Full Orchestra - Level 3 - Digital Download SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages. Kevin Riley #720042. Published by Kevin Riley (A0.1118521). Walking in the Air is a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs' 1978 children's book of the same name. The song forms the centrepiece of The Snowman, which has become a seasonal favourite on British and Finnish television. The story relates the fleeting adventures of a young boy and a snowman who has come to life. In the second part of the story, the boy and the snowman fly to the North Pole. Walking in the Air is the theme for the journey. They attend a party of snowmen, at which the boy seems to be the only human until they meet Father Christmas with his reindeer, and the boy is given a scarf with a snowman pattern. In the film, the song was performed by St Paul's Cathedral choirboy Peter Auty, and reissued in 1985 (on Stiff Records) and 1987. In 1985, an altered version was recorded for use in a TV advertising campaign for Toys R Us. As Auty's voice had then broken, Blake recommended the then-14-year-old Welsh chorister Aled Jones, whose recording reached number five in the UK Singles Chart, and who became a popular celebrity on the strength of his performance. The association of the song with Jones, combined with Auty not being credited on The Snowman, led to a common misbelief that Jones performed the song in the film. Walking in the Air has subsequently been performed by over forty artists, in a variety of styles. In a UK poll in 2012, the Aled Jones version was voted 13th on the ITV television special The Nation's Favourite Christmas Song.

String Orchestra - Level 1 - Digital Download SKU: A0.1005101 Composed by Ron Flintjer. Contemporary. Score and parts. 10 pages. Ron Flintjer #5041951. Published by Ron Flintjer (A0.1005101). Entrance of the Matador evokes the anticipatory excitement of the bull ring.  Will the matador triumph of will he met his demise?  The music builds throughout, from the matador's entrance to the final minutes of the life or death scenario.  Once the last note is played, the audience must answer the question for themselves.  Who has fate smiled upon?  The bull or the matador?This piece is written in three part harmonization and comes complete with full score and parts for violin 1, violin 2, viola, cello and string bass.  Viola doubles 2nd violin and cello doubles string bass for a rich, full-sounding, three part harmony.  All parts are in 1st position.  Should you have any questions, feel free to contact the composer at ronflintjer@gmail.com

Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape.  Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache.  My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful.  With me poetry has not been a purpose, but a passion. Edgar Allan Poe.  Warning:  Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.  

Solo Guitar - Level 1 - Digital Download SKU: A0.992964 By Fats Domino. By Antoine Domino and Dave Bartholomew. Arranged by NYC Guitar School. R & B,Rock. Individual part. 3 pages. NYC Guitar School #3590115. Published by NYC Guitar School (A0.992964). This awesome 3 chord song can be played with just A, D, and E,. If you take week 8 of NYC Guitar School's Guitar For Absolute Beginners class, you'll know everything you need to play Ain't That A Shame. For free tutorials visit www.guitarlessons.nyc, and to take online classes, video chat lessons or classes in person in NYC visit www.nycguitarschool.com.  .

