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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.797785 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. 20th Century,Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5792281. Published by Derek Hasted (A0.797785). THE DREAM OF OLWEN - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic piece was written as an integral part of the film While I Live, and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.The flute part has a compass from Middle C to the G two-and-a-half octaves up and suits an intermediate player.The guitar part will suit an advanced intermediate player - much of the music is fingered for ease of playing.My arrangement captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar and flute to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a piece lasting almost 4 minutes. The ability of the flute to hold a long note makes the music come alive and blossom even more.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment retains much of the original harmony and rhythm, but tailored to the gentle sounds of the flute and guitar.I hope you enjoy playing this piece!Dedicated to the memory of my maternal grandmother Olwen
The Dream Of Olwen
Flûte et Guitare
Pamela Page
$4.99 4.24 € Flûte et Guitare PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.39 € Chorale TTBB PDF SheetMusicPlus

Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
Que Garota Linda (Bb leadsheet)

$3.99 3.39 € PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4666 Arranged by Carl Hess. Fathers & children, Advice, Marriage, Wealth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4666). You'll Never Miss the Water Till the Well Runs Dry. Original Motto Song. Arranged by Carl Hess. Published 1874 by M. Gray's Music Stores, 623 & 625 Clay Street in San Francisco. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Fathers & children, Advice, Marriage, Wealth. First line reads When a child I lived at Lincoln, with my parents on the farm.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
You'll Never Miss the Water Till the Well Runs Dry. Original Motto Song
Chorale SATB

$5.99 5.09 € Chorale SATB PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.836707 Composed by Brian Joyce. Christmas,Contemporary. Score and parts. 67 pages. Brian Joyce #3226073. Published by Brian Joyce (A0.836707). What’s Christmas without a few toys? Here is a new suite of older carols for string quartet in which each musician is required to play a wee bit of percussion in addition to his or her real instrument. The potential for entertaining visual theater is nearly as high as the potential for mishap. (If all goes according to plan, nothing should actually go airborne.)This is something of a sequel to my earlier Christmas quartet And Therefore Be Merry, which has never been out of print since it was first published over twenty years ago. But where that work was a continuous medley, this is a set of independent and more fully developed movements, each able to stand on its own. As mentioned above, each member of the quartet is responsible for a small item of percussion. These are all things which could readily be found in a local school band room: a triangle, a tambourine, a suspended cymbal - played with a soft (yarn) stick - and a small frame drum, played with the bare hand. These are all earlier, earthier carols than what one typically finds on the radio or playing over the speakers at the mall. They include Gloucestershire Wassail, Riu Riu Chiu, Angelus ad Virginem, The Sans Day Carol, The Wexford Carol, and Masters in This Hall. Being perhaps less familiar, they bring a welcome respite from the overworked seasonal fare we all hear a bit too much of each year. They speak of simpler times, and of a far less frantic approach to Christmas. These fresh and inventive arrangements will make a useful addition to a quartet’s repertoire, provided the players have the requisite spirit of adventure. Score and Parts total 67 pages. Performance time is about 14 minutes.
Hear Ye Newes Today: Six Traditional Carols for Christmas
Quatuor à cordes: 2 violons, alto, violoncelle

$19.95 16.95 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Alto Saxophone,Bass Guitar,Drums,Organ Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1208649 By Stevie Nicks With Tom Petty. By Mike Campbell and Tom Petty. Arranged by farleyjc@gmail.com. Pop,Rock. 56 pages. Jim Farley arrangementsone.com #806750. Published by Jim Farley arrangementsone.com (A0.1208649). This is arranged for a 7-8 piece horn band, including: Directors Score, Organ/Vocals/Chords, Guitar, Bass Guitar, Drums, Alto Sax, Tenor Sax (identical to Alto), Trumpets 1 & 2 and Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970's, and has thousands of works, spanning various genres in his catalogue: Musical Theater, College and High School Pep Band, Orchestra, Show Choir, Cruise Ship Performers as well as arranging for dozens of classic rock horn bands throughout the U.S., Canada & Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, contact Jim at: farleyjc@gmail.com and visit his website at ARRANGEMENTS ON E!
Stop Draggin' My Heart Around
Stevie Nicks With Tom Petty
$74.99 63.73 € PDF SheetMusicPlus

