by R. Nhomi (A0.1013432). Wind quartet arrangement of Fantasia #10 For 4 Viols by Thomas Lupo. Arranged for Bb Clarinet, Bb Trumpet, Tenor Trombone(or Euphonium), Bass Trombone. Seventh in a collection for 13 pieces for 4 Viols ( 7 Fantasias, 6 Arias).

Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.736042 Composed by Georg Philipp Telemann. Arranged by Andrew Middleton. Baroque. Score. 9 pages. Andrew Middleton #6114601. Published by Andrew Middleton (A0.736042). From Telemann's First Dozen Fantasias, this Fantasia in D minor has been arranged for oboe duet. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber

String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298204 Composed by Giles Farnaby. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #888177. Published by jmsgu3 (A0.1298204). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

String Trio - Level 3 - Digital Download SKU: A0.951057 Composed by Jason Sullivann (b.1969). 20th Century,Instructional,Renaissance. 12 pages. Green Bicycle Music #3638557. Published by Green Bicycle Music (A0.951057). New Music for String Trio. This is from a set of Preludes and Fantasias in Neo-Renaissance style. These pieces are of intermediate difficulty, being intended originally as both practice- and concert-style pieces to help younger players develop chamber music skills. However, they could also be valuable to working (Professional) string groups as economically-priced short, common-practice harmony pieces that can serve to bolster the repertoire of working trios, or even for quartets as a subtle way to give one of the Violin players a break!

Tuba Solo - Level 5 - Digital Download SKU: A0.810859 Composed by Telemann, G. F. Arranged by Sauer, Ralph. Baroque,Classical. Individual part. 8 pages. Gordon Cherry #3636245. Published by Gordon Cherry (A0.810859). These Fantasias are part of a collection of Twelve Fantasias for Viola da Gamba Solo, originally published in 1735 but considered lost until rediscovered in 2015. Mr. Sauer has beautifully transcribed them for unaccompanied Tuba or Bass Trombone and are appropriate for advanced performers. His editorial dynamics have been included as suggestions. Each of the Three Fantasias has contrasting fast and slow movements.

Trombone Solo - Level 5 - Digital Download SKU: A0.810854 Composed by Georg Philipp Telemann. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Individual part. 8 pages. Gordon Cherry #3561783. Published by Gordon Cherry (A0.810854). These Fantasias are part of a collection of Twelve Fantasias for Viola da Gamba Solo, originally published in 1735 but considered lost until rediscovered in 2015. Mr. Sauer has beautifully transcribed them for unaccompanied Tenor Trombone and are appropriate for advanced performers. His editorial dynamics have been included as suggestions. Each of the Three Fantasias has contrasting fast and slow movements. This edition will also soon be available on iTunes as an eBook.

Piano Solo - Level 4 - Digital Download SKU: A0.890683 Composed by John Pitts. 20th Century,Contemporary,Standards. Score. 79 pages. Intensely Pleasant Music #2957943. Published by Intensely Pleasant Music (A0.890683). A collection of 7 Airs & Fantasias for solo piano. The airs are essentially melody-dominated, and the fantasias are pieces in free form with a minimalistic use of repeated and rotating patterns.

Guitar - Level 4 - Digital Download SKU: A0.905955 Composed by Georg Philipp Telemann. Arranged by Gerry Saulter. Baroque,Standards. Guitar Tab. 16 pages. Serenade Music #5721255. Published by Serenade Music (A0.905955). Georg Philipp Telemann's Twelve Fantasias for solo flute sans bass were originally published sometime between 1727-1732. Here are two of the Fantasias adapted and arranged for solo guitar. Included are the uplifting and effervescent No. 5 in C major, and the mysterious No. 6 in D minor. In an effort to make these works more functional for guitarists of all styles, I have included a tablature staff, as well as fingerings, positions, and even chord symbols.

Piano - intermediate - Digital Download SKU: S9.Q24191 Composed by Georg Philipp Telemann. This edition: Sheet music. Georg philipp telemann - piano - fantasy - collection. Schott Piano Classics. Downloadable. Schott Music - Digital #Q24191. Published by Schott Music - Digital (S9.Q24191). The piano fantasias by Telemann compiled in this edition are a small selection of his three times twelve fantasias which have been accessible to a wide audience thanks to a scientific reprint by Max Seiffert for many years. Yet, these musically and pianistically charming pieces have seldom come into the hands of pianists and teachers. This shall be remedied by this small selection.