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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1211655 Composed by Edvard Grieg (1843-1907). Arranged by Andrew Lamb. 19th Century,Romantic Period. 16 pages. Andrew Lamb #809267. Published by Andrew Lamb (A0.1211655). Title: Ave Maris StellaComposer: Edvard Grieg (1843-1907)Arranger: Andrew LambDescription: This is my transcription of Ave Maris Stella by Norwegian composer and pianist Edvard Grieg (1843-1907)Edvard Grieg was a Norwegian composer and pianist born on June 15, 1843, in Bergen, Norway. He came from a musical family and showed great talent for music at a young age. He studied at the Leipzig Conservatory in Germany, where he was exposed to the music of leading German composers, such as Robert Schumann and Felix Mendelssohn.Grieg composed a variety of works, including orchestral music, chamber music, songs, and piano pieces. He is best known for his composition “Peer Gynt,†which includes the popular suite “In the Hall of the Mountain King.†Other famous works by Grieg include the Piano Concerto in A Minor and the Holberg Suite.Throughout his career, Grieg was devoted to promoting Norwegian music and culture. He was a central figure in the Norwegian music scene and worked to establish a national identity through his music.Grieg’s influence on Norwegian music was significant, and he is considered one of the leading figures in the Norwegian Romantic movement. His music was also highly regarded by his contemporaries, including Johannes Brahms and Claude Debussy.Edvard Grieg died on September 4, 1907, in Bergen, Norway, at the age of 64. His contributions to classical music were significant and he left a lasting legacy on Norwegian and European music.
Ave Maris Stella (Vespers Hymn)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$12.00 10.52 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.806943 Composed by Henry T. Smart, Felix Mendelssohn, Traditional French Melody. Arranged by Glen Poehlmann. Christmas,Sacred. 14 pages. Arrangements by GPoehlmann #6168253. Published by arrangements by GPoehlmann (A0.806943). CHRISTMAS ANGELS MEDLEY for WOODWIND QUARTET (unaccompanied)Delightful medley for 2 Flutes, Oboe & Bb Clarinet that includes: Hark! the Herald Angels Sing; Angels from the Realms of Glory; and Angels We Have Heard on High.76 measures.  Performance Time approx 3:00.  Medium in Difficulty (Grade 3+)Key: G.   Meter: 4/4 - 3/3 - 2/4.   Instrument Ranges (C4=middle C):Flute 1 F#4 - G6.   Flute 2 F#4 - E6.   Oboe #4 - G5.   Clarinet A3 - C#5 (written) Parts included (PDF): Score, Flute 1, Flute 2, Oboe, Clarinet
CHRISTMAS ANGELS MEDLEY - WOODWIND QUARTET (3 carol medley)

$5.00 4.38 € PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Baritone Horn & Piano

$24.95 21.88 € PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Trumpet & Piano
Trompette

$24.95 21.88 € Trompette PDF SheetMusicPlus






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