String Orchestra - Level 3 - Digital Download SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811977. Published by Keith Terrett (A0.1511019). An arrangement for String Orchestra of the national anthem of Finland. There are also versions for Brass Quintet & Symphony Orchestra in my two stores.Maamme (Finnish: [?m??m?e]) or Vårt land (Finland Swedish: [?vo?rt ?l?n?d]; both meaning Our Land) is Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with (original Swedish) words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. Originally it was written for the 500th anniversary of Porvoo and for that occasion it was Runeberg himself who wrote the music.The poem has been influenced by the Szózat (Appeal) of Mihály Vörösmarty, both in style and content.[The melody of Maamme is also used for the national anthem of Estonia with a similarly themed text, Mu isamaa, mu õnn ja rõõm (My Fatherland, My Happiness and Joy, 1869).It is also considered to be the ethnic anthem for the Livonians as Min iz?m? (My Fatherland).The original poem, written in 1846 but not printed until 1848, had 11 stanzas and formed the prologue to the verse cycle The Tales of Ensign Stål (Fänrik Ståhls Sägner), a classic example of Romantic nationalism. The current Finnish language text is usually attributed to the 1889 translation of Ensign Stål by Paavo Cajander, but in fact originates from the 1867 translation by Julius Krohn.The Tales of Ensign Stål were much appreciated throughout all of Scandinavia. Up until the time of Finland's independence in 1917 and 1918, when the song began to be recognized as specifically applying to Finland, Pacius's tune and Runeberg's text were often also sung in Denmark, Norway, and Sweden. Note that in the original Swedish text there is no reference to Finland (except for in verses 4 and 10, which are rarely sung), only to a country in the north, but the Finnish text explicitly refers to Finland. The poem's theme is, furthermore, remarkably similar to that of the national anthems of Sweden (Du gamla, Du fria) and Norway (Ja, vi elsker dette landet).[citation needed]There is no law regarding an official national anthem in Finland, in the way the coat of arms and flag of Finland are legally defined. Instead its position has been established gradually by convention over the years.Today, Maamme is firmly established by convention. Children learn it in school; in formal occasions it is sung both in Finnish and in Swedish. It is played at sporting events, such as the Olympics. In the 1880s and in the 1920s there were more attempts to replace it with a Finnish language version but these ceased by the 1930s. Some Finns have proposed that the Finnish national anthem be changed to Finlandia by Jean Sibelius, with lyrics by V.A. Koskenniemi (Finnish) and Joel Rundt (Swedish). There are also those who simply prefer Finlandia as a musical piece, although critics claim that it is difficult to sing.[citation needed]It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death.The melody of Maamme has similarities with the German drinking song Papst und Sultan. Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, Sotilaspoika, composed by Pacius, also includes similarities with Papst und Sultan.[citation needed]During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name Ludvig Borga) entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.

Concert Band - Level 2 - Digital Download SKU: A0.1373472 By Kate Bush. By Kate Bush. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Singer/Songwriter. 46 pages. John Ivor Holland #957837. Published by John Ivor Holland (A0.1373472). Cloudbusting is a song written, produced and performed by English singer Kate Bush. It was the second single released from her fifth studio album 'Hounds of Love' (1985). Cloudbusting peaked at No. 20 on the UK Singles Chart. Taking inspiration from the 1973 Peter Reich memoir A Book of Dreams, the song is about the very close relationship between psychiatrist and philosopher Wilhelm Reich and his young son, Peter, told from the point of view of the mature Peter. It describes the boy's memories of his life with Reich on their family farm, called Orgonon, where the two spent time cloudbusting, a rain-making process which involved using a machine pointing at the sky. The lyrics further describe Reich's abrupt arrest and imprisonment, the pain of loss the young Peter felt, and his helplessness at being unable to protect his father. The predominant string texture has been retained in this concert band arrangement, transposed to a more band-friendly key and the thumping percussion recalls Kate Bush's megahit 'Running Up That Hill'. Arranged as part of a project to expand the repertoire of music for concert band by women composers.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1213072 By Jonathan Sharp - Hugues Jocelyn Cano. By Hugues Jocelyn Cano. Arranged by Hugues Jocelyn Cano. Blues,Comedy,Jazz. Score. 9 pages. Www.westbeingpublishing.com #810248. Published by www.westbeingpublishing.com (A0.1213072). Old Jack the Turtle reincarnation of Liya's Grandfather is now in the Fantasy World of LilYpada a Giant Turtle reminding her of the virtue of Patience through this hilarious Burlesque number where Jack sings he is Old however watch these moves as he blows the house fronting a corps the Ballet of Cabaret ladybugs dancers. An Old Time Blues like a good old whisky that will jump-start your living room in the mood to groove and party.

Clarinet Duet - Level 3 - Digital Download SKU: A0.545691 Composed by Various. Arranged by Cindy Blevins. Folk. 2 scores. 55 pages. Cindy Blevins #6245251. Published by Cindy Blevins (A0.545691). This is a book of 12 beautiful, playable folk song arrangements for two clarinets. You receive the scores and both separate parts. The songs are: All Through the Night, Barbara Allen, Bicycle Built For Two, Down In the Valley, Grandfather's Clock, Home On the Range, Loch Lomond, Oh, Shenandoah, Red River Valley, Scarborough Fair, Simple Gifts, The Ash Grove. Please check out the music samples for play-ability for your ensemble. The samples don't always look normal. The music looks perfect in your pdf. The audio sample is from Simple Gifts.  

Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages. Chris Siddall Music Publishing #803129. Published by Chris Siddall Music Publishing (A0.1204655). Writer-producer George Miller, the director behind the Mad Max movies, had heard about Dick King-Smith’s children’s book The Sheep-Pig and dreamed about turning it into a movie. When it came to writing the score he turned to Jerry Goldsmith, with whom he had previously collaborated on his segment of Twilight Zone: The Movie (Nightmare at 20,000 Feet). Fate however, stepped in when Jerry sent his work in progress. Miller felt that the music was too beautiful and lyrical, that it should play up the darker moments in the story. With a typically busy schedule, Goldsmith had no time available to rewrite the score, so the process of selecting a replacement began. Babe was being produced in Australia, which made communicating with LA-based composers a challenge, so six local composers were invited to audition, and Nigel Westlake was selected for the role. Westlake deftly weaves well-known classical themes such as Saint-Saens’ Organ Symphony and Delibes’ Pizzicati from the ballet Sylvia into his score, which sparkles and shines like the unprejudiced heart of the titular pig.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

Piano Solo - Level 4 - Digital Download SKU: A0.1477653 Composed by C. Austin Miles. Arranged by Amy J Snyder. Christian,Religious,Sacred. Score. 5 pages. Amy J. Snyder #1055011. Published by Amy J. Snyder (A0.1477653). I Come to the Garden is a timeless classic hymn written by C. Austin Miles. This lovely arrangement is for advanced intermediate piano solo, key of A Major, and contains lots of helpful fingering and dynamics. Use lots of rubato for a nice effect. Always bring out the melody when it is surrounded by a 2nd voice in the R.H. This song is perfect for church preludes, offertories,  special music, and retirement home entertainment. If you enjoy this arrangement, check out Amy's other hymn, gospel, and contemporary Christian solos such as Amazing Grace, O the Deep Deep Love, If My People, Christ the Lord is Risen Today, Christ Arose, Wonderful Words of Life, His Eye is on the Sparrow, No One Ever Cared For Me Like Jesus, Near the Cross/Nearer My God to Thee, Oceans, Good Good Father, I've Just Seen Jesus, Via Dolorosa, I Can Only Imagine, and many patriotic songs also! Visit Amy at https://www.facebook.com/amyjsnyder7 .

Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody� refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:      I still hear you in the breeze,      See your shadows in the trees;      Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody� Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!

Horn & piano - Grade 4 - Digital Download SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital #IMS1512. Published by Imagine Music - Digital (IZ.IMS1512). 9 x 12 in inches.For Horn & Piano.By Daniel BaldwinIn the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band (Paul White, director) in the winter of 2010. It was commissioned after the death of a recent graduate, Tanner Born, a euphonium player who participated in the band for all four years of high school. Tanner's parents funded the commission in his memory and asked that I not just make it a memorial piece, but a celebration of his life. Tanner was an avid bowler (illustrated in the rhythmic and celebratory middle section), golfer, and band member.In the Silence is by turns beautiful and contemplative, as well as dark and dramatic, framing an enjoyable and rhythmic affirmation of life. The piece was premiered on Tuesday, May 10, 2011 by the Holcomb High School band, Jim Krohn conducting, with Travis Keller as the euphonium soloist. I had the distinct honor of sitting in Tanner's chair and playing euphonium with the band at the premiere.It was just around a year earlier that Tanner had started attending the church in Garden City where I was choir director in 2009. I was introduced to him and remember a kind face. It was a surreal experience when I was reminded of that introduction after the premiere.You never know where life will take you and how our lives can be intertwined with the lives of others without even being aware of it. It was a wonderful reminder to me that with just a simple twist of fate, the smallest of moments can lead to some of the most powerful moments in our lives.

Piano and voice - Digital Download SKU: LV.14589 Composed by Nelson Kneass. Domestic life, Log cabins, Families, Churches, Rowboats, Human life cycle. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14589). Gently Down the Stream. Words & Music by Nelson Kneass. Published 1854 by Berry & Gordon, 297 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Domestic life, Log cabins, Families, Churches, Rowboats, Human life cycle. First line reads Down by the river our log hut stands, Where father and mother once dwelt.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.24006 Composed by Gilbert C. Tennant. World War I, Families, Soldiers, Religion, Peace, War casualties, Patriotism. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24006). When God Turns the Trenches to Gardens Again. Words and Music by Gilbert C. Tennant. Published 1918 by The Key Music Pub. Co. in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include World War I, Families, Soldiers, Religion, Peace, War casualties, Patriotism. First line reads A father and mother sat close to each other by the fire one night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.