Choral Choir (TB) - Level 3 - Digital Download SKU: A0.784833 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11757. Published by DF McCorkle Music and eBook Publications (A0.784833). ACT TWO: Song 7. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:1-7… - And Yahweh sent Nathan to David. And he came unto him, and said unto him: ‘There were two men in one city: the one rich, and the other poor. 2 The rich man had exceeding many flocks and herds; 3 but the poor man had nothing save one little ewe lamb, which he had bought and reared; and it grew up together with him, and with his children; it did eat of his own morsel, and drank of his own cup, and lay in his bosom, and was unto him as a daughter. 4 And there came a traveler unto the rich man, and he spared to take of his own flock and of his own herd, to dress for the wayfaring man that was come unto him, but took the poor man’s lamb, and dressed it for the man that was come to him.’ 5 And David’s anger was greatly kindled against the man; and he said to Nathan: ‘As Yahweh lives, the man that hath done this deserves to die; 6 and he shall restore the lamb fourfold, because he did this thing, and because he had no pity.’ 7 And Nathan said to David: ‘You art the man.’…] The news is brought back to DAVID and BATHSHEBA. After an appropriate period of mourning, DAVID calls for BATHSHEBA and takes her as his wife and eventually gives birth to a son. DAVID in the meantime still conceals to himself the actions that precipitated URIAH’S death. NATHAN confronts DAVID about a rich man in the town who has stolen a lamb from a poor man. DAVID outraged at the injustice tells NATHAN that the man will die for his unfeeling actions. NATHAN then reveals that he (DAVID) is that man [There Were Two Men – Nathan and the Prophetess’]. Now at last the matter is exposed and David must face his actions. As NATHAN and the prophets leave, one of DAVID’S men comes in and tells him that his son has died. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
There Were Two Men (Nathan the Prophet and King David) from "The Kings" - ACT 2:Song 7
Chorale 2 parties

$2.99 2.54 € Chorale 2 parties PDF SheetMusicPlus

Marching Band - Level 3 - Digital Download SKU: A0.1451643 By Mel McDaniel. By Bob McDill. Arranged by Derek Stoughton. 20th Century,Country. 19 pages. DCS Productions #1030946. Published by DCS Productions (A0.1451643). Louisiana Saturday Night is a lively and upbeat country song by Mel McDaniel, released in 1981. The track celebrates the joy and camaraderie of a typical Saturday night in rural Louisiana. It captures the essence of Southern hospitality and fun, with lyrics depicting a festive gathering where family and friends come together to enjoy food, music, and dancing. The song's catchy chorus and infectious rhythm make it a staple at parties and gatherings, embodying the spirit of good times and community. McDaniel's spirited performance and the song's lively instrumentation have cemented it as a beloved classic in the country music genre. This arrangement for marching band promises to bring a touch of Southern charm and infectious fun to any performance!
Louisiana Saturday Night
Fanfare
Mel McDaniel
$50.00 42.49 € Fanfare PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.765123 By The Commodores. By Terry Skinner. Arranged by Jim Farley www.arrangementsone.com. Rock. Score and parts. 47 pages. Jim Farley arrangementsone.com #3925547. Published by Jim Farley arrangementsone.com (A0.765123). Arranged for 7 piece horn band... with guitar solo written out... Also included: Conductor Score, Piano/Vocal/Chords, Lead Sheet, Guitar, Bass Guitar, Alto Sax, Trumpet & Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
Easy
The Commodores
$39.99 33.98 € PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.765092 By Lynyrd Skynyrd. By Ed King, Gary Rossington, and Ronnie Van Zant. Arranged by Arranged by Jim Farley. Rock. Score and parts. 73 pages. Jim Farley arrangementsone.com #3071089. Published by Jim Farley arrangementsone.com (A0.765092). Arranged for 10 piece horn band. Instrument charts included: Conductors Score, Piano/Vocal/Chords, Guitar, Bass Guitar, Drums, Alto Sax, Tenor Sax, Bari Sax, Trumpets I & II & Trombone.Guitar and piano solo's are written out.ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
Sweet Home Alabama
Lynyrd Skynyrd
$40.00 33.99 € PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.765166 By Paul Mccartney & Wings. By Linda McCartney and Paul McCartney. Arranged by Jim Farley www.arrangementsone.com. Contemporary,Pop,Rock. Score and parts. 26 pages. Jim Farley arrangementsone.com #4991621. Published by Jim Farley arrangementsone.com (A0.765166). (Tenor & Alto sax parts are identical in their corresponding keys for bands with one or the other)Guitar chart is chords only with lead written outABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
My Love
Paul Mccartney & Wings
$39.99 33.98 € PDF SheetMusicPlus






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