Brass Ensemble Trombone,Trumpet - Digital Download SKU: A0.990163 Composed by Don Bowyer (Sunway University). Jazz. Score and parts. 28 pages. Dolphin Don's Music School #6454121. Published by Dolphin Don's Music School (A0.990163). This fast Latin tune alternates between a 6/8 and 3/4 feel. It is arranged here for a Latin brass ensemble, with three trumpets, three trombones, and rhythm.

Concert Band - Level 4 - Digital Download SKU: A0.1325806 Composed by Julian Work. Arranged by R. Anderson Collinsworth. 20th Century,Classical,Contest,Festival. 83 pages. R. Anderson Collinsworth #908720. Published by R. Anderson Collinsworth (A0.1325806). Autumn Walk is a miniature tone poem that reverberates Work’s compositional style, imbued with rich tonal harmonies, lyrical melodic ideas, and sensitive orchestrations that radiate with imaginative tone color. It was composed in 1958, and was a notable addition among the repertoire recorded by Frederick Fennell and the Eastman Wind Ensemble for the American Concert Band Masterpieces album in 1959 (Mercury Records MG-50220). Autumn Walk is, in its own right, a marvelous composition, but listening to the 1959 EWE recording, one notices a remarkable difference from the published score, including additional passages that sound organically conceived. In his discography of Fennell’s recordings entitled Ffortissimo, Roger Rickson simply noted the work was recorded with “FF edits.� However, it has been recently revealed that it was Donald Hunsberger, then a graduate student and member of the EWE, who was responsible for adding the enhancements heard on the EWE recording. Shortly before his death in November 2023, Hunsberger stated “FF and I were discussing the piece after a rehearsal (I did a lot of rehearsing for him that year as he was away doing President of CBDNA) concerning some of the thinness of sound… I had just spent 4 years with the Marine Band in Washington, playing trombone and serving as resident arranger. I had been trying to upgrade the band's sound, experimenting with all kinds of orchestration, and told FF that I would work over the score and enrich it in various ways.�This revised edition incorporates the additional passages conceived by Hunsberger and reconciles minor errors and other orchestrational aspects.

Medium-High Voice,Vocal Solo - Digital Download SKU: A0.1306849 Composed by Hildegard Von Bingen. Arranged by Early Music Scores. Medieval,Sacred. 2 pages. Early Music Scores #896183. Published by Early Music Scores (A0.1306849). VoiceComposed by Hildegard von Bingen (1098-1179). From Riesencodex ff.474r-ff.474v. Edited by Felipe Dias. 2 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1161723 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762099. Published by Early Music Scores (A0.1161723). Voice and continuo: composed by Anonymous. 17th century. From Oxford, MS Tenbury 1018, ff.44v; British Library, Add. MS 10337, ff.55v. Edited by Felipe Dias. 2 pages.

String Ensemble Cello - Level 5 - Digital Download SKU: A0.1287664 Composed by Ludwig van Beethoven. Arranged by Raïff Dantas Barreto. 19th Century,Chamber,Instructional,Opera,Romantic Period. 96 pages. Artistic Score Engraving di Galvagno Michele #878689. Published by Artistic Score Engraving di Galvagno Michele (A0.1287664). The Egmont Overture, Op. 84, composed by Ludwig van Beethoven in 1809-10, occupies a firm and secure place among the stars of the most-dramatic music firmament. Originally conceived for orchestra, this edition proposes it in an arrangement for 8 cellos by Brazilian Maestro Raïff Dantas Barreto. It comes in a full score and a set of the eight cello parts, all with perfect page turns.Listen to how M° Barreto plays all the eight parts together in this video:.

Organ - intermediate to advanced - Digital Download SKU: S9.Q6423 Die Marianische. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q6423. Published by Schott Music - Digital (S9.Q6423). As a counterpart to the Organ Symphony No. 1 Pater Noster (ED 9937), the Organ Symphony No. 2 offers softer and more mysterious (Marian) sound worlds, sketching stages of Mary's life: an adoring Salve Regina grows from the mystic source, followed by Berceuse pour Marie as a lullaby of the Christmas events. The third movement Mater Dolorosa falls back on the well-known Gregorian sequence Stabat Mater, taking Mary's pain at the cross as its central theme. The finale treats the Ave Maris Stella in a crescendo from pp to ff in a positive and solemn manner, in memory of Mary's assumption. It is advisable to use an organ with at least three manuals.Als Gegenstück zur Orgelsinfonie Nr.1 Pater Noster bietet die 2. Orgelsymphonie weichere und geheimnisvollere (eben marianische) Klangwelten an und skizziert Stationen aus Marias Lebensweg. Als Instrument empfiehlt sich eine Orgel mit mindestens drei Manualen.

