String Orchestra - Digital Download SKU: A0.819701 Composed by Felix Bartholdy Mendelssohn. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 38 pages. J.G. Cuco Barber #5993293. Published by J.G. Cuco Barber (A0.819701). Composer Mendelssohn, FelixOpus/Catalogue Number MWV N 1Key C majorMovements/Sections 3 movementsAllegro (C major, 116 bars)Andante (A minor, 115 bars)Allegro (C major, 118 bars)Year/Date of Composition 1821Average Duration 11 minutesComposer Time Period RomanticPiece Style ClassicalInstrumentation String Orchestra:Violin IViolin IIViolaVioloncelloContrabass

String Orchestra - Digital Download SKU: A0.819706 Composed by Felix Bartholdy Mendelssohn. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 81 pages. J.G. Cuco Barber #5993307. Published by J.G. Cuco Barber (A0.819706). Composer Mendelssohn, FelixOpus/Catalogue Number MWV N 7Key D minorMovements/Sections 4 movementsAllegro Andante amorevole Menuetto – Trio Allegro moltoYear/Date of Composition 1822Composer Time Period RomanticPiece Style RomanticInstrumentation: String Orchestra: Violin IViolin IIViolaVioloncelloContrabass

String Orchestra - Digital Download SKU: A0.819704 Composed by Felix Bartholdy Mendelssohn. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 33 pages. J.G. Cuco Barber #5993299. Published by J.G. Cuco Barber (A0.819704). Composer Mendelssohn, FelixOpus/Catalogue Number MWV N 4Key C minorMovements/Sections 3 movementsGrave – Allegro (C minor, 144 bars)Andante (C major, 82 bars)Allegro vivace (C minor, 95 bars)Year/Date of Composition 1821Average Duration 8 minutesComposer Time Period RomanticPiece Style ClassicalInstrumentation: String Orchestra: Violin IViolin IIViolaVioloncelloContrabass

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1226712 By Felix Bartholdy Mendelssohn. By Frederic Chopin. Arranged by Ygor Nunes. 19th Century,20th Century,Broadway,Film/TV,Musical/Show,Wedding. 9 pages. Ygor Nunes #822712. Published by Ygor Nunes (A0.1226712). Wedding March, Wedding, March, Wedding March piano, Wedding March easy piano, Wedding March piano easy, Midsummer Night's Dream, Wedding March from Midsummer Night's Dream, Mendelssohn,  Mendelssohn easy, Mendelssohn quartet, Mendelssohn easy quartet, Wedding March, Wedding, March, Wedding March woodwind quartet, Wedding March easy woodwind quartet, Wedding March piano easy, Midsummer Night's Dream, Wedding March from Midsummer Night's Dream, Mendelssohn,  Mendelssohn easy, Mendelssohn woodwind quartet, Mendelssohn easy sax quartet, Wedding March sax quartet, Wedding March easy sax quartet, Wedding March piano easy, Midsummer Night's Dream, Wedding March from Midsummer Night's Dream, Mendelssohn,  Mendelssohn easy, Mendelssohn sax quartet, Mendelssohn easy sax quartet, saxophone, saxophone quartet.

Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.844466 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3384667. Published by Phil Beaman (A0.844466). This beautiful tune was written by Felix Mendlessohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint.  This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendlessohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendlessohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)

SATB choir with optional, a cappella (With Optional a cappella) - Intermediate - Digital Download SKU: LX.15-1084 SATB A Cappella. Composed by Felix Bartholdy Mendelssohn. Edited by Francis J Guentner. Prima Cantate Series. Educational. Octavo. 16 pages. Roger Dean Publishing #e15/1084. Published by Roger Dean Publishing (LX.15-1084). UPC: 000308037371.The part song, written for mixed choruses or equal-voiced ensembles, was a form actively cultivated by nineteenth-century German composers, Schubert, Schumann, Weber, Brahms -- and in this case, Mendelssohn. In fact, Mendelssohn wrote more than 25 of these very attractive pieces. The songs were intended for amateur or semi-professional groups. Their texture is for the most part homophonic, and they were to be sung without accompaniment. The lyrics of some of the finest German poets were often chosen for the texts and Mendelssohn has used texts by Uhland for both of these settings.