Solo Guitar - Level 5 - Digital Download SKU: A0.1305479 Composed by Edward Collard (fl. 1595-1599). Arranged by Nick Shinbin. Renaissance. Individual part. 3 pages. Nick Shinbin #894924. Published by Nick Shinbin (A0.1305479). This Pavan was written by Edward Collard, with the tablature appearing in the Holmes Lute Books Volume 2 (MS Dd.5.78.3, ff. 4v-5r, Cambridge University Library).

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.727316 Composed by Carol Troutman Wiggins. Classical,Contemporary,Easter,Latin,Sacred. Octavo. 11 pages. Carol Troutman Wiggins #3451251. Published by Carol Troutman Wiggins (A0.727316). Dies Irae (Text from the Requiem Mass, Roman Missal) SAB/3-Part Mixed ChorusThis text taken from the requiem Mass in the Roman Missal is attributed to Thomas of Celano (13th century).The English translation is adapted from William Josiah Irons (1848).Excellent for advanced middle school, high school, college, or adult choirs.Majestic, driving accompaniment supports a detached melody alternating with legato passages                                       Dynamics range from p < ff with lots of crescendos & decrescendos.Latin to English textChords included for additional instrumentsPiano Rehearsal Track available on this site. .

Vocal Solo,Voice - Digital Download SKU: A0.1455104 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Early Music. 2 pages. Early Music Scores #1034181. Published by Early Music Scores (A0.1455104). Voice and continuoComposed by Robert Johnson (c.1583-1633). From British Library, Add. MS 29481, ff.5v-6r. Edited by Felipe Dias. 2 pages.

Soprano voice,Vocal Solo - Digital Download SKU: A0.805193 Composed by Giacomo Carissimi. Arranged by Early Music Scores. Baroque,Sacred. 5 pages. Early Music Scores #412231. Published by Early Music Scores (A0.805193). Voice and continuo Incipit lamentatio Jeremiae prophetae. Composed by Giacomo Carissimi (c.1605-1674). From Museo internazionale e biblioteca della musica di Bologna, MS Q43, ff.1v-5r. Edited by Felipe Dias. 5 pages. Transposed a fourth higher.

Piano Solo - Level 3 - Digital Download SKU: A0.1238246 Composed by Emma Drew. Classical,Contemporary. Score. 2 pages. Emma Louise Drew #833720. Published by Emma Louise Drew (A0.1238246). This piece will find its home with those who love the excitement of the rapid movement of fingers over the keys. It is through-composed, with a brief return to the initial theme to bring the piece to its completion. The technical aspects of the piece include legato quaver and semiquaver patterns; accented staccato quavers with octave jumps; melodic, harmonic, and triad accompaniments; the crossing over of hands; and a broad dynamic range, from p to ff. Watch for the three changes to the time signature and the movement of the right hand into the bass in bar 26, then back to the treble in bar 28.

Vocal Solo,Voice - Digital Download SKU: A0.791947 Composed by Luigi Rossi. Arranged by Early Music Scores. Baroque,Classical. 9 pages. Early Music Scores #6866337. Published by Early Music Scores (A0.791947). Soprano voice and continuoComposed by Luigi Rossi (c.1597-1653). From Biblioteca Apostolica Vaticana, Chig.Q.IV.18, ff.69r-80v). Baroque period. Edited by Felipe Dias. 9 pages.

Vocal Solo,Voice - Digital Download SKU: A0.791937 Composed by Jacopo Peri. Arranged by Early Music Scores. Baroque,Classical. 7 pages. Early Music Scores #6854443. Published by Early Music Scores (A0.791937). Voice and continuoComposed by Jacopo Peri (1561-1633). Museo Internazionale e Biblioteca della Musica di Bologna, MS Q49, ff.21-23. Edited by Felipe Dias. 7 pages.

Vocal Solo,Voice - Digital Download SKU: A0.1169120 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Renaissance. 2 pages. Early Music Scores #769470. Published by Early Music Scores (A0.1169120). Voice and continuo: composed by Robert Johnson (c.1583-1633). New York Public Library, MS Drexel 4041, ff. 107v-108r. Edited by Felipe Dias. 2 pages.

Concert Band - Digital Download